and middle-aged. Behind her, farther back in the room, the roughrider caught a glimpse of a fat, gross, ashen-faced man fleeing toward the inner door of a bedroom to escape being seen. He was thrusting into his coat pocket what looked to the man in the hall like a revolver.
"Can you tell me where James Cunningham's apartment is?" asked Kirby.
The woman gasped. The hand on the doorknob was trembling violently. Something clicked in her throat when the dry lips tried to frame an answer.
"Head o' the stairs—right hand," she managed to get out, then shut the door swiftly in the face of the man whose simple question had so shocked her.
Kirby heard the latch released from its catch. The key in the lock below also turned.
"She's takin' no chances," he murmured. "Now I wonder why both her an' my fat friend are so darned worried. Who were they lookin' for when they opened the door an' saw me? An' why did it get her goat when I asked where Uncle James lived?"
As he took the treads that brought him to the next landing the cattleman had an impression of a light being flashed off somewhere. He turned to the right as the woman below had directed.
The first door had on the panel a card with his uncle's name. He knocked, and at the same instant noticed that the door was ajar. No answer came. His finger found the electric push button. He could hear it buzzing inside. Twice he pushed it.
"Nobody at home, looks like," he said to himself. "Well, I reckon I'll step in an' leave a note. Or maybe I'll wait. If the door's open he's liable to be right back."
He stepped into the room. It was dark. His fingers groped along the wall for the button to throw on the light. Before he found it a sound startled him.
It was the soft faint panting of some one breathing.
He was a man whose nerves were under the best of control, but the cold feet of mice pattered up and down his spine. Something was wrong. The sixth sense of danger that comes to some men who live constantly in peril was warning him.
"Who's there?" he asked sharply.
No voice replied, but there was a faint rustle of some one or some thing stirring.
He waited, crouched in the darkness.
There came another vague rustle of movement. And presently another, this time closer. Every sense in him was alert, keyed up to closest attention. He knew that some one, for some sinister purpose, had come into this apartment and been trapped here by him.
The moments flew. He thought he could hear his hammering heart. A stifled gasp, a dozen feet from him, was just audible.
He leaped for the sound. His outflung hand struck an arm and slid down it, caught at a small wrist, and fastened there. In the fraction of a second left him he realized, beyond question, that it was a woman he had assaulted.
The hand was wrenched from him. There came a zigzag flash of lightning searing his brain, a crash that filled the world for him—and he floated into unconsciousness.
CHAPTER VII
FOUL PLAY
Lane came back painfully to a world of darkness. His head throbbed distressingly. Querulously he wondered where he was and what had taken place.
He drew the fingers of his outstretched hand along the nap of a rug and he knew he was on the floor. Then his mind cleared and he remembered that a woman's hand had been imprisoned in his just before his brain stopped functioning.
Who was she? What was she doing here? And what under heaven had hit him hard enough to put the lights out so instantly?
He sat up and held his throbbing head. He had been struck on the point of the chin and gone down like an axed bullock. The woman must have lashed out at him with some weapon.
In his pocket he found a match. It flared up and lit a small space in the pit of blackness. Unsteadily he got to his feet and moved toward the door. His mind was quite clear now and his senses abnormally sensitive. For instance, he was aware of a faint perfume of violet in the room, so faint that he had not noticed it before.
There grew on him a horror, an eagerness to be gone from the rooms. It was based on no reasoning, but on some obscure feeling that there had taken place something evil, something that chilled his blood.
Yet he did not go. He had come for a purpose, and it was characteristic of him that he stayed in spite of the dread that grew on him till it filled his breast. Again he groped along the wall for the light switch. A second match flared in his fingers and showed it to him. Light flooded the room.
His first sensation was of relief. This handsome apartment with its Persian rugs, its padded easy-chairs, its harmonious wall tints, had a note of repose quite alien to tragedy. It was the home of a man who had given a good deal of attention to making himself comfortable. Indefinably, it was a man's room. The presiding genius of it was masculine and not feminine. It lacked the touches of adornment that only a woman can give to make a place homelike.
Yet one adornment caught Kirby's eye at once. It was a large photograph in a handsome frame on the table. The picture showed the head and bust of a beautiful woman in evening dress. She was a brunette, young and very attractive. The line of head, throat, and shoulder was perfect. The delicate, disdainful poise and the gay provocation in the dark, slanting eyes were enough to tell that she was no novice in the game of sex. He judged her an expensive orchid produced in the civilization of our twentieth-century hothouse. Across the bottom of the picture was scrawled an inscription in a fashionably angular hand. Lane moved closer to read it. The words were, "Always, Phyllis." Probably this was the young woman to whom, if rumor were true, James Cunningham, Senior, was engaged.
On the floor, near where Kirby had been lying, lay a heavy piece of agate evidently used for a paperweight. He picked up the smooth stone and guessed instantly that this was the weapon which had established contact with his chin. Very likely the woman's hand had closed on it when she heard him coming. She had switched off the light and waited for him. That the blow had found a vulnerable mark and knocked him out had been sheer luck.
Kirby passed into a luxurious bedroom beyond which was a tiled bathroom. He glanced these over and returned to the outer apartment. There was still another door. It was closed. As the man from Wyoming moved toward it he felt once more a strange sensation of dread. It was strong enough to stop him in his stride. What was he going to find behind that door? When he laid his hand on the knob pinpricks played over his scalp and galloped down his spine.
He opened the door. A sweet sickish odor, pungent but not heavy, greeted his nostrils. It was a familiar smell, one he had met only recently. Where? His memory jumped to a corridor of the Cheyenne hospital. He had been passing the operating-room on his way to see Wild Rose. The door had opened and there had been wafted to him faintly the penetrating whiff of chloroform. It was the same drug he sniffed now.
He stood on the threshold, groped for the switch, and flashed on the lights. Sound though Kirby Lane's nerves were, he could not repress a gasp at what he saw.
Leaning back in an armchair, looking up at him with a horrible sardonic grin, was his uncle James Cunningham. His wrists were tied with ropes to the arms of the chair. A towel, passed round his throat, fastened the body to the back of the chair and propped up the head. A bloody clot of hair hung tangled just above the temple. The man was dead beyond any possibility of doubt. There was a small hole in the center of the forehead through which a bullet had crashed. Beneath this was a thin trickle of blood that had run into the heavy eyebrows.
The dead man was wearing a plaid smoking-jacket and oxblood slippers. On the tabouret close to his hand lay a half-smoked cigar. There was a grewsome suggestion in the tilt of the head and the gargoyle grin that this was a hideous and shocking jest he was playing on the world.
Kirby