George Eliot

The Complete Novels in One Volume


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the old woman herself to take the food and drink she so much needed after a day of hard work and fasting.

      Seth was so happy now Dinah was in the house that he could not help thinking her presence was worth purchasing with a life in which grief incessantly followed upon grief; but the next moment he reproached himself—it was almost as if he were rejoicing in his father’s sad death. Nevertheless the joy of being with Dinah would triumph—it was like the influence of climate, which no resistance can overcome. And the feeling even suffused itself over his face so as to attract his mother’s notice, while she was drinking her tea.

      “Thee may’st well talk o’ trouble bein’ a good thing, Seth, for thee thriv’st on’t. Thee look’st as if thee know’dst no more o’ care an’ cumber nor when thee wast a babby a-lyin’ awake i’ th’ cradle. For thee’dst allays lie still wi’ thy eyes open, an’ Adam ne’er ’ud lie still a minute when he wakened. Thee wast allays like a bag o’ meal as can ne’er be bruised—though, for the matter o’ that, thy poor feyther war just such another. But ye’ve got the same look too” (here Lisbeth turned to Dinah). “I reckon it’s wi’ bein’ a Methody. Not as I’m a-findin’ faut wi’ ye for’t, for ye’ve no call to be frettin’, an’ somehow ye looken sorry too. Eh! Well, if the Methodies are fond o’ trouble, they’re like to thrive: it’s a pity they canna ha’t all, an’ take it away from them as donna like it. I could ha’ gi’en ’em plenty; for when I’d gotten my old man I war worreted from morn till night; and now he’s gone, I’d be glad for the worst o’er again.”

      “Yes,” said Dinah, careful not to oppose any feeling of Lisbeth’s, for her reliance, in her smallest words and deeds, on a divine guidance, always issued in that finest woman’s tact which proceeds from acute and ready sympathy; “yes, I remember too, when my dear aunt died, I longed for the sound of her bad cough in the nights, instead of the silence that came when she was gone. But now, dear friend, drink this other cup of tea and eat a little more.”

      “What!” said Lisbeth, taking the cup and speaking in a less querulous tone, “had ye got no feyther and mother, then, as ye war so sorry about your aunt?”

      “No, I never knew a father or mother; my aunt brought me up from a baby. She had no children, for she was never married and she brought me up as tenderly as if I’d been her own child.”

      “Eh, she’d fine work wi’ ye, I’ll warrant, bringin’ ye up from a babby, an’ her a lone woman—it’s ill bringin’ up a cade lamb. But I daresay ye warna franzy, for ye look as if ye’d ne’er been angered i’ your life. But what did ye do when your aunt died, an’ why didna ye come to live in this country, bein’ as Mrs. Poyser’s your aunt too?”

      Dinah, seeing that Lisbeth’s attention was attracted, told her the story of her early life—how she had been brought up to work hard, and what sort of place Snowfield was, and how many people had a hard life there—all the details that she thought likely to interest Lisbeth. The old woman listened, and forgot to be fretful, unconsciously subject to the soothing influence of Dinah’s face and voice. After a while she was persuaded to let the kitchen be made tidy; for Dinah was bent on this, believing that the sense of order and quietude around her would help in disposing Lisbeth to join in the prayer she longed to pour forth at her side. Seth, meanwhile, went out to chop wood, for he surmised that Dinah would like to be left alone with his mother.

      Lisbeth sat watching her as she moved about in her still quick way, and said at last, “Ye’ve got a notion o’ cleanin’ up. I wouldna mind ha’in ye for a daughter, for ye wouldna spend the lad’s wage i’ fine clothes an’ waste. Ye’re not like the lasses o’ this countryside. I reckon folks is different at Snowfield from what they are here.”

      “They have a different sort of life, many of ’em,” said Dinah; “they work at different things—some in the mill, and many in the mines, in the villages round about. But the heart of man is the same everywhere, and there are the children of this world and the children of light there as well as elsewhere. But we’ve many more Methodists there than in this country.”

      “Well, I didna know as the Methody women war like ye, for there’s Will Maskery’s wife, as they say’s a big Methody, isna pleasant to look at, at all. I’d as lief look at a tooad. An’ I’m thinkin’ I wouldna mind if ye’d stay an’ sleep here, for I should like to see ye i’ th’ house i’ th’ mornin’. But mayhappen they’ll be lookin for ye at Mester Poyser’s.”

      “No,” said Dinah, “they don’t expect me, and I should like to stay, if you’ll let me.”

      “Well, there’s room; I’n got my bed laid i’ th’ little room o’er the back kitchen, an’ ye can lie beside me. I’d be glad to ha’ ye wi’ me to speak to i’ th’ night, for ye’ve got a nice way o’ talkin’. It puts me i’ mind o’ the swallows as was under the thack last ’ear when they fust begun to sing low an’ soft-like i’ th’ mornin’. Eh, but my old man war fond o’ them birds! An’ so war Adam, but they’n ne’er comed again this ’ear. Happen they’re dead too.”

      “There,” said Dinah, “now the kitchen looks tidy, and now, dear Mother—for I’m your daughter to-night, you know—I should like you to wash your face and have a clean cap on. Do you remember what David did, when God took away his child from him? While the child was yet alive he fasted and prayed to God to spare it, and he would neither eat nor drink, but lay on the ground all night, beseeching God for the child. But when he knew it was dead, he rose up from the ground and washed and anointed himself, and changed his clothes, and ate and drank; and when they asked him how it was that he seemed to have left off grieving now the child was dead, he said, ‘While the child was yet alive, I fasted and wept; for I said, Who can tell whether God will be gracious to me, that the child may live? But now he is dead, wherefore should I fast? Can I bring him back again? I shall go to him, but he shall not return to me.’”

      “Eh, that’s a true word,” said Lisbeth. “Yea, my old man wonna come back to me, but I shall go to him—the sooner the better. Well, ye may do as ye like wi’ me: there’s a clean cap i’ that drawer, an’ I’ll go i’ the back kitchen an’ wash my face. An’ Seth, thee may’st reach down Adam’s new Bible wi’ th’ picters in, an’ she shall read us a chapter. Eh, I like them words—‘I shall go to him, but he wonna come back to me.’”

      Dinah and Seth were both inwardly offering thanks for the greater quietness of spirit that had come over Lisbeth. This was what Dinah had been trying to bring about, through all her still sympathy and absence from exhortation. From her girlhood upwards she had had experience among the sick and the mourning, among minds hardened and shrivelled through poverty and ignorance, and had gained the subtlest perception of the mode in which they could best be touched and softened into willingness to receive words of spiritual consolation or warning. As Dinah expressed it, “she was never left to herself; but it was always given her when to keep silence and when to speak.” And do we not all agree to call rapid thought and noble impulse by the name of inspiration? After our subtlest analysis of the mental process, we must still say, as Dinah did, that our highest thoughts and our best deeds are all given to us.

      And so there was earnest prayer—there was faith, love, and hope pouring forth that evening in the little kitchen. And poor, aged, fretful Lisbeth, without grasping any distinct idea, without going through any course of religious emotions, felt a vague sense of goodness and love, and of something right lying underneath and beyond all this sorrowing life. She couldn’t understand the sorrow; but, for these moments, under the subduing influence of Dinah’s spirit, she felt that she must be patient and still.

       In the Cottage.

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      It was but half-past four the next morning when Dinah, tired of lying awake listening to the birds and watching the growing light through the little window in the garret roof, rose and