Walter Scott

St. Ronan's Well


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CHAPTER V.

       PRIVATE INFORMATION.

       CHAPTER VI.

       EXPLANATORY.

       CHAPTER VII.

       LETTER CONTINUED.

       CHAPTER VIII.

       THE REPLY.

       CHAPTER IX.

       THE FRIGHT.

       CHAPTER X.

       MEDIATION.

       CHAPTER XI.

       INTRUSION.

       CHAPTER XII.

       DISCUSSION.

       CHAPTER XIII.

       A DEATH-BED.

       CHAPTER XIV.

       DISAPPOINTMENT.

       CHAPTER XV.

       A TEA-PARTY.

       CHAPTER XVI.

       DEBATE.

       CHAPTER XVII.

       A RELATIVE.

       CHAPTER XVIII.

       THE WANDERER.

       CHAPTER XIX.

       THE CATASTROPHE.

       CHAPTER XX.

       CONCLUSION.

       AUTHOR'S NOTES.

       Note I., p. 202.

       Note II., p. 213.

       Note III., p. 318.

       EDITOR'S NOTES.

       APPENDIX.

       GLOSSARY.

       TO

       ST. RONAN'S WELL.

       Table of Contents

      The novel which follows is upon a plan different from any other that the author has ever written, although it is perhaps the most legitimate which relates to this kind of light literature.

      It is intended, in a word—celebrare domestica facta—to give an imitation of the shifting manners of our own time, and paint scenes, the originals of which are daily passing round us, so that a minute's observation may compare the copies with the originals. It must be confessed that this style of composition was adopted by the author rather from the tempting circumstance of its offering some novelty in his compositions, and avoiding worn-out characters and positions, than from the hope of rivalling the many formidable competitors who have already won deserved honours in this department. The ladies, in particular, gifted by nature with keen powers of observation and light satire, have been so distinguished by these works of talent, that, reckoning from the authoress of Evelina to her of Marriage, a catalogue might be made, including the brilliant and talented names of Edgeworth, Austin, Charlotte Smith, and others, whose success seems to have appropriated this province of the novel as exclusively their own. It was therefore with a sense of temerity that the author intruded upon a species of composition which had been of late practised with such distinguished success. This consciousness was lost, however, under the necessity of seeking for novelty, without which, it was much to be apprehended, such repeated incursions on his part would nauseate the long indulgent public at the last.

      The scene chosen for the author's little drama of modern life was a mineral spring, such as are to be found in both divisions of Britain, and which are supplied with the usual materials for redeeming health, or driving away care. The invalid often finds relief from his complaints, less from the healing virtues of the Spa itself, than because his system of ordinary life undergoes an entire change, in his being removed from his ledger and account-books—from his legal folios and progresses of title-deeds—from his counters and shelves—from whatever else forms the main source of his constant anxiety at home, destroys his appetite, mars the custom of his exercise, deranges the digestive powers, and clogs up the springs of life. Thither, too, comes the saunterer, anxious to get rid of that wearisome attendant himself, and thither come both males and females, who, upon a different principle, desire to make themselves double.

      The society of such places is regulated, by their very nature, upon a scheme much more indulgent than that which rules the world of fashion, and the narrow circles of rank in the metropolis. The titles of rank, birth, and fortune, are received at a watering-place without any very strict investigation, as adequate to the purpose for which they are preferred; and as the situation infers a certain degree of intimacy and sociability for the time, so to whatever heights it may have been carried, it is not understood to imply