of the mat or shade hung in front of the apertures in the walls of the primitive cave-dwelling. Four of these buildings facing each other round a square made the courtyard, and one or more courtyards made the compound. They have fed themselves on almost everything edible to be found on, under, or above land or water, except milk, but live chiefly on rice, chicken, fish, vegetables, including garlic, and tea, though at one time they ate flesh and drank wine, sometimes to excess, before tea was cultivated. They have clothed themselves in skins and feathers, and then in silks and satins, but mostly in cotton, and hardly ever in wool. Under the Manchu régime the type of dress adopted was that of this horse-riding race, showing the chief characteristics of that noble animal, the broad sleeves representing the hoofs, the queue the mane, etc. This queue was formed of the hair growing from the back part of the scalp, the front of which was shaved. Unlike the Egyptians, they did not wear wigs. They have nearly always had the decency to wear their coats long, and have despised the Westerner for wearing his too short. They are now paradoxical enough to make the mistake of adopting the Westerner's costume.
They have made to themselves great canals, bridges, aqueducts, and the longest wall there has ever been on the face of the earth (which could not be seen from the moon, as some sinologists have erroneously supposed, any more than a hair, however long, could be seen at a distance of a hundred yards). They have made long and wide roads, but failed to keep them in repair during the last few centuries, though much zeal, possibly due to commerce on oil- or electricity-driven wheels, is now being shown in this direction. They have built honorary portals to chaste widows, pagodas, and arched bridges of great beauty, not forgetting to surround each city with a high and substantial wall to keep out unfriendly people. They have made innumerable implements and weapons, from pens and fans and chopsticks to ploughs and carts and ships; from fiery darts, 'flame elephants,' bows and spears, spiked chariots, battering-rams, and hurling-engines to mangonels, trebuchets, matchlocks of wrought iron and plain bore with long barrels resting on a stock, and gingals fourteen feet long resting on a tripod, cuirasses of quilted cotton cloth covered with brass knobs, and helmets of iron or polished steel, sometimes inlaid, with neck- and ear-lappets. And they have been content not to improve upon these to any appreciable extent; but have lately shown a tendency to make the later patterns imported from the West in their own factories.
They have produced one of the greatest and most remarkable accumulations of literature the world has ever seen, and the finest porcelain; some music, not very fine; and some magnificent painting, though hardly any sculpture, and little architecture that will live.
Chapter II
On Chinese Mythology
Mythology and Intellectual Progress
The Manichæst, yin-yang (dualist), idea of existence, to which further reference will be made in the next chapter, finds its illustration in the dual life, real and imaginary, of all the peoples of the earth. They have both real histories and mythological histories. In the preceding chapter I have dealt briefly with the first—the life of reality—in China from the earliest times to the present day; the succeeding chapters are concerned with the second—the life of imagination. A survey of the first was necessary for a complete understanding of the second. The two react upon each other, affecting the national character and through it the history of the world.
Mythology is the science of the unscientific man's explanation of what we call the Otherworld—itself and its denizens, their mysterious habits and surprising actions both there and here, usually including the creation of this world also. By the Otherworld he does not necessarily mean anything distant or even invisible, though the things he explains would mostly be included by us under those terms. In some countries myths are abundant, in others scarce. Why should this be? Why should some peoples tell many and marvellous tales about their gods and others say little about them, though they may say a great deal to them? We recall the 'great' myths of Greece and Scandinavia. Other races are 'poor' in myths. The difference is to be explained by the mental characters of the peoples as moulded by their surroundings and hereditary tendencies. The problem is of course a psychological one, for it is, as already noted, in imagination that myths have their root. Now imagination grows with each stage of intellectual progress, for intellectual progress implies increasing representativeness of thought. In the lower stages of human development imagination is feeble and unproductive; in the highest stages it is strong and constructive.
The Chinese Intellect
The Chinese are not unimaginative, but their minds did not go on to the construction of any myths which should be world-great and immortal; and one reason why they did not construct such myths was that their intellectual progress was arrested at a comparatively early stage. It was arrested because there was not that contact and competition with other peoples which demands brain-work of an active kind as the alternative of subjugation, inferiority, or extinction, and because, as we have already seen, the knowledge required of them was mainly the parrot-like repetition of the old instead of the thinking-out of the new 1—a state of things rendered possible by the isolation just referred to. Confucius discountenanced discussion about the supernatural, and just as it is probable that the exhortations of Wên Wang, the virtual founder of the Chou dynasty (1121–255 B.C.), against drunkenness, in a time before tea was known to them, helped to make the Chinese the sober people that they are, so it is probable—more than probable—that this attitude of Confucius may have nipped in the bud much that might have developed a vigorous mythology, though for a reason to be stated later it may be doubted if he thereby deprived the world of any beautiful and marvellous results of the highest flights of poetical creativeness. There are times, such as those of any great political upheaval, when human nature will assert itself and break through its shackles in spite of all artificial or conventional restraints. Considering the enormous influence of Confucianism throughout the latter half of Chinese history—i.e. the last two thousand years—it is surprising that the Chinese dared to think about supernatural matters at all, except in the matter of propitiating their dead ancestors. That they did so is evidence not only of human nature's inherent tendency to tell stories, but also of the irrepressible strength of feeling which breaks all laws and commandments under great stimulus. On the opposing unæsthetic side this may be compared to the feeling which prompts the unpremeditated assassination of a man who is guilty of great injustice, even though it be certain that in due course he would have met his deserts at the hands of the public executioner.
The Influence of Religion
Apart from this, the influence of Confucianism would have been even greater than it was, but for the imperial partiality periodically shown for rival doctrines, such as Buddhism and Taoism, which threw their weight on the side of the supernatural, and which at times were exalted to such great heights as to be officially recognized as State religions. These, Buddhism especially, appealed to the popular imagination and love of the marvellous. Buddhism spoke of the future state and the nature of the gods in no uncertain tones. It showed men how to reach the one and attain to the other. Its founder was virtuous; his commandments pure and life-sustaining. It supplied in great part what Confucianism lacked. And, as in the fifth and sixth centuries A.D., when Buddhism and Taoism joined forces and a working union existed between them, they practically excluded for the time all the "chilly growth of Confucian classicism."
Other opponents of myth, including a critical philosopher of great ability, we shall have occasion to notice presently.
History and Myth
The sobriety and accuracy of Chinese historians is proverbial. I have dilated upon this in another work, and need add here only what I inadvertently omitted there—a point hitherto unnoticed or at least unremarked—that the very word for history in Chinese (shih) means impartiality or an impartial annalist. It has been said that where there is much myth there is little history, and vice versa, and though this may not be universally true, undoubtedly the persistently truthful recording