said was the fat Hodges boy on a motorcycle! Is there any place near here that it can make a landing?"
"Darling child—" Mrs. Langdon's gentle voice was gentler than ever—"darling child, it's this wretched heat. There isn't any airplane, dear—it's just the wind rising in the beeches."
"The wind?" Janet laughed aloud—they really were too absurd.
"Why, Mrs. Langdon, you can hear the engines, if you'll only listen! You can hear them, can't you, Mr. Bain?"
The young engineer shook his head. "No plane would risk flying with this storm coming, Miss Abbott. There's been thunder for the last hour or so, and it's getting nearer, too. It's only the wind, I think."
"Oh, you're laughing at me—of course, of course you hear it. Why, it's as clear as—as clear as—" Her voice trailed off into silence. Quite suddenly, without any transition or warning, she knew. She could feel her heart stand perfectly still for a minute, and then plunge forward in mad flight, racing, racing—oh, it knew, too, that eager heart! She took her hand from the arm of the chair, releasing Rosemary's wrist very gently.
"Yes, of course, it's the heat," she said quietly. She must be careful not to frighten them, these kind ones. "If you don't mind, Mrs. Langdon, I think that I'll go down to the gate to watch the storm burst. No, please, don't any of you come—I'll promise to change everything if I get caught—yes, everything! I won't be long; don't wait for me."
She walked sedately enough until she came to the turn in the path, but after that she ran, only pausing for a minute to listen breathlessly. Oh, yes—following, following, that gigantic music! How he must be laughing at her now—blind, deaf, incredulous little fool that she had been, to doubt that Jerry would find a way! But where could he land? Not in the garden—not at the gates—oh, now she had it—the far meadow. She turned sharply; it was dark, but the path must be here. Yes, this was the wicket gate; her groping fingers were quite steady—they found the latch—released it—the gate swung to behind her flying footsteps. "Oh, Jerry, Jerry!" sang her heart. Why hadn't she worn the rose-coloured frock? It was she who would be a ghost in that trailing white thing. To the right here—yes, there was the hawthorn hedge—only a few steps more—oh, now! She stood as still as a small statue, not moving, not breathing, her hands at her heart, her face turned to the black and torn sky. Nearer, nearer, circling and darting and swooping—the gigantic humming grew louder—louder still—it swept about her thunderously, so close that she clapped her hands over her ears, but she stood her ground, exultant and undaunted. Oh, louder still—and then suddenly the storm broke. All the winds and the rains of the world were unleashed, and fell howling and shrieking upon her, she staggered under their onslaught, drenched to the bone, her dress whipping frantically about her, blinded and deafened by that tumultuous clamour. She had only one weapon against it—laughter—and she laughed now—straight into its teeth. And as though hell itself must yield to mirth, the fury wavered—failed—sank to muttering. But Janie, beaten to her knees and laughing, never even heard it die.
"Jerry?" she whispered into the darkness, "Jerry?"
Oh, more wonderful than wonder, he was there! She could feel him stir, even if she could not hear him—so close, so close was he that if she even reached out her hand, she could touch him. She stretched it out eagerly, but there was nothing there—only a small, remote sound of withdrawal, as though some one had moved a little.
"You're afraid that I'll be frightened, aren't you?" she asked wistfully. "I wouldn't be—I wouldn't—please come back'"
He was laughing at her, she knew, tender and mocking and caressing; she smiled back, tremulously.
"You're thinking, 'I told you so!' Have you come far to say it to me?"
Only that little stir—the wind was rising again.
"Jerry, come close—come closer still. What are you waiting for, dear and dearest?"
This time there was not even a stir to answer her; she felt suddenly cold to the heart. What had he always waited for?
"You aren't waiting—you aren't waiting to go?" She fought to keep the terror out of her voice, but it had her by the throat. "Oh, no, no—you can't—not again! Jerry, Jerry, don't go away and leave me—truly and truly I can't stand it—truly!"
She wrung her hands together desperately; she was on her knees to him—did he wish her to go lower still? Oh, she had never learned to beg!
"I can't send you away again—I can't. When I sent you to France I killed my heart—when I let you go to death, I crucified my soul. I haven't anything left but my pride—you can have that, too. I can't send you back to your heaven. Stay with me—stay with me, Jerry!"
Not a sound—not a stir—but well she knew that he was standing there, waiting. She rose slowly to her feet.
"Very well—you've won," she said hardly. "Go back to your saints and seraphs and angels; I'm beaten. I was mad to think that you ever cared—go back!" She turned, stumbling, the sobs tearing at her throat; he had gone several steps before she realized that he was following her—and all the hardness and bitterness and despair fell from her like a cloak.
"Oh, Jerry," she whispered, "Jerry, darling, I'm so sorry. And you've come so far—just to find this! What is it that you want; can't you tell me?"
She stood tense and still, straining eyes and ears for her answer—but it was not to eyes or ears that it came.
"Oh, of course!" she cried clearly. "Of course, my wanderer! Ready?"
She stood poised for a second, head thrown back, arms flung wide—a small figure of Victory, caught in the flying wind.
And, "Contact, Jerry!" she called joyously into the darkness.
"Contact!"
There was a mighty whirring, a thunder and a roaring above the storm. She stood listening breathlessly to it rise and swell—and then grow fainter—fainter still—dying, dying—dying—
But Janie, her small white face turned to the storm-swept sky behind which shone the stars, was smiling radiantly. For she had sped her wanderer on his way—she had not failed him!
THE CAMEL'S BACK
BY F. SCOTT FITZGERALD
From The Saturday Evening Post
The restless, wearied eye of the tired magazine reader resting for a critical second on the above title will judge it to be merely metaphorical. Stories about the cup and the lip and the bad penny and the new broom rarely have anything to do with cups and lips and pennies and brooms. This story is the great exception. It has to do with an actual, material, visible and large-as-life camel's back.
Starting from the neck we shall work tailward. Meet Mr. Perry Parkhurst, twenty-eight, lawyer, native of Toledo. Perry has nice teeth, a Harvard education, and parts his hair in the middle. You have met him before—in Cleveland, Portland, St. Paul, Indianapolis, Kansas City and elsewhere. Baker Brothers, New York, pause on their semi-annual trip through the West to clothe him; Montmorency & Co., dispatch a young man posthaste every three months to see that he has the correct number of little punctures on his shoes. He has a domestic roadster now, will have a French roadster if he lives long enough, and doubtless a Chinese one if it comes into fashion. He looks like the advertisement of the young man rubbing his sunset-coloured chest with liniment, goes East every year to the Harvard reunion—does everything—smokes a little too much—Oh, you've seen him.
Meet his girl. Her name is Betty Medill, and she would take well in the movies. Her father gives her two hundred a month to dress on and she has tawny eyes and hair, and feather fans of three colours. Meet her father, Cyrus Medill. Though he is to all appearances flesh and blood he is, strange to say, commonly known in Toledo as the Aluminum