the worst-kept donkeys and most filth are to be met with. Tetuan is a clean city: on every animal killed the "butchers" have to pay a tax; the tax goes towards the sweeping of the streets once a week, and towards their paving—that is, if the basha is conscientious: the last basha ate and drank the tax.
A gutter runs down the middle of the streets, where chickens are killed, and the heads and uneatable parts of flesh, fish, and fowl thrown. Mules and donkeys walk along the gutter, while foot-people flatten themselves against the walls. A well-laden mule fairly absorbs the width of the little streets.
The condition of these wretched transport animals is not due so much to wanton cruelty as to neglect, and to a callousness bred of long familiarity. A Moor will not trouble to prevent his beasts having sore backs and fistulated withers and raw hindquarters, any more than he sees that his children are warmly clad and suitably fed. Fond of both, he is foolish and apathetic, treating his mules roughly, cramming them with unnecessary food or neglecting them, and invariably working them till they drop.
One or two little cafés we passed round the feddan, and banished any connection between them and lunch for ever and a day.
A little room in the shade hung with yellow matting, no chairs, but a wide divan at the far end, where a few Moors sat cross-legged or reclined, smoking long pipes of soothing kif, and eating the pernicious haschisch—this constitutes a café. A few of the Moors are playing cards; the rest look on. A dome-shaped pewter teapot, filled with a brew of steaming tea, stands on a low table, with a painted glass beside it half full of mint, which a freckled boy in a coarse jellab fills up from the teapot to the brim and puts to his lips; then he lights a cheap cigarette. A great urn, with an oil lamp under it, stands in one corner.
No self-respecting Moor patronizes these cafés: he is the most fanatical of Mohammedans in a land reputed to be more strictly religious than any Eastern country. In public he observes his Prophet's laws, only indulging sub rosa in smoking—"eating the shameful," as it is called.
Mohammed knew very well that Eastern peoples drink to get drunk, and smoke and eat opium for the purpose of intoxicating their senses. Kif, a herb something like hemp, produces this effect on the brain. He therefore forbade both.
When a Moorish "swell" wants to amuse himself, instead of passing the time at a café he goes out for the day into the country. There is generally an expression of perfect satisfaction with life as he finds it, on his lineless biscuit-coloured face and in his brown agate eyes—a content seldom expressed under the top-hats in the Park. Time is to him no "race": he drifts easily down the years; knows no other home than, it may be, Tetuan; nor is conscious that Tetuan sleeps, as it has slept for ages, curled up, underneath the towering hills, white, petrified, like Lot's wife.
Still down more streets, and on towards the Belgravia of the city we walked, leaving steaming little hot-fritter shops, where sfins are fried in oil and eaten with honey, where cream tarts may possibly be made and honeyed cakes, and crisp pastry prepared with attar of roses, and candied musk lemons, and dates mixed with almond paste. We left the fried-fish shops and fried spitted-meat shops behind, whence emerge kabobs—second only to coos-coosoo—and a smell indescribable; and we wound down tortuous alleys, past quiet windowless houses, whose great painted doors, yellow and brown, studded with enormous nails and knockers, spoke respectability.
Never a straight street for six yards. Here an angle with a door; turn down under an archway: there a tiny branching alley, which we follow: here another door; plunge down the opposite way. A woman passes us with a friend, walking as only women in Morocco walk—figures in creamy haiks of the finest wool, which swathe them entirely from top to toe like a sheet, a pair of eyes barely showing between the folds. At the bottom of the haiks a flash of colour obtrudes, tomato in one, beetle-green in the other, and filmy muslin over both, which in their turn allow a glimpse of ankles wrapped round in snowy linen folds—rose-pink, gold-embroidered slippers completing the whole, suggestive of a tea party.
