has attributed the admitted moral purity of the atmosphere of American society to the coldness of the American temperament and the sera juvenum Venus. It seems to me, however, that there is no call to disparage American virtue by the suggestion of a constitutional want of liability to temptation, and that Mark Twain, in his somewhat irreverent rejoinder, is much nearer the mark when he attributes the prevalent sanctity of the marriage tie to the fact that the husbands and wives have generally married each other for love. This is undoubtedly the true note of America in this particular, though it may not be unreservedly characteristic of the smart set of New York. If the sacred flame of Cupid could be exposed to the alembic of statistics, I should be surprised to hear that the love matches of the United States did not reach a higher percentage than those of any other nation. One certainly meets more husbands and wives of mature age who seem thoroughly to enjoy each other's society.
There is a certain "snap" to American society that is not due merely to a sense of novelty, and does not wholly wear off through familiarity. The sense of enjoyment is more obvious and more evenly distributed; there is a general willingness to be amused, a general absence of the blasé. Even Matthew Arnold could not help noticing the "buoyancy, enjoyment, and freedom from restraint which are everywhere in America," and which he accounted for by the absence of the aristocratic incubus. The nervous fluid so characteristic of America in general flows briskly in the veins of its social organism; the feeling is abroad that what is worth doing is worth doing well. There is a more general ability than we possess to talk brightly on the topics of the moment; there is less lingering over one subject; there is a constant savour of the humorous view of life. The more even distribution of comfort in the United States (becoming, alas! daily less characteristic) adds largely to the pleasantness of society by minimising the semi-conscious feeling of remorse in playing while the "other half" starves. The inherent inability of the American to understand that there is any "higher" social order than his own minimises the feeling of envy of those "above" him. "How dreadful," says the Englishman to the American girl, "to be governed by men to whom you would not speak!" "Yes," is the rejoinder, "and how delightful to be governed by men who won't speak to you!" From this latter form of delight American society is free. Henry James strikes a true note when he makes Miranda Hope (in "A Bundle of Letters") describe the fashionable girl she met at a Paris pension as "like the people they call 'haughty' in books," and then go on to say, "I have never seen anyone like that before—anyone that wanted to make a difference." And her feeling of impersonal interest in the phenomenon is equally characteristic. "She seemed to me so like a proud young lady in a novel. I kept saying to myself all day, 'haughty, haughty,' and I wished she would keep on so." Too much stress cannot easily be laid on this feeling of equality in the air as a potent enhancer of the pleasure of society. To feel yourself patronised—even, perhaps especially, when you know yourself to be in all respects the superior of the patroniser—may tickle your sense of humour for a while, but in the long run it is distinctly dispiriting. The philosopher, no doubt, is or should be able to disregard the petty annoyances arising from an ever-present consciousness of social limitation, but society is not entirely composed of philosophers, even in America; and the sense of freedom and space is unqualifiedly welcome to its members. It is not easy for a European to the manner born to realise the sort of extravagant, nightmare effect that many of our social customs have in the eyes of our untutored American cousins. The inherent absurdities that are second nature to us exhale for them the full flavour of their grotesqueness. The idea of an insignificant boy peer taking precedence of Mr. John Morley! The idea of having to appear before royalty in a state of partial nudity on a cold winter day! The necessity of backing out of the royal presence! The idea of a freeborn Briton having to get out of an engagement long previously formed on the score that "he has been commanded to dine with H.R.H." The horrible capillary plaster necessary before a man can serve decently as an opener of carriage-doors! The horsehair envelopes without which our legal brains cannot work! The unwritten law by which a man has to nurse his hat and stick throughout a call unless his hostess specially asks him to lay them aside!
