or seventy when we turned. There were a score or two of hooded ground lights. But there was little reflection aloft, and in the murk of the snowfall I felt we could escape notice.
We crossed, turned and went back in an arc following Polter's curved outer wall. We had a good view of it. A weird enough looking place, here on its lonely hilltop. No wonder the wealthy "Frank Rascor" had attained local prominence!
The whole property was irregularly circular, perhaps a mile in diameter covering the almost flat dome of the hilltop. Around it, completely enclosing it, Polter had built a stone and brick wall. A miniature of the Great Wall in China! We could see that it was fully thirty feet high with what evidently were naked high-voltage wires protecting its top. There were half a dozen little gates, securely barred, with doubtless a guard at each of them.
Within the walls there were several buildings: a few small stone houses suggesting workmen's dwellings; an oblong stone structure with smoke funnels which looked like a smelter; a huge domelike spread of translucent glass over what might have been the top of a mineshaft. It looked more like the dome of an observatory—an inverted bowl fully a hundred feet wide and equally as high, set upon the ground. What did it cover?
And there was Polter's residence—a castlelike brick and stone building with a tower not unlike a miniature of the Chateau Frontenac. We saw a stone corridor on the ground connecting the lower floor of the castle with the dome, which lay about a hundred feet to one side.
Could we chance landing inside the wall? There was a dark, level expanse of snow where we could have done it, but our descending plane doubtless would have been discovered. But the mile-wide inner area was dark in many places. Spots of light were at the little wall-gates. There was a glow all along the top of the wall. Lights were on in Polter's house; they slanted out in yellow shafts to the nearby white ground. But for the rest, the whole place was dark, save a dim glow from under the dome.
I shook my head at Alan's suggestion that we land inside the walls. We had circled back and were a mile or so off toward the river. "The trees—and you saw guards down there. But that low stretch outside the gate on this side...."
A plan was coming to me. Heaven knows it was desperate enough, but we had no alternative. We would land and accost one of the gate guards. Force our way in. Once inside the wall, on foot in the darkness of this blizzard, we could hide; slip up to that dome. Beyond that my imagination could not go.
We landed in the snow a quarter of a mile from one of the gates. We left the plane and plunged into the darkness.
It was a steady upward slope. A packed snowfield was underfoot, firm enough to hold our weight, with a foot or so of loose, soft snow on its top. The falling flakes whirled around us. The darkness was solid. Our helmeted leather-furred flying suits were soon shapeless with a gathering white shroud. We carried our Essens in our gloved hands. The night was cold, around zero I imagine, though with that biting wind it felt far colder.
From the gloom a tiny spot of light loomed up.
"There it is, Alan. Easy now! Let me go first." The wind tore away my words. We could see the narrow rectangle of bars at the gate, with a glow of light behind them.
"Hide your gun, Alan." I gripped him. "Do you hear me?"
"Yes."
"Let me go first. I'll do the talking. When he opens the gate, let me handle him. You—if there are two of them—you take the other."
We emerged from the darkness, into the glow of light by the gate. I had the horrible feeling that a shot would greet us. A challenge came, at first in French and then in English.
"Stop! What do you want?"
"To see Mr. Rascor."
We were up to the bars now, shapeless hooded bundles of snow and frost. A man stood in the doorway of a lighted little cubby behind the bars. A black muzzle in his hand was leveled at us.
"He sees no one. Who are you?"
Alan was pressing at me from behind. I shoved him back, and took a step forward. I touched the bars.
"My name is Fred Davis. Newspaperman from Montreal I must see Mr. Rascor."
"You cannot. You may send in your call. The mouthpiece is there—out there to the left. Bare your face; he talks to no one without the face image."
The guard had drawn back into his cubby; there was only his extended hand and the muzzle of his weapon left visible.
I took a step forward. "I don't want to talk by phone. Won't you open the gate? It's cold out here. We have important business. We'll wait with you."
Abruptly the gate lattice slid aside. Beyond the cubby doorway was the open darkness within the wall. A scuffed path leading inward from the gate showed for a few feet.
I walked over the threshold, with Alan crowding me. The Essen in my coat pocket was leveled. But from the cubby doorway, I saw that the guard was gone! Then I saw him crouching behind a metal shield. His voice rang out.
"Stand!"
A light struck my face—a thin beam from a television sender beside me. It all happened in an instant, so quickly Alan and I had barely time to make a move. I realized my image was now doubtless being presented to Polter. He would recognize me!
I ducked my head, yelling, "Don't do that!"
It was too late! The guard had received a signal. I heard its buzz.
From the shield a tiny jet of fluid leapt at me. It struck my hood. There was a heavy sickening-sweet smell. It seemed like chloroform. I felt my senses going. The cubby room was turning dark, was roaring.
I think I fired at the shield. And Alan leapt aside. I heard the faint hiss of his Essen, and his choked, horrified voice:
"George, run! Don't fall!"
I crumpled; slid into blackness. And it seemed, as I went down, that Alan's inert body was falling on top of me....
* * * * *
I recovered after a nameless interval, a phantasmagoria of wild, drugged dreams. My senses came slowly. At first, there were dim muffled voices and the tread of footsteps. Then I knew that I was lying on the ground, and that I was indoors. It was warm. My overcoat was off. Then I realized that I was bound and gagged.
I opened my eyes. Alan was lying inert beside me, roped and with a black gag around his face and in his mouth. We were in a huge dim open space. Presently, as my vision cleared, I saw that the dome was overhead. This was a circular, hundred-foot-wide room. It was dimly lighted. The figures of men were moving about, their great misshapen shadows shifting with them. Twenty feet from me there was a pile of golden rock—chunks of gold the size of a man's fist, or his head, and larger, heaped loosely into a mound ten feet high.
Beyond this pile of ore, near the center of the room, twenty feet above the concrete floor, there was a large hanging electrolier. It cast a circular glow downward. Under it I saw a low platform raised a foot or two above the ground. A giant electro-microscope was hung with its twenty foot cylinder above the platform. Its intensification tubes were glowing in a dim phosphorescent row on a nearby bracket. A man sat in a chair on the platform at the microscope's eyepiece.
I saw all this with a brief glance, then my attention went to a white stone slab under the giant lense. It rested on the platform floor, a two-foot square surface of smooth white marble. A little roped railing a few inches high fenced it. And in its center lay a fragment of golden quartz the size of a walnut!
There was a movement across my line of vision. Two figures advanced. I recognized both of them. And I strained at my bonds; mouthed the gag with futile, frenzied effort. I could no more than writhe; and I couldn't make a sound. I lay, after a moment exhausted, and stared with horror.
The familiar hunched figure of Polter advanced toward the microscope. And with him, his huge hand holding her wrists, was Babs. They were nearly fifty feet from me, but with the light over them I could see them clearly. Babs' slim figure was clad in a long skirted dress—pale blue, now, with the light on it.