A yard farther and we pass El-Jama-el-Kebeer (the Big Mosque), which, unlike that at Tangier, stands with its doors wide open, but in front of which no infidel may linger. There was a vision of a cool tiled courtyard and splashing fountains of white marble and clean yellow matting, of endless tiled pillars vanishing into shade. There are saint-houses in the city where women are allowed to pray, but only upon one night in the whole year in El-Jama-el-Kebeer—a field-day among the wives and concubines, who flit like white moths through the darkness in flocks to worship, carrying red-and-blue lanterns.
At last we reached the house of the Moor upon whom Mr. Bewicke intended us to call—a specimen of the best Moorish houses.
Alarbi Abresha has been nicknamed "the Duke of Westminster"—the wealthiest man in Tetuan. A slave responded to the hammer of the great knocker, demanded who knocked, and then opened the door. Alarbi Abresha was out; but his son, a youth badly marked with small-pox, received us, dressed in a jellab of pale blue, tasselled, and worked in white. Mr. Bewicke asked after the house. No one in Morocco inquires after the wife or family distinctively.
Alarbi Abresha's House.
Photo by A. Cavilla, Tangier.
A long passage led us into a large patio (courtyard), in which orange-trees were growing. It was open to the sky, the floor tiled with shining tesselated tile-work; a marble fountain rippled in the middle: the dado round the four walls, the three rows of pillars which on all sides supported the gallery above—all were tiled in the same mosaic of small saffron-yellow, powder-blue, and white tiles, which are baked, coloured, and glazed in primitive potteries outside the city, and made only in Tetuan and Fez. A Moorish house is the essence of purity and light, with its whitewashed walls, its absence of all stifling furniture, and its capability of being sluiced down from top to bottom every day with rivers of water by barefooted slaves.
"The Duke" had spared no dollars to make his house beautiful. Of the triple row of arches, supported by the pillars round the patio, the outside row was a plain horse-shoe, the inner toothed, the inmost carved. Through an avenue of pillars the rooms all round the patio look out upon the fountain and the orange-trees. Slaves occupied them. The kitchen also and the hummum are always on the ground floor. We were taken up to the first floor by the tiled staircase, with a plaster fan-shell ceiling, and were shown into the best room—the room belonging to the master of the house. The tiled floor was hidden by an ugly modern French carpet in strips: white and coloured mattresses were laid all round the walls upon the floor instead of chairs. Two immense brass bedsteads stood in recesses, blue silk four-posters; a great cushioned mattress on the carpet beside the bed is reported to be used by the wife; a slave will often sleep in the same room. The lower half of the whitewashed walls was hung with ancient silk brocaded hangings, a long-forgotten relic of the old wandering life as nomad Arabs, and still used by Arabs for the insides of their tents. The richer the owner, the better his silk hangings: the design is invariably a succession of horse-shoe arches, more or less embroidered, and giving the rooms a warm, luxurious air. In the mosques very fine mats are used; in ordinary houses, cafés, and shops, yellow matting lines the walls. Above the old hangings the Duke had hung a line of immense and tawdry gilt-framed mirrors. There were clocks in the room to the number of ten, some of them going; two inlaid cabinets; three cases of artificial flowers under glass; a great wooden coffer—the wife's property—holding a wardrobe of clothes; a gun on one of the walls; a rosary; a thermometer made in Germany: these were the only knick-knacks. Moorish rooms combine bedroom with sitting-room, but are devoid of washing-apparatus, tables, chairs, books, or pictures. Bathing is done in the hummum or in the courtyard of the mosque; of books there are none; while pictures Mohammed forbade, as inclined to lead to idolatry. Query: have many artists been lost to the world in fourteen hundred years among a sect numbering a hundred millions?
The ceiling and woodwork of the room were painted in barbaric, gaudy hues, which mellow with age and "tone" like a faded Kashmir shawl. A row of tiled pillars divided the room lengthwise, and raised the inner half a step above the outer: it was immensely lofty, lighted by the great double doors only, which stood wide open on to the patio. Glass