she got an ancient violin, and the old man cuddled it lovingly and played soft, weird melodies, songs of the Czech race, that made me think of Romance, of love and hate, and passion and despair. Piece after piece he played, as if pouring out the sadness and heart-hunger of a burdened people, until my own heart ached in sympathy.
The wild music throbbed with passionate sweetness and despair. Unobserved, the pale twilight stole into the little cabin. The ruggedly fine face of the old man was like one inspired, and with clasped hands, the girl sat, very white-faced and motionless. Then I saw a gleam on her cheek, the soft falling of tears. Somehow, at that moment, I felt drawn very near to those two, the music, the tears, the fervent sadness of their faces. I felt as if I had been allowed to share with them a few moments consecrated to their sorrow, and that they knew I understood.
That day as I was leaving, I said to her:
"Berna, this is our last night on board."
"Yes."
"To-morrow our trails divide, maybe never again to cross. Will you come up on deck for a little while to-night? I want to talk to you."
"Talk to me?"
She looked startled, incredulous. She hesitated.
"Please, Berna, it's the last time."
"All right," she answered in a low tone.
Then she looked at me curiously.
CHAPTER IV
She came to meet me, lily-white and sweet. She was but thinly wrapped, and shivered so that I put my coat around her. We ventured forward, climbing over a huge anchor to the very bow of the boat, and crouching down in its peak, were sheltered from the cold breeze.
We were cutting through smooth water, and crowding in on us were haggard mountains, with now and then the greenish horror of a glacier. Overhead, in the desolate sky, the new moon nursed the old moon in her arms.
"Berna!"
"Yes."
"You're not happy, Berna. You're in sore trouble, little girl. I don't know why you come up to this God-forsaken country or why you are with those people. I don't want to know; but if there's anything I can do for you, any way I can prove myself a true friend, tell me, won't you?"
My voice betrayed emotion. I could feel her slim form, very close to me, all a-tremble. In the filtered silver of the crescent moon, I could see her face, wan and faintly sweet. Gently I prisoned one of her hands in mine.
She did not speak at once. Indeed, she was quiet for a long time, so that it seemed as if she must be stricken dumb, or as if some feelings were conflicting within her. Then at last, very gently, very quietly, very sweetly, as if weighing her words, she spoke.
"No, there's nothing you can do. You've been too kind all along. You're the only one on the boat that's been kind. Most of the others have looked at me—well, you know how men look at a poor, unprotected girl. But you, you're different; you're good, you're honourable, you're sincere. I could see it in your face, in your eyes. I knew I could trust you. You've been kindness itself to grandfather and I, and I never can thank you enough."
"Nonsense! Don't talk of thanks, Berna. You don't know what a happiness it's been to help you. I'm sorry I've done so little. Oh, I'm going to be sincere and frank with you. The few hours I've had with you have made me long for others. I'm a lonely beggar. I never had a sister, never a girl friend. You're the first, and it's been like sudden sunshine to me. Now, can't I be really and truly your friend, Berna; your friend that would do much for you? Let me do something, anything, to show how earnestly I mean it?"
"Yes, I know. Well, then, you are my dear, true friend—there, now."
"Yes—but, Berna! To-morrow you'll go and we'll likely never see each other again. What's the good of it all?"
"Well, what do you want? We will both have a memory, a very sweet, nice memory, won't we? Believe me, it's better so. You don't want to have anything to do with a girl like me. You don't know anything about me, and you see the kind of people I'm going with. Perhaps I am just as bad as they."
"Don't say that, Berna," I interposed sternly; "you're all that's good and pure and sweet."
"No, I'm not, either. We're all of us pretty mixed. But I'm not so bad, and it's nice of you to think those things. … Oh! if I had never come on this terrible trip! I don't even know where we are going, and I'm afraid, afraid."
"No, little girl."
"Yes, I can't tell you how afraid I am. The country's so savage and lonely; the men are so like brute beasts; the women—well, they're worse. And here are we in the midst of it. I don't know what's going to become of us."
"Well, Berna, if it's like that, why don't you and your grandfather turn back? Why go on?"
"He will never turn back. He'll go on till he dies. He only knows one word of English and that's Klondike, Klondike. He mutters it a thousand times a day. He has visions of gold, glittering heaps of it, and he'll stagger and struggle on till he finds it."
"But can't you reason with him?"
"Oh, it's all no use. He's had a dream. He's like a man that's crazy. He thinks he has been chosen, and that to him will a great treasure be revealed. You might as well reason with a stone. All I can do is to follow him, is to take care of him."
"What about the Winklesteins, Berna?"
"Oh, they're at the bottom of it all. It is they who have inflamed his mind. He has a little money, the savings of a lifetime, about two thousand dollars; and ever since he came to this country, they've been trying to get it. They ran a little restaurant in New York. They tried to get him to put his little store in that. Now they are using the gold as a bait, and luring him up here. They'll rob and kill him in the end, and the cruel part is—he's not greedy, he doesn't want it for himself—but for me. That's what breaks my heart."
"Surely you're mistaken, Berna; they can't be so bad as that."
"Bad! I tell you they're vile. The man's a worm, and the woman, she's a devil incarnate. She's so strong and so violent in her tempers that when she gets drinking—well, it's just awful. I should know it, I lived with them for three years."
"Where?"
"In New York. I came from the old country to them. They worked me in the restaurant at first. Then, after a bit, I got employment in a shirt-waist factory. I was quick and handy, and I worked early and late. I attended a night school. I read till my eyes ached. They said I was clever. The teacher wanted me to train and be a teacher too. But what was the good of thinking of it? I had my living to get, so I stayed at the factory and worked and worked. Then when I had saved a few dollars, I sent for grandfather, and he came and we lived in the tenement and were very happy for a while. But the Winklesteins never gave us any peace. They knew he had a little money laid away, and they itched to get their hands on it. The man was always telling us of get-rich-quick schemes, and she threatened me in horrible ways. But I wasn't afraid in New York. Up here it's different. It's all so shadowy and sinister."
I could feel her shudder.
"Oh, Berna," I said, "can't I help you?"
She shook her head sadly.
"No, you can't; you have enough trouble of your own. Besides it doesn't matter about me. I didn't mean to tell you all this, but now, if you want to be a true friend, just go away and forget me. You don't want to have anything to do with me. Wait! I'll tell you something more. I'm called Berna Wilovich. That's my grandfather's name. My mother ran away from home. Two years later she came back—with me. Soon after she died of consumption. She would never tell my father's name, but said he was a Christian, and of good family. My grandfather tried to find out. He would have killed the man. So, you see, I am nameless,