waves of its silliness lap you round till you seem to drown, intoxicated, in a viscous sea—after all, it's the kind of drug we need. The right drug for friendless people. As he approached the Palace Theatre a tart on sentry-go under the porch marked him down, stepped forward and stood in his path. A short, stocky Italian girl, very young, with big black eyes. She looked agreeable, and, what tarts so seldom are, merry. For a moment he checked his step, even allowed himself to catch her eye. She looked up at him, ready to break out into a broad-lipped smile. Why not stop and talk to her? She looked as though she might understand him. But no! No money! He looked away and side-stepped her with the cold haste of a man whom poverty makes virtuous. How furious she'd be if he stopped and then she found he had no money! He pressed on. Even to talk costs money.
Up Tottenham Court Road and Camden Road it was a dreary drudge. He walked slower, dragging his feet a little. He had done ten miles over pavements. More girls streamed past, unseeing. Girls alone, girls with youths, girls with other girls, girls alone. Their cruel youthful eyes went over him and through him as though he had not existed. He was too tired to resent it. His shoulders surrendered to their weariness; he slouched, not trying any longer to preserve his upright carriage and his you-be-damned air. They flee from me that sometime did me seek. How could you blame them? He was thirty, moth-eaten and without charm. Why should any girl ever look at him again?
He reflected that he must go home at once if he wanted any food—for Ma Wisbeach refused to serve meals after nine o'clock. But the thought of his cold womanless bedroom sickened him. To climb the stairs, light the gas, flop down at the table with hours to kill and nothing to do, nothing to read, nothing to smoke—no, not endurable. In Camden Town the pubs were full and noisy, though this was only Thursday. Three women, red-armed, squat as the beer mugs in their hands, stood outside a pub door, talking. From within came hoarse voices, fag-smoke, the fume of beer. Gordon thought of the Crichton Arms. Flaxman might be there. Why not risk it? A half of bitter, threepence halfpenny. He had fourpence halfpenny counting the Joey. After all, a Joey is legal tender.
He felt dreadfully thirsty already. It had been a mistake to let himself think of beer. As he approached the Crichton, he heard voices singing. The great garish pub seemed to be more brightly lighted than usual. There was a concert or something going on inside. Twenty ripe male voices were chanting in unison:
'Fo-or ree's a jorrigoo' fellow,
For ree's a jorrigoo' fellow,
For ree's a jorrigoo' fe-ELL-OW—
And toori oori us!'
At least, that was what it sounded like. Gordon drew nearer, pierced by a ravishing thirst. The voices were so soggy, so infinitely beery. When you heard them you saw the scarlet faces of prosperous plumbers. There was a private room behind the bar where the Buffaloes held their secret conclaves. Doubtless it was they who were singing. They were giving some kind of commemorative booze to their president, secretary, Grand Herbivore or whatever he is called. Gordon hesitated outside the saloon bar. Better go to the public bar, perhaps. Draught beer in the public, bottled beer in the saloon. He went round to the other side of the pub. The beer-choked voices followed him:
'With a toori oori ay.
An' a toori oori ay!
'Fo-or ree's a jorrigoo' fellow,
For ree's a jorrigoo' fellow——'
He felt quite faint for a moment. But it was fatigue and hunger as well as thirst. He could picture the cosy room where those Buffaloes were singing; the roaring fire, the big shiny table, the bovine photographs on the wall. Could picture also, as the singing ceased, twenty scarlet faces disappearing into pots of beer. He put his hand into his pocket and made sure that the threepenny-bit was still there. After all, why not? In the public bar, who would comment? Slap the Joey down on the bar and pass it off as a joke. 'Been saving that up from the Christmas pudding—ha, ha!' Laughter all round. Already he seemed to have the metallic taste of draught beer on his tongue.
He fingered the tiny disc, irresolute. The Buffaloes had tuned up again:
'With a toori oori ay,
An' a toori oori ay!
'Fo-or ree's a jorrigoo' fellow——'
Gordon moved back to the saloon bar. The window was frosted, and also steamy from the heat inside. Still, there were chinks where you could see through. He peeped in. Yes, Flaxman was there.
The saloon bar was crowded. Like all rooms seen from the outside, it looked ineffably cosy. The fire that blazed in the grate danced, mirrored, in the brass spittoons. Gordon thought he could almost smell the beer through the glass. Flaxman was propping up the bar with two fish-faced pals who looked like insurance-touts of the better type. One elbow on the bar, his foot on the rail, a beer-streaked glass in the other hand, he was swapping backchat with the blonde cutie barmaid. She was standing on a chair behind the bar, ranging the bottled beer and talking saucily over her shoulder. You couldn't hear what they were saying, but you could guess. Flaxman let fall some memorable witticism. The fish-faced men bellowed with obscene laughter. And the blonde cutie, tittering down at him, half shocked and half delighted, wriggled her neat little bum.
Gordon's heart sickened. To be in there, just to be in there! In the warmth and light, with people to talk to, with beer and cigarettes and a girl to flirt with! After all, why not go in? You could borrow a bob off Flaxman. Flaxman would lend it you all right. He pictured Flaxman's careless assent—'What ho, chappie! How's life? What? A bob? Sure! Take two. Catch, chappie!'—and the florin flicked along the beer-wet bar. Flaxman was a decent sort, in his way.
Gordon put his hand against the swing door. He even pushed it open a few inches. The warm fog of smoke and beer slipped through the crack. A familiar, reviving smell; nevertheless as he smelled it his nerve failed him. No! Impossible to go in. He turned away. He couldn't go shoving into that saloon bar with only fourpence halfpenny in his pocket. Never let other people buy your drinks for you! The first commandment of the moneyless. He made off, down the dark pavement.
'For ree's a jorrigoo' fe-ELL-OW—
And toori oori us!
'With a toori oori ay!
An' a——'
The voices, diminishing with distance, rolled after him, bearing faint tidings of beer. Gordon took the threepenny-bit from his pocket and sent it skimming away into the darkness.
He was going home, if you could call it 'going'. At any rate he was gravitating in that direction. He did not want to go home, but he had got to sit down. His legs ached and his feet were bruised, and that vile bedroom was the sole place in London where he had purchased the right to sit down. He slipped in quietly, but, as usual, not quite so quietly that Mrs Wisbeach failed to hear him. She gave him a brief nosy glance round the corner of her door. It would be a little after nine. She might get him a meal if he asked her. But she would grizzle and make a favour of it, and he would go to bed hungry sooner than face that.
He started up the stairs. He was halfway up the first flight when a double knock behind him made him jump. The post! Perhaps a letter from Rosemary!
Forced from outside, the letter flap lifted, and with an effort, like a heron regurgitating a flatfish, vomited a bunch of letters onto the mat. Gordon's heart bounded. There were six or seven of them. Surely among all that lot there must be one for himself! Mrs Wisbeach, as usual, had darted from her lair at the sound of the postman's knock. As a matter of fact, in two years Gordon had never once succeeded in getting hold of a letter before Mrs Wisbeach laid hands on it. She gathered the letters jealously to her breast, and then, holding them up one at a time, scanned their addresses. From her manner you could gather that she suspected each one of them of containing a writ, an improper love letter or an ad for Amen Pills.
'One for you, Mr Comstock,' she said sourly, handing him a letter.
His heart shrank and paused in its beat. A long-shaped envelope. Not from Rosemary, therefore. Ah! It was addressed in his own handwriting. From the editor of a paper, then. He had two poems 'out' at present. One with the Californian Review, the other with the Primrose Quarterly.