curious I grew; and one afternoon I paid the place a visit. It is on the second floor, the entrance is through a side door and up a narrow, dusty stairway. Then I had to make my way along a dark windowless passage to the office, or shop in the front.
"This shop was well lighted, and literally stuffed with what were well termed 'curiosities of art.' I never before saw such queer carvings, such freakish pottery, such weird and utterly impossible bric-a-brac. At a table sat a flabby looking man with a short sandy beard. One glance told me that he was an habitual drunkard, for he had the sodden look that is unmistakable. But when he arose and bid me good evening his manner struck me like a blow in the face. Allan Morris had spoken of a mocking person who jeered and smiled. And that described this man exactly. There was mockery in every glance of his dull eyes; every twitch of his mouth was a fleer; with each gesture he seemed making game of one; sneering incredulity was stamped all over him."
Ashton-Kirk leaned forward with keen interest.
"My manner must have betrayed me,"the girl went on, "for I saw an inquiring crease come into his forehead. When he asked the nature of my business his voice was sharp and insolent.
"I had not thought as to what I should say, what excuse I should give in this case. But almost instantly my mind was made up. About the most conspicuous thing in the room was a squat Japanese idol—a fat, grinning, hideous thing which sat upon a sort of pedestal near the door. So I laid my hand in it.
"'I was told of this,' said I, examining the idol minutely, 'and came in to see it.'
"'Ah, yes,' said he. But it was plain enough that he did not believe me.
"I inquired the price of the figure. He named a high one; and I believe I astonished him by purchasing it without another word. The idol was delivered late that afternoon. I had it unpacked at once and placed where Mr. Morris could not fail to see it when he called."
"A clever plan,"commented Ashton-Kirk, admiringly.
"He saw it when he entered the room and greeted me. He was smiling; and the smile froze on his lips, his face went pale, and he turned a look upon me that filled me with fear, it was so wan and startled.
"I had intended telling him the full truth if my ruse succeeded. But after that look I could not. I convinced him by a nonchalant manner and story, that I had come by the idol accidentally. At least I think I convinced him, though I noticed his watching me steadily from under very level brows more than once during the evening. But if he had any suspicions that I was deceiving him, he did not put them into words."
Here Miss Vale paused for a moment. Then she resumed:
"I tried, in various ways, to gain a knowledge of the relationship between my fiancé and this sneering shopkeeper; but they were all ineffectual. Mr. Ashton-Kirk, this occurred fully three months ago, and the situation remains the same as it was upon that night."
Then with a suddenness that startled the young man she lifted two trembling hands to her face and began to sob gaspingly. When she took the hands away there were no signs of tears, but her beautiful face was drawn with pain and her voice shook as she said:
"I don't think I can stand it much longer. I beg of you not to think lightly of my story; for the thing that stands between Allan Morris and myself is deadly. As I watch him I can see that his heart is breaking; his health is failing, there is a look of fear in his eyes."She reached forward and her hand rested upon the sleeve of Ashton-Kirk. "He is at the mercy of this mocking monster that I have described to you. It is killing him, and through him it is killing me. Help me, please."
Ashton-Kirk smiled reassuringly.
"As far as I can see,"said he, "the case is a simple one. However, it may turn out the reverse. But in either event I can promise you a swift and energetic attempt to set the matter right."
"Thank you!"She stood up. "And you will begin to-day?"
"At once!"
"You are kind."She held out her hand; he took it. "Thank you, again."
Stumph appeared, in answer to the bell. She turned to go.
"There is nothing more that you can tell me?"he inquired.
"Nothing."
"I had supposed that. Your recital sounded pretty complete."
When the door closed upon her, he stood for a few moments in the middle of the floor, his head bent forward, his hands behind him. Then he turned and touched another of the system of bells.
Immediately a brisk, boyish looking young man presented himself.
"Fuller,"spoke Ashton-Kirk, "I want instant and complete information upon one Hume, a local numismatist, and Allan Morris, consulting engineer."
"Very well, sir."And Fuller turned at once, and left the room.
CHAPTER III
THE PORTRAITS OF GENERAL WAYNE
When Ashton-Kirk returned that evening from the theatre, where he had gone to witness a much heralded new drama, he sat with a cigar, in his library; and stretching out his length in great comfort, he smoked and smiled and thought of what he had seen and heard.
"The drama as a medium of expression is necessarily limited,"the young man was saying to himself, "and of course, in fitting human action to its narrow bounds, the dramatist is sometimes tempted to ignore certain human elements. In spots, the people of the play acted like puppets; upon seven different occasions, by actual count, the entire matter would have been cleared up if someone had sharply spoken his mind. But he did not, and the thing was allowed to become hopelessly involved because of it."
He knocked the ashes from his cigar; and a smile came to his lips.
"It would not have served the purpose of the dramatist, I suppose; his play would have ended abruptly, and far short of the prescribed time. He tried to tell a human story and chose an unhuman method."
There was another pause; the smile now disappeared and a thoughtful look came into his face.
"And yet,"he mused, "is the playwright really so far wrong? Is his stage story very far removed from actuality after all? In Miss Edyth Vale, we have a girl of most unusual character, of splendid education, apparently. And yet in the building of her own drama she has outstripped the inventor of stage plays in the matter of hesitancy. Her natural inclination urged her to make a firm stand; but other feelings proved the stronger, and she held her tongue much after the fashion of the girl in the play."
He was puffing at a second cigar when there came a knock on the door, and Fuller entered.
"Well?"said Ashton-Kirk.
"I thought you'd perhaps like to look over this data before morning,"said the young man, as he laid a number of typed sheets and a photograph at Ashton-Kirk's elbow. "As you required instant action I got Burgess on the Hume end of it before noon; after luncheon I took up Morris myself."
"Thank you,"said the other.
"Morris,"with a nod toward the photograph, "is rather uneventful, personally. And it was no very difficult matter to get the facts concerning him. But Burgess had a much more interesting time. Hume seems to have lots of color as a character. Not that there was a great deal shown—the time was too short. But the indications are promising."
When Fuller had gone, Ashton-Kirk took up the sheets and began to read them carefully. They were brief, pointed and evidently the work of men who were familiar enough with their business to eliminate all non-essentials. The first one ran:
"Allan Barnett Morris, Consulting Engineer. Specialty, Marine Construction. Lives at the Crompton Apartments. Born October 15, 1879. Graduate of Cornell; class of 1900. Special honors. Brilliant student. Was at once engaged by the New England Ship Building Company. Soon became their right hand man. Resigned in 1905; took offices in the Blake Building. Is much