THE BALD VENUS—INEZ DE CASTRO—THE UNITY OF LOVE
A CAPTIVE KNIGHT—RICHARD AND ALICE
INTRODUCTION
Gryll Grange, the last and mellowest fruit from Peacock's tree, was, like most mellow fruit, not matured hastily. In saying this I do not refer to the long period—exactly a generation in the conventional sense—which intervened between Crotchet Castle of 1831 and this of 1861. For we know as a matter of fact, from the preface to the 1856 edition of Melincourt, that Peacock was planning Gryll Grange at a time considerably nearer to, but still some years from, its actual publication.
There might perhaps have been room for fear lest such a proceeding, on the part of a man of seventy-five who was living in retirement, should result in an ill-digested mass of detail, tempered or rather distempered by the grumbling of old age, and exhibiting the marks of failing powers. No anticipation could have been more happily falsified. The advance in good temper of Gryll Grange, even upon Crotchet Castle itself, is denied by no one. The book, though long for its author, is not in the least overloaded; and no signs of failure have ever been detected in it except by those who upbraid the still further severance between the line of Peacock's thought and the line of what is vulgarly accounted 'progress,' and who almost openly impute decay to powers no longer used on their side but against them. The only plausible pretext for this insinuation is that very advance in mildness and mellowness which has been noted—that comparative absence of the sharper and cruder strokes of the earlier work. But since the wit is as bright as ever, though less hard, it seems unreasonable to impute as a defect what, but for very obvious reasons, would be admitted as an improvement.
Except Brougham, who still comes in for some severe language, no one of Peacock's old favourite abominations undergoes personal chastisement. On the contrary, indirect but pretty distinct apology is tendered to Wordsworth, Southey, and Coleridge by appreciative citation of their work. Even among the general victims, Scotchmen and political economists have a still more direct olive-branch extended to them by the introduction of the personage of Mr. MacBorrowdale: there is no more blasphemy of Scott: and I do not at the present moment remember any very distinct slaps at paper money. Peace had been made long ago with the Church of England, through the powerful medium of Dr. Folliott; but it is ratified and cemented anew here not merely by the presentation of Dr. Opimian, but (in rather an odd fashion perhaps) by the trait of Falconer's devotion to St. Catharine. So also, as the fair hand of Lady Clarinda, despite some hard knocks administered to her father and brother, had beckoned Peacock away from his cut-and-dried satire of the aristocracy, so now Lord Curryfin exhibits a further stage of reconciliation. In short, all those elements of society to which very young men, not wanting either in brains or heart, often take crude and fanciful objection, had by this time approved themselves (as they always do, with the rarest exceptions, to les âmes bien nées) at worst graceful if unnecessary ornaments to life, at best valuable to the social fabric as solid and all but indispensable buttresses of it.
In all these 'reconciliations and forgivenesses of injuries,' however, it is very important to observe that there is no mawkishness; and, whatever may have been sometimes thought and said, there is no 'ratting* in the real sense. As must be obvious to any attentive reader of the novels, and as has been pointed out once or twice before in these introductions, Peacock had at no time been anything like an enrolled, much less a convinced, member of the Radical or any party. He may have been a Republican in his youth, though for my part I should like more trustworthy evidence for it than that of Thomas Jefferson Hogg, a very clever but a distinctly unscrupulous person. If he was—and it is not at all improbable that he had the Republican measles, a very common disease of youth, pretty early—he certainly had never been a democrat. Even his earlier satire is double-edged; and, as must be constantly repeated and remembered, it was always his taste and his endeavour to shoot folly as it flew, to attack existent and not extinct forms of popular or fashionable delusion. Such follies, whether in 1860 or since, have certainly not as a rule been of the aristocratic, monarchical, or Tory order generally.
He found plenty of these follies, however, in the other kind—the kind which he had begun to satirise smartly in Crotchet Castle—and he showed pretty decisively that his hand had not lost its cunning, nor his sword its sharpness. The satire, though partly, is not mainly political; and it is an interesting detail (though it only refreshes the memory of those who knew the facts then or have studied them since) that barely she years before a far more sweeping reform than that of 1832, a very acute judge who disliked and resisted it spoke of 'another reform lunacy' as 'not likely to arise in his time.' And these words, it must be remembered, are put in the mouth of Mr. MacBorrowdale, who is represented as merely middle-aged.
It is fortunate, however, for the interest of Gryll Grange that politics, in the strict sense, occupy so small a part of it; for of all subjects they lose interest first to all but a very select number of readers. The bulk of the satiric comment of the book is devoted either to purely social matters, or to the debateable land between these and politics proper. A little but not very much of this is obsolete or obsolescent. American slavery is no more; and the 'Pantopragmatic Society' (in official language the Social Science Congress) has ceased to exist as a single recognised institution. But there is not much about slavery here, and if pantopragmatics have lost their special Society they flourish more than ever as a general and fashionable subject of human attention. You shall not open a number of the Times twice, perhaps not once in a week, without finding columns of debate, harangue, or letter-writing purely pantopragmatical.
Still more is this the case with another subject which has even more attention, and on which what some think the central and golden sentence of the book is laid down by Dr. Opimian in the often-quoted words, 'If all the nonsense which in the last quarter of a century [it is appalling to think that this quarter is getting on for three-quarters now] has been talked on all other subjects were thrown into one scale, and all that has been talked on the subject of Education alone were thrown into the other, I think the latter would preponderate.' Indeed it cannot be said that after nearly five-and-thirty years, up to and including the present moment, during which Competitive Examination