that she was always as good as her word. I would take my goose now, and in it I would carry my stone to Kilburn. There was a little shed in the yard, and behind this I drove one of the birds -- a fine big one, white, with a barred tail. I caught it, and prying its bill open, I thrust the stone down its throat as far as my finger could reach. The bird gave a gulp, and I felt the stone pass along its gullet and down into its crop. But the creature flapped and struggled, and out came my sister to know what was the matter. As I turned to speak to her the brute broke loose and fluttered off among the others.
" 'Whatever were you doing with that bird, Jem?' says she.
" 'Well,' said I, 'you said you'd give me one for Christmas, and I was feeling which was the fattest.'
" 'Oh,' says she, 'we've set yours aside for you -- Jem's bird, we call it. It's the big white one over yonder. There's twenty-six of them, which makes one for you, and one for us, and two dozen for the market.'
" 'Thank you, Maggie,' says l; 'but if it is all the same to you, I'd rather have that one I was handling just now.'
" 'The other is a good three pound heavier,' said she, 'and we fattened it expressly for you.'
" 'Never mind. I'll have the other, and I'll take it now,' said I.
" 'Oh, just as you like,' said she, a little huffed. 'Which is it you want, then?'
" 'That white one with the barred tail, right in the middle of the flock.'
" 'Oh, very well. Kill it and take it with you.'
"Well, I did what she said, Mr. Holmes, and I carried the bird all the way to Kilburn. I told my pal what I had done, for he was a man that it was easy to tell a thing like that to. He laughed until he choked, and we got a knife and opened the goose. My heart turned to water, for there was no sign of the stone, and I knew that some terrible mistake had occurred. I left the bird, rushed back to my sister's, and hurried into the back yard. There was not a bird to be seen there.
" 'Where are they all, Maggie?' I cried.
" 'Gone to the dealer's, Jem.'
" 'Which dealer's?'
" 'Breckinridge, of Covent Garden.'
" 'But was there another with a barred tail?' I asked, 'the same as the one I chose?'
" 'Yes, Jem; there were two barred-tailed ones, and I could never tell them apart.'
"Well, then, of course I saw it all, and I ran off as hard as my feet would carry me to this man Breckinridge; but he had sold the lot at once, and not one word would he tell me as to where they had gone. You heard him yourselves to-night. Well, he has always answered me like that. My sister thinks that I am going mad. Sometimes I think that I am myself. And now -- and now I am myself a branded thief, without ever having touched the wealth for which I sold my character. God help me! God help me!" He burst into convulsive sobbing, with his face buried in his hands.
There was a long silence, broken only by his heavy breathing and by the measured tapping of Sherlock Holmes's finger-tips upon the edge of the table. Then my friend rose and threw open the door.
"Get out!" said he.
"What, sir! Oh, Heaven bless you!"
"No more words. Get out!"
And no more words were needed. There was a rush, a clatter upon the stairs, the bang of a door, and the crisp rattle of running footfalls from the street.
"After all, Watson," said Holmes, reaching up his hand for his clay pipe, "I am not retained by the police to supply their deficiencies. If Horner were in danger it would be another thing; but this fellow will not appear against him, and the case must collapse. I suppose that I am commuting a felony, but it is just possible that I am saving a soul. This fellow will not go wrong again; he is too terribly frightened. Send him to jail now, and you make him a jail-bird for life. Besides, it is the season of forgiveness. Chance has put in our way a most singular and whimsical problem, and its solution is its own reward. If you will have the goodness to touch the bell, Doctor, we will begin another investigation, in which, also a bird will be the chief feature."
The Flying Stars
(G. K. Chesterton)
"The most beautiful crime I ever committed," Flambeau would say in his highly moral old age, "was also, by a singular coincidence, my last. It was committed at Christmas. As an artist I had always attempted to provide crimes suitable to the special season or landscapes in which I found myself, choosing this or that terrace or garden for a catastrophe, as if for a statuary group. Thus squires should be swindled in long rooms panelled with oak; while Jews, on the other hand, should rather find themselves unexpectedly penniless among the lights and screens of the Café Riche. Thus, in England, if I wished to relieve a dean of his riches (which is not so easy as you might suppose), I wished to frame him, if I make myself clear, in the green lawns and grey towers of some cathedral town. Similarly, in France, when I had got money out of a rich and wicked peasant (which is almost impossible), it gratified me to get his indignant head relieved against a grey line of clipped poplars, and those solemn plains of Gaul over which broods the mighty spirit of Millet.
"Well, my last crime was a Christmas crime, a cheery, cosy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house near Putney, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species. I really think my imitation of Dickens's style was dexterous and literary. It seems almost a pity I repented the same evening."
Flambeau would then proceed to tell the story from the inside; and even from the inside it was odd. Seen from the outside it was perfectly incomprehensible, and it is from the outside that the stranger must study it. From this standpoint the drama may be said to have begun when the front doors of the house with the stable opened on the garden with the monkey tree, and a young girl came out with bread to feed the birds on the afternoon of Boxing Day. She had a pretty face, with brave brown eyes; but her figure was beyond conjecture, for she was so wrapped up in brown furs that it was hard to say which was hair and which was fur. But for the attractive face she might have been a small toddling bear.
The winter afternoon was reddening towards evening, and already a ruby light was rolled over the bloomless beds, filling them, as it were, with the ghosts of the dead roses. On one side of the house stood the stable, on the other an alley or cloister of laurels led to the larger garden behind. The young lady, having scattered bread for the birds (for the fourth or fifth time that day, because the dog ate it), passed unobtrusively down the lane of laurels and into a glimmering plantation of evergreens behind. Here she gave an exclamation of wonder, real or ritual, and looking up at the high garden wall above her, beheld it fantastically bestridden by a somewhat fantastic figure.
"Oh, don't jump, Mr. Crook," she called out in some alarm; "it's much too high."
The individual riding the party wall like an aerial horse was a tall, angular young man, with dark hair sticking up like a hair brush, intelligent and even distinguished lineaments, but a sallow and almost alien complexion. This showed the more plainly because he wore an aggressive red tie, the only part of his costume of which he seemed to take any care. Perhaps it was a symbol. He took no notice of the girl's alarmed adjuration, but leapt like a grasshopper to the ground beside her, where he might very well have broken his legs.
"I think I was meant to be a burglar," he said placidly, "and I have no doubt I should have been if I hadn't happened to be born in that nice house next door. I can't see any harm in it, anyhow."
"How can you say such things!" she remonstrated.
"Well," said the young man, "if you're born on the wrong side of the wall, I can't see that it's wrong to climb over it."
"I