W. P. Ker

Epic and Romance


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THREE SCHOOLS—TEUTONIC EPIC—FRENCH EPIC—THE ICELANDIC HISTORIES

       CHAPTER II

       THE TEUTONIC EPIC

       I

       THE TRAGIC CONCEPTION

       II

       SCALE OF THE POEMS

       The Western Group

       The Northern Group

       III

       EPIC AND BALLAD POETRY

       IV

       THE STYLE OF THE POEMS

       V

       THE PROGRESS OF EPIC

       VI

       BEOWULF

       CHAPTER III

       THE ICELANDIC SAGAS

       I

       ICELAND AND THE HEROIC AGE

       II

       MATTER AND FORM

       III

       THE HEROIC IDEAL

       IV

       TRAGIC IMAGINATION

       V

       COMEDY

       VI

       THE ART OF NARRATIVE

       VII

       EPIC AND HISTORY

       VIII

       THE NORTHERN PROSE ROMANCES

       CHAPTER IV

       THE OLD FRENCH EPIC

       THE OLD FRENCH EPIC

       CHAPTER V

       ROMANCE

       AND THE OLD FRENCH ROMANTIC SCHOOLS

       ROMANCE

       NOTES AND ILLUSTRATIONS

       APPENDIX

       Note A (p. 133)

       Note B (p. 205)

       Note C (p. 257)

       Note D (p. 360)

       INDEX

       THE END

      MACMILLAN AND CO., LIMITED

       ST. MARTIN'S STREET, LONDON

       1931

       COPYRIGHT

       First Edition (8vo) 1896 Second Edition (Eversley Series) 1908 Reprinted (Crown 8vo) 1922, 1926, 1931 PRINTED IN GREAT BRITAIN BY R. & R. CLARK, LIMITED, EDINBURGH

       Table of Contents

      These essays are intended as a general description of some of the principal forms of narrative literature in the Middle Ages, and as a review of some of the more interesting works in each period. It is hardly necessary to say that the conclusion is one "in which nothing is concluded," and that whole tracts of literature have been barely touched on—the English metrical romances, the Middle High German poems, the ballads, Northern and Southern—which would require to be considered in any systematic treatment of this part of history.

      Many serious difficulties have been evaded (in Finnesburh, more particularly), and many things have been taken for granted, too easily. My apology must be that there seemed to be certain results available for criticism, apart from the more strict and scientific procedure which is required to solve the more difficult problems of Beowulf, or of the old Northern or the old French poetry. It is hoped that something may be gained by a less minute and exacting consideration of the whole field, and by an attempt to bring the more distant