little Filipino boy who swept that ugly hall every morning. She hated the scrubby palms in front. She hated the pillars where the paint was peeling badly. She hated the conflicting odors that seeped into the atmosphere at certain hours of the day. She hated the three old maids on the third floor and the frowsy woman on the first, who sat on the front steps in her soiled breakfast cap and bungalow apron. She hated the nervous tenant who occupied the apartment just over her mother's three-room-and-bath, and pounded with a broom handle on the floor when Lorraine practised overtime on chromatic scales.
At eighteen Lorraine managed somehow to obtain work in a Western picture, and being unusually pretty she so far distinguished herself that she was given a small part in the next production. Her glorious duty it was to ride madly through the little cow-town "set" to the post-office where the sheriff's posse lounged conspicuously, and there pull her horse to an abrupt stand and point excitedly to the distant hills. Also she danced quite close to the camera in the "Typical Cowboy Dance" which was a feature of this particular production.
Lorraine thereby earned enough money to buy her fall suit and coat and cheap furs, and learned to ride a horse at a gallop and to dance what passed in pictures as a "square dance."
At nineteen years of age Lorraine Hunter, daughter of old Brit Hunter of the TJ up-and-down, became a real "range-bred girl" with a real Stetson hat of her own, a green corduroy riding skirt, gray flannel shirt, brilliant neckerchief, boots and spurs. A third picture gave her further practice in riding a real horse—albeit an extremely docile animal called Mouse with good reason. She became known on the lot as a real cattle-king's daughter, though she did not know the name of her father's brand and in all her life had seen no herd larger than the thirty head of tame cattle which were chased past the camera again and again to make them look like ten thousand, and which were so thoroughly "camera broke" that they stopped when they were out of the scene, turned and were ready to repeat the performance ad lib.
Had she lived her life on the Quirt ranch she would have known a great deal more about horseback riding and cattle and range dances. She would have known a great deal less about the romance of the West, however, and she would probably never have seen a sheriff's posse riding twenty strong and bunched like bird-shot when it leaves the muzzle of the gun. Indeed, I am very sure she would not. Killings such as her father heard of with his lips drawn tight and the cords standing out on the sides of his skinny neck she would have considered the grim tragedies they were, without once thinking of the "picture value" of the crime.
As it was, her West was filled with men who died suddenly in gobs of red paint and girls who rode loose-haired and panting with hand held over the heart, hurrying for doctors, and cowboys and parsons and such. She had seen many a man whip pistol from holster and dare a mob with lips drawn back in a wolfish grin over his white, even teeth, and kidnappings were the inevitable accompaniment of youth and beauty.
Lorraine learned rapidly. In three years she thrilled to more blood-curdling adventure than all the Bad Men in all the West could have furnished had they lived to be old and worked hard at being bad all their lives. For in that third year she worked her way enthusiastically through a sixteen-episode movie serial called "The Terror of the Range." She was past mistress of romance by that time. She knew her West.
It was just after the "Terror of the Range" was finished that a great revulsion in the management of this particular company stopped production with a stunning completeness that left actors and actresses feeling very much as if the studio roof had fallen upon them. Lorraine's West vanished. The little cow-town "set" was being torn down to make room for something else quite different. The cowboys appeared in tailored suits and drifted away. Lorraine went home to the Casa Grande, hating it more than ever she had hated it in her life.
Some one up-stairs was frying liver and onions, which was in flagrant defiance of Rule Four which mentioned cabbage, onions and fried fish as undesirable foodstuffs. Outside, the palm leaves were dripping in the night fog that had swept soggily in from the ocean. Her mother was trying to collect a gas bill from the dressmaker down the hall, who protested shrilly that she distinctly remembered having paid that gas bill once and had no intention of paying it twice.
Lorraine opened the door marked Landlady, and closed it with a slam intended to remind her mother that bickerings in the hall were less desirable than the odor of fried onions. She had often spoken to her mother about the vulgarity of arguing in public with the tenants, but her mother never seemed to see things as Lorraine saw them.
In the apartment sat a man who had been too frequent a visitor, as Lorraine judged him. He was an oldish man with the lines of failure in his face and on his lean form the sprightly clothing of youth. He had been a reporter—was still, he maintained. But Lorraine suspected shrewdly that he scarcely made a living for himself, and that he was home-hunting in more ways than one when he came to visit her mother.
The affair had progressed appreciably in her absence, it would appear. He greeted her with, a fatherly "Hello, kiddie," and would have kissed her had Lorraine not evaded him skilfully.
Her mother came in then and complained intimately to the man, and declared that the dressmaker would have to pay that bill or have her gas turned off. He offered sympathy, assistance in the turning off of the gas, and a kiss which was perfectly audible to Lorraine in the next room. The affair had indeed progressed!
"L'raine, d'you know you've got a new papa?" her mother called out in the peculiar, chirpy tone she used when she was exuberantly happy. "I knew you'd be surprised!"
"I am," Lorraine agreed, pulling aside the cheap green portières and looked in upon the two. Her tone was unenthusiastic. "A superfluous gift of doubtful value. I do not feel the need of a papa, thank you. If you want him for a husband, mother, that is entirely your own affair. I hope you'll be very happy."
"The kid don't want a papa; husbands are what means the most in her young life," chuckled the groom, restraining his bride when she would have risen from his knee.
"I hope you'll both be very happy indeed," said Lorraine gravely. "Now you won't mind, mother, when I tell you that I am going to dad's ranch in Idaho. I really meant it for a vacation, but since you won't be alone, I may stay with dad permanently. I'm leaving to-morrow or the next day—just as soon as I can pack my trunk and get a Pullman berth."
She did not wait to see the relief in her mother's face contradicting the expostulations on her lips. She went out to the telephone in the hall, remembered suddenly that her business would be overheard by half the tenants, and decided to use the public telephone in a hotel farther down the street. Her decision to go to her dad had been born with the words on her lips. But it was a lusty, full-voiced young decision, and it was growing at an amazing rate.
Of course she would go to her dad in Idaho! She was astonished that the idea had never before crystallized into action. Why should she feed her imagination upon a mimic West, when the great, glorious real West was there? What if her dad had not written a word for more than a year? He must be alive; they would surely have heard of his death, for she and Royal were his sole heirs, and his partner would have their address.
She walked fast and arrived at the telephone booth so breathless that she was compelled to wait a few minutes before she could call her number. She inquired about trains and rates to Echo, Idaho.
Echo, Idaho! While she waited for the information clerk to look it up the very words conjured visions of wide horizons and clean winds and high adventure. If she pictured Echo, Idaho, as being a replica of the "set" used in the movie serial, can you wonder? If she saw herself, the beloved queen of her father's cowboys, dashing into Echo, Idaho, on a crimply-maned broncho that pirouetted gaily before the post-office while handsome young men in chaps and spurs and "big four" Stetsons watched her yearningly, she was merely living mentally the only West that she knew.
From that beatific vision Lorraine floated into others more entrancing. All the hairbreadth escapes of the heroine of the movie serial were hers, adapted by her native logic to fit within the bounds of possibility—though I must admit they bulged here and there and threatened to overlap and to encroach upon the impossible. Over the hills where her father's vast herds grazed, sleek and wild and long-horned and prone to stampede, galloped the Lorraine