drove after dinner to Copet; and the Duchesse de Broglie being absent, had an opportunity of seeing the chateau. All things "were there of her"—of her, whose genuine worth excused, whose all-commanding talents threw into shade, those failings which belonged to the weakness of her sex, and her warm feelings and imagination. The servant girl who showed us the apartments, had been fifteen years in Madame de Staël's service. All the servants had remained long in the family, "elle était si bonne et si charmante maîtresse!" A picture of Madame de Staël when young, gave me the idea of a fine countenance and figure, though the features were irregular. In the bust, the expression is not so prepossessing:—there the colour and brilliance of her splendid dark eyes, the finest feature of her face, are of course quite lost. The bust of M. Rocca[C] was standing in the Baron de Staël's dressing-room: I was more struck with it than any thing I saw, not only as a chef-d'œuvre, but from the perfect and regular beauty of the head, and the charm of the expression. It was just such a mouth as we might suppose to have uttered his well-known reply—"Je l'aimerai tellement qu'elle finira par m'aimer." Madame de Staël had a son by this marriage, who had just been brought home by his brother, the Baron, from a school in the neighbourhood. He is about seven years old. If we may believe the servant, Madame de Staël did not acknowledge this son till just before her death; and she described the wonder of the boy on being brought home to the chateau, and desired to call Monsieur le Baron "Mon frère" and "Auguste." This part of Madame de Staël's conduct seems incomprehensible; but her death is recent, the circumstances little known, and it is difficult to judge her motives. As a woman, as a wife, she might not have been able to brave "the world's dread laugh"—but as a mother?——
We have also seen Ferney—a place which did not interest me much, for I have no sympathies with Voltaire:—and some other beautiful scenes in the neighbourhood.
The Panorama exhibited in London just before I left it, is wonderfully correct, with one pardonable exception: the artist did not venture to make the waters of the lake of the intense ultramarine tinged with violet as I now see them before me;
"So darkly, deeply, beautifully blue;"
it would have shocked English eyes as an exaggeration, or rather impossibility.
THE PANORAMA OF LAUSANNE.
Now blest for ever be that heaven-sprung art
Which can transport us in its magic power
From all the turmoil of the busy crowd,
From the gay haunts where pleasure is ador'd,
'Mid the hot sick'ning glare of pomp and light;
And fashion worshipp'd by a gaudy throng
Of heartless idlers—from the jarring world
And all its passions, follies, cares, and crimes—
And bids us gaze, even in the city's heart,
On such a scene as this! O fairest spot!
If but the pictured semblance, the dead image
Of thy majestic beauty, hath a power
To wake such deep delight; if that blue lake,
Over whose lifeless breast no breezes play,
Those mimic mountains robed in purple light,
Yon painted verdure that but seems to glow, Those forms unbreathing, and those motionless woods, A beauteous mockery all—can ravish thus, What would it be, could we now gaze indeed Upon thy living landscape? could we breathe Thy mountain air, and listen to thy waves, As they run rippling past our feet, and see That lake lit up by dancing sunbeams—and Those light leaves quivering in the summer air; Or linger some sweet eve just on this spot Where now we seem to stand, and watch the stars Flash into splendour, one by one, as night Steals over yon snow-peaks, and twilight fades Behind the steeps of Jura! here, O here! 'Mid scenes where Genius, Worth and Wisdom dwelt,[D] Which fancy peopled with a glowing train Of most divine creations—Here to stray With one most cherished, and in loving eyes Read a sweet comment on the wonders round— Would this indeed be bliss? would not the soul Be lost in its own depths? and the full heart Languish with sense of beauty unexprest, And faint beneath its own excess of life?
Saturday.—Quitted Geneva, and slept at St. Maurice. I was ill during the last few days of our stay, and therefore left Geneva with the less regret. I suffer now so constantly, that a day tolerably free from pain seems a blessing for which I can scarce be sufficiently thankful. Such was yesterday.
Our road lay along the south bank of the lake, through Evian, Thonon, St. Gingough: and on the opposite shores we had in view successively, Lausanne, Vevai, Clarens, and Chillon. A rain storm pursued, or almost surrounded us the whole morning; but we had the good fortune to escape it. We travelled faster than it could pursue, and it seemed to retire before us as we approached. The effect was surprisingly beautiful; for while the two extremities of the lake were discoloured and enveloped in gloom, that part opposite to us was as blue and transparent as heaven itself, and almost as bright. Over Vevai, as we viewed it from La Meillerie, rested one end of a glorious rainbow: the other extremity appeared to touch the bosom of the lake, and shone vividly against the dark mountains above Chillon. La Meillerie—Vevai! what magic in those names! and O what a power has genius to hallow with its lovely creations, scenes already so lavishly adorned by Nature! it was not, however, of St. Preux I thought, as I passed under the rock of the Meillerie. Ah! how much of happiness, of enjoyment, have I lost, in being forced to struggle against my feelings, instead of abandoning myself to them! but surely I have done right. Let me repeat it again and again to myself, and let that thought, if possible, strengthen and console me.
Monday.—I have resolved to attempt no description of scenery; but my pen is fascinated. I must note a few of the objects which struck me to-day and yesterday, that I may at will combine them hereafter to my mind's eye, and recall the glorious pictures I beheld, as we travelled through the Vallais to Brig: the swollen and turbid (no longer "blue and arrowy") Rhone, rushing and roaring along; the gigantic mountains in all their endless variety of fantastic forms, which enclosed us round—their summits now robed in curling clouds, and then, as the winds swept them aside, glittering in the sunshine; the little villages perched like eagles' nests on the cliffs, far, far above our heads; the deep rocky channels through which the torrents had madly broken a way, tearing through every obstacle till they reached the Rhone, and marking their course with devastation; the scene of direful ruin at Martigny; the cataracts gushing, bounding from the living rock and plunging into some unseen abyss below; even the shrubs and the fruit trees which in the wider parts of the valley bordered the road side; the vines, the rich scarlet barberries, the apples and pears which we might have gathered by extending our hands;—all and each, when I recall them, will rise up a vivid picture before my own fancy;—but never could be truly represented to the mind of another—at least through the medium of words.
And yet, with all its wonders and beauties, this day's journey has not enchanted me like Saturday's. The scenery then had a different species of beauty, a deeper interest—when the dark blue sky was above our heads, and the transparent lake shone another heaven at our feet, and the recollection of great and glorious names, and visions of poetic fancy, and ideal forms more lovely than ever trod this earth, hovered around us:—and then those thoughts which would intrude—remembrances of the far-off absent, who are or have been loved, mingled with the whole, and shed an imaginary splendour or a tender interest, over scenes which required no extraneous powers to enhance their native loveliness.—no charm borrowed from imagination to embellish the all-beautiful reality.
Duomo d'Ossola.—What shall I say of the marvellous, the miraculous Simplon? Nothing: every body has said already every thing that can be said and exclaimed.
In our descent, as the valley widened, and the stern terrific features of the scene assumed a gentler character, we came to the beautiful village of Davedro, with its cottages and vineyards spread over a green slope, between the mountains and the torrent below. This lovely nook struck me the more from its contrast with the region of snows, clouds, and