By this time we can begin to discern in his letters the outline of his character—his passionate absorption in study, his moodiness, his fits of despondency, his intense irritability; his incapacity to master his own tongue and temper. In happy moments he shows great tenderness of feeling for those whom he loves or pities; but this alternates with inconsiderate clamour and loud complaints deafening the ears of all about him, provoked often by slight and even imaginary grievances. It is the artistic nature run riot, and that in one who preached silence and stoicism as the chief virtues—an inconsistency which has amused and disgusted generations of readers. It was impossible for him to do his work with the regular method, the equable temper, of a Southey or a Scott. In dealing with history he must image the past to himself most vividly before he could expound his subject; and that effort and strain cost him sleepless nights and days of concentrated thought. Nor was he an easier companion when his work was finished and he could take his ease. Then life seemed empty and profitless; and in its emptiness his voice echoed all the louder. The ill was within him, and outward circumstances were powerless to affect his nature.
At this time he was chiefly occupied in reading German literature and spreading the knowledge of it among his countrymen. After Coleridge he was the first of our literary men to appreciate the poets and mystics of Germany, and he did more even than Coleridge to make Englishmen familiar with them. He acquired at this time a knowledge of French and Italian literature too; but the philosophy of Kant and the writings of Goethe and Schiller roused him to greater enthusiasm. From Kant he learnt that the guiding principle of conduct was not happiness, but the 'categorical imperative' of duty; from Goethe he drew such hopefulness as gleams occasionally through his despondent utterances on the progress of the human race. He translated Goethe's novel, Wilhelm Meister, in 1823, and followed it up with the Life of Schiller. There was no considerable sale for either of these books till his lectures in London and his established fame roused a demand for all he had written. In these days he was practising for the profession of a man of letters, and was largely influenced by personal ambition and the desire to earn an income which would make him independent; he was not yet fired with a mission, or kindled to white heat.
His long courtship was rewarded in October 1826. When the marriage took place the bride was twenty-five years old and the bridegroom thirty. Men of letters have not the reputation of making ideal husbands, and the qualities to which this is due were possessed by Carlyle in exaggerated measure. It was a perilous enterprise for any one to live with him, most of all for such a woman, delicately bred, nervous, and highly strung. She was aware of this, and was prepared for a large measure of self-denial; but she could not have foreseen how severe she would find the trial. The morbid sensitiveness of Carlyle to his own pains and troubles, so often imaginary, joined with his inconsiderate blindness to his wife's real sufferings, led to many heart-burnings. If she contributed to them, in some degree, by her wilfulness, jealous temper, and sharpness of tongue, ill-health and solitude may well excuse her.
His own confessions, made after her death, are coloured by sorrow and deep affection: no doubt he paints his own conduct in hues darker than the truth demands. Shallow critics have sneered at the picture of the philosopher whose life was so much at variance with his creed, and too much has, perhaps, been written about the subject. If reference must be made to such a well-worn tale, it is best to let Carlyle's own account stand as he wished it to stand. His moral worth has been vindicated in a hundred ways, not least by his humility and honesty about himself, and can bear the test of time.
For the first two years of married life Carlyle's scheme of living on a farm was kept at bay by his wife, and their home was at Edinburgh. Carlyle refers to this as the happiest period of his life, though he did not refrain from loud laments upon occasions. The good genius of the household was Jeffrey, the famous editor of the Edinburgh Review, who was distantly related to Mrs. Carlyle. He made friends with the newly-married pair, opened a path for them into the society of the capital, and enabled Carlyle to spread the knowledge of German authors in the Review and to make his bow before a wider public. The prospects of the little household seemed brighter, but, by generously making over all her money to her mother, his wife had crippled its resources; and Carlyle was of so difficult a humour that neither Jeffrey nor any one else could guide his steps for long. Living was precarious; society made demands even on a modest household, and in 1828 he at length had his way and persuaded his wife to remove to Craigenputtock. It was in the loneliness of the moors that Carlyle was to come to his full stature and to develop his astonishing genius.
Craigenputtock was a farm belonging to his wife's family, lying seventy feet above the sea, sixteen miles from Dumfries, among desolate moors and bogs, and fully six miles from the nearest village. 'The house is gaunt and hungry-looking. It stands with the scanty fields attached as an island in a sea of morass. The landscape is unredeemed either by grace or grandeur, mere undulating hills of grass and heather with peat bogs in the hollows between them.' So Froude describes the home where the Carlyles were to spend six years, the wife in domestic labours, in solitude, in growing ill-health, the husband in omnivorous reading, in digesting the knowledge that he gathered, in transmuting it and marking it with the peculiar stamp of his genius. There was no true companionship over the work. As the moorland gave the fresh air and stillness required, so the wife might nourish the physical frame with wholesome digestible food and save him from external cares; the rest must be done by lonely communing with himself. He needed no Fleet Street taverns or literary salons to encourage him. Goethe, with whom he exchanged letters and compliments at times, said with rare insight that he 'had in himself an originating principle of conviction, out of which he could develop the force that lay in him unassisted by other men'.
Few were the interruptions from without. His fame was not yet established. In any case pilgrims would have to undertake a very rough journey, and the fashion of such pilgrimages had hardly begun. But in 1833 from distant America came one disciple, afterwards to be known as the famous author Ralph Waldo Emerson; and he has left us in his English Traits a vivid record of his impression of two or three famous men of letters whom he saw. He describes Carlyle as 'tall and gaunt, with a cliff-like brow, self-possessed, and holding his extraordinary powers of conversation in easy command; clinging to his northern accent with evident relish; full of lively anecdote, and with a streaming humour, which floated everything he looked upon'.[2]
Much of his time was given to reading about the French Revolution, which was to be the subject of his greatest literary triumph. But the characteristic work of this period is Sartor Resartus ('The tailor patched anew'), in which Carlyle, under a thin German disguise, reveals himself to the world, with his views on the customs and ways of society and his contempt for all the pretensions and absurdities which they involved. In many places it is extravagant and fantastic, as when 'the most remarkable incident in modern history' proves to be George Fox the Quaker making a suit of leather to render himself independent of tailors; in others it rises to the highest pitch of poetry, as in the sympathetic lament over the hardships of manual labour. 'Venerable to me is the hard Hand; crooked, coarse; wherein notwithstanding lies a cunning virtue, indefeasibly royal, as of the Sceptre of this Planet. Venerable, too, is the rugged face, all weather-tanned, besoiled, with its rude intelligence; for it is the face of a Man living manlike. O, but the more venerable for thy rudeness, and even because we must pity as well as love thee! Hardly-entreated Brother! For us was thy back so bent, for us were thy straight limbs and fingers so deformed; thou wert our Conscript on whom the lot fell, and fighting our battles wert so marred.' It is through such passages that Carlyle has won his way to the hearts of many who care little for history, or for German literature.
The book evidently contains much that is autobiographical, and helps us to understand Carlyle's childhood and youth; but it is so mixed up with fantasy and humour that it is difficult to separate fiction from fact. Its chief aim seems to be the overthrow of cant, the ridiculing of empty conventions, and the preaching of sincerity and independence. But not yet was Carlyle's generation prepared to listen to such sermons. Jeffrey was bewildered by the tone and offended at the style; publisher after publisher refused it; and when at length it was launched upon the world piecemeal in Fraser's Magazine, the reading public either ignored it or abused it in the roundest terms. During all this time Carlyle was anxiously looking for some surer means of livelihood, and had