was the Celt in her that drove her to shoulder the burden which she was ill-equipped to carry, but she had never regretted her impetuous act.
There were a few creditors who, realising what had happened, did not bother her, and there were others… .
She earned a fairly good salary on the staff of the Daily Megaphone, which made a feature of fashion, but she would have had to have been the recipient of a cabinet minister's emoluments to have met the demands which flowed in upon her a month after she had accepted her father's obligations.
"Are you going out to-night, miss?" asked the woman.
Lydia roused herself from her unpleasant thoughts.
"Yes. I'm making some drawings of the dresses in Curfew's new play. I'll be home somewhere around twelve."
Mrs. Morgan was half-way across the room when she turned back.
"One of these days you'll get out of all your troubles, miss, you see if you don't! I'll bet you'll marry a rich young gentleman."
Lydia, sitting on the edge of the table, laughed.
"You'd lose your money, Mrs. Morgan," she said, "rich young gentlemen only marry poor working girls in the kind of stories I illustrate. If I marry it will probably be a very poor young gentleman who will become an incurable invalid and want nursing. And I shall hate him so much that I can't be happy with him, and pity him so much that I can't run away from him."
Mrs. Morgan sniffed her disagreement.
"There are things that happen——" she began.
"Not to me—not miracles, anyway," said Lydia, still smiling, "and I don't know that I want to get married. I've got to pay all these bills first, and by the time they are settled I'll be a grey-haired old lady in a mob cap."
Lydia had finished her tea and was standing somewhat scantily attired in the middle of her bedroom, preparing for her theatre engagement, when Mrs. Morgan returned.
"I forgot to tell you, miss," she said, "there was a gentleman and a lady called."
"A gentleman and a lady? Who were they?"
"I don't know, Miss Beale. I was lying down at the time, and the girl answered the door. I gave her strict orders to say that you were out."
"Did they leave any name?"
"No, miss. They just asked if Miss Beale lived here, and could they see her."
"H'm!" said Lydia with a frown. "I wonder what we owe them!"
She dismissed the matter from her mind, and thought no more of it until she stopped on her way to the theatre to learn from the office by telephone the number of drawings required.
The chief sub-editor answered her.
"And, by the way," he added, "there was an inquiry for you at the office to-day—I found a note of it on my desk when I came in to-night. Some old friends of yours who want to see you. Brand told them you were going to do a show at the Erving Theatre to-night, so you'll probably see them."
"Who are they?" she asked, puzzled.
She had few friends, old or new.
"I haven't the foggiest idea," was the reply.
At the theatre she saw nobody she knew, though she looked round interestedly, nor was she approached in any of the entr'actes.
In the row ahead of her, and a little to her right, were two people who regarded her curiously as she entered. The man was about fifty, very dark and bald—the skin of his head was almost copper-coloured, though he was obviously a European, for the eyes which beamed benevolently upon her through powerful spectacles were blue, but so light a blue that by contrast with the mahogany skin of his clean-shaven face, they seemed almost white.
The girl who sat with him was fair, and to Lydia's artistic eye, singularly lovely. Her hair was a mop of fine gold. The colour was natural, Lydia was too sophisticated to make any mistake about that. Her features were regular and flawless. The young artist thought she had never seen so perfect a "cupid" mouth in her life. There was something so freshly, fragrantly innocent about the girl that Lydia's heart went out to her, and she could hardly keep her eyes on the stage. The unknown seemed to take almost as much interest in her, for twice Lydia surprised her backward scrutiny. She found herself wondering who she was. The girl was beautifully dressed, and about her neck was a platinum chain that must have hung to her waist—a chain which was broken every few inches by a big emerald.
It required something of an effort of concentration to bring her mind back to the stage and her work. With a book on her knee she sketched the somewhat bizarre costumes which had aroused a mild public interest in the play, and for the moment forgot her entrancing companion.
She came through the vestibule at the end of the performance, and drew her worn cloak more closely about her slender shoulders, for the night was raw, and a sou'westerly wind blew the big wet snowflakes under the protecting glass awning into the lobby itself. The favoured playgoers minced daintily through the slush to their waiting cars, then taxis came into the procession of waiting vehicles, there was a banging of cab doors, a babble of orders to the scurrying attendants, until something like order was evolved from the chaos.
"Cab, miss?"
Lydia shook her head. An omnibus would take her to Fleet Street, but two had passed, packed with passengers, and she was beginning to despair, when a particularly handsome taxi pulled up at the kerb.
The driver leant over the shining apron which partially protected him from the weather, and shouted:
"Is Miss Beale there?"
The girl started in surprise, taking a step toward the cab.
"I am Miss Beale," she said.
"Your editor has sent me for you," said the man briskly.
The editor of the Megaphone had been guilty of many eccentric acts. He had expressed views on her drawing which she shivered to recall. He had aroused her in the middle of the night to sketch dresses at a fancy dress ball, but never before had he done anything so human as to send a taxi for her. Nevertheless, she would not look at the gift cab too closely, and she stepped into the warm interior.
The windows were veiled with the snow and the sleet which had been falling all the time she had been in the theatre. She saw blurred lights flash past, and realised that the taxi was going at a good pace. She rubbed the windows and tried to look out after a while. Then she endeavoured to lower one, but without success. Suddenly she jumped up and tapped furiously at the window to attract the driver's attention. There was no mistaking the fact that they were crossing a bridge and it was not necessary to cross a bridge to reach Fleet Street.
If the driver heard he took no notice. The speed of the car increased. She tapped at the window again furiously. She was not afraid, but she was angry. Presently fear came. It was when she tried to open the door, and found that it was fastened from the outside, that she struck a match to discover that the windows had been screwed tight—the edge of the hole where the screw had gone in was rawly new, and the screw's head was bright and shining.
She had no umbrella—she never carried one to the theatre—and nothing more substantial in the shape of a weapon than a fountain pen. She could smash the windows with her foot. She sat back in the seat, and discovered that it was not so easy an operation as she had thought. She hesitated even to make the attempt; and then the panic sense left her, and she was her own calm self again. She was not being abducted. These things did not happen in the twentieth century, except in sensational books. She frowned. She had said almost the same thing to somebody that day—to Mrs. Morgan, who had hinted at a romantic marriage. Of course, nothing was wrong. The driver had called her by name. Probably the editor wanted to see her at his home, he lived somewhere in South London, she remembered. That would explain everything. And yet her instinct told her that something unusual was happening, that some unpleasant experience was imminent.
She tried to put the thought out of her mind, but it was too vivid, too insistent.