Mr. Bryce commits himself to the assertion that "Scotchmen and Irishmen are more unlike Englishmen, the native of Normandy more unlike the native of Provence, the Pomeranian more unlike the Wurtemberger, the Piedmontese more unlike the Neapolitan, the Basque more unlike the Andalusian, than the American from any part of the country is to the American from any other." Max O'Rell, on the other hand, writes: "L'habitant du Nord-est des Etats Unis, le Yankee, diffère autant de l'Americain de l'Ouest et du Midi que l'Anglais diffère de l'Allemand ou de l'Espagnol." On this point I find myself far more in accord with the French than with the British observer, though, perhaps, M. Blouët rather overstates his case. Wider differences among civilised men can hardly be imagined than those which subsist between the creole of New Orleans and the Yankee of Maine, the Kentucky farmer and the Michigan lumberer. It is, however, true that there is a distinct tendency for the stamp of the Eastern States to be applied to the inhabitants of the cities, at least, of the West. The founders of these cities are so largely men of Eastern birth, the means of their expansion are so largely advanced by Eastern capitalists, that this tendency is easily explicable. [So far as my observation went it was to Boston rather than to New York or Philadelphia that the educated classes of the Western cities looked as the cynosure of their eyes. Boston seemed to stand for something less material than these other cities, and the subtler nature of its influence seemed to magnify its pervasive force.] None the less do the people of the United States, compared with those of any one European country, seem to me to have their due share of variety and even of picturesqueness. This latter quality is indeed denied to the United States not only by European visitors, but also by many Americans. This denial, however, rests on a limited and traditional use of the word picturesque. America has not the European picturesqueness of costume, of relics of the past, of the constant presence of the potential foeman at the gate. But apart altogether from the almost theatrical romance of frontier life and the now obsolescent conflict with the aborigines, is there not some element of the picturesque in the processes of readjustment by which the emigrants of European stock have adapted themselves and are adapting themselves to the conditions of the New World? In some ways the nineteenth century is the most romantic of all; and the United States embody and express it as no other country. Is there not a picturesque side to the triumph of civilisation over barbarism? Is there nothing of the picturesque in the long thin lines of gleaming steel, thrown across the countless miles of desert sand and alkali plain, and in the mighty mass of metal with its glare of cyclopean eye and its banner of fire-illumined smoke, that bears the conquerors of stubborn nature from side to side of the great continent? Is there not an element of the picturesque in the struggles of the Western farmer? Can anything be finer in its way than a night view of Pittsburg—that "Hell with its lid off," where the cold gleam of electricity vies with the lurid glare of the furnaces and smelting works? I say nothing of the Californian Missions; of the sallow creoles of New Orleans with their gorgeous processions of Mardi-Gras; or of the almost equally fantastic fête of the Veiled Prophet of St. Louis; or of the lumberers of Michigan; or of the Mexicans of Arizona; or of the German beer-gardens of Chicago; or of the swinging lanterns and banners of Chinatown in San Francisco and Mott street in New York; or of the Italians of Mulberry Bend in the latter city; or of the alternating stretches on a long railway journey of forest and prairie, yellow corn-fields and sandy desert; or of many other classes and conditions which are by no means void of material for the artist in pen or brush. All these lend hues that are anything but prosaic to my kaleidoscopic recollections of the United States; but more than all these, the characteristically picturesque feature of American life, stands out the omnipresent negro. It was a thrill to have one's boots blackened by a coloured "professor" in an alley-way of Boston, and to hear his richly intoned "as shoh's you're bawn." It was a delight to see the negro couples in the Public Garden, conducting themselves and their courting, as Mr. Howells has well remarked, with infinitely more restraint and refinement than their Milesian compeers, or to see them passing out of the Charles-street Church in all the Sunday bravery of broadcloth coats, shiny hats, wonderfully laundered skirts of snowy whiteness, and bodices of all the hues of the rainbow. And all through the Union their glossy black faces and gleaming white teeth shed a kind of dusky radiance over the traveller's path. Who but can recall with gratitude the expansive geniality and reassuring smile of the white-coated negro waiter, as compared with the supercilious indifference, if not positive rudeness, of his pale colleague? And what will ever efface the mental kodak of George (not Sambo