Those who had cause to know and to fear the praefect's varying moods, were ready to shrink away now from the threatening darkness of his glance. He seemed indeed like some tawny wild beast, chained and scorned, whom a child was teasing from a point of vantage just beyond the reach of his powerful jaws.
She was so well within her rights and he so absolutely in the wrong as far as the law was concerned, that he knew at once that he must inevitably give way. If Dea Flavia chose to desire a slave she could satisfy the caprice, since no man's fortune could hold out against her own. This too did the praefect know. He himself was passing rich and would gladly have paid a large sum now, that he might prove the victor in this unequal contest but Dea Flavia had the law and boundless wealth on her side. Taurus Antinor had only his personal authority which had coerced the crowd, but was of no avail against this beautiful woman who defied him openly before the plebs and before his slaves.
"Have no fear, O Dea Flavia," he said, trying to speak calmly, but his voice trembling with the mighty effort at control, "justice hath never yet suffered at my hands. I told thee that 'tis not a case of law here but one of mercy. This girl's mother has toiled for years to save enough money with which to buy the freedom of her child. She hath twenty aurei to command, and the girl is not worth much more than that. The State would have been satisfied, for my own purse would have made up the deficiency. I had bought the girl myself and given her to the mother, but the poor wretch was so proud and happy to buy her child's freedom herself, that I allowed her to make the bid. That is this slave-girl's story, Augusta! Thou seest that the law will not suffer, neither shall the State be defrauded. What thou art prepared to give for the girl that will I make good in the coffers of the State. Art satisfied, I hope! Thou art a woman, and canst mayhap better understand than I did at first when Menecreta threw herself at my knees."
His rugged voice softened considerably whilst he spoke, and those who were watching him so anxiously saw the ugly dark frown gradually lighten on his brow. No wonder! since he was just a man face to face with an exceptionally beautiful woman, to whose pity he was endeavouring to make appeal. At all times an easy and a pleasant task, it must have been doubly so now when the object of mercy was so deserving. Taurus Antinor looked straight into the lovely face before him, marvelling when those exquisite blue eyes would soften with their first look of pity. But they remained serene and mysterious, neither avoiding his gaze nor responding to its appeal. The delicately chiselled lips retained their slight curve of scorn.
He gave a sign to Menecreta, and she approached, tottering like one who is drunken with wine, or who has received a heavy blow on the head. She stood before Dea Flavia, with head trembling like poplar leaves and great hollow eyes fixed in meaningless vacancy upon the great patrician lady.
"This is Menecreta, O Dea Flavia," concluded the praefect; "wilt allow her to plead her own cause?"
Without replying directly to him, Dea Flavia turned for the first time to the slave-girl on the platform.
"Is this thy mother?" she asked.
"Yes!" murmured the girl.
"Hast a wish that she should buy thy freedom?"
"Yes."
"That thou shouldst go with her to the hovel which is her home, the only home that thou wouldst ever know? Hast a wish to become the slave of that old woman, whose mind hath already gone wandering among the shadows, and whose body will very shortly go in search of her mind? Hast a wish to spend the rest of thy days scrubbing floors and stewing onions in an iron pot? Or is thy wish to dwell in the marble halls of Dea Flavia's house, where the air is filled with the perfume of roses and violets and tame songbirds make their nests in the oleander bushes? Wouldst like to recline on soft downy cushions, allowing thy golden hair to fall over thy shoulders the while I, mallet or chisel in hand, would make thy face immortal by carving it in marble? The praefect saith thine is a case for pity, then do I have pity upon thee, and give thee the choice of what thy life shall be. Squalor and misery as thy mother's slave, or joy, music, and flowers as mine."
Her voice, ever low and musical, had taken on notes of tenderness and of languor. The tears of pity which the praefect had vainly tried to conjure up gathered now in her eyes as her whole mood seemed to melt in the fire of her own eloquence.
Nola hung her head, overwhelmed with shame. She was very young and the great lady very kind and gentle. Her own simple heart, still filled with the selfish desires of extreme youth, cried out for that same life of ease and luxury which the beautiful lady depicted in such tempting colours before her, whilst it shrank instinctively from the poverty, the hard floors, the stewing-pots which awaited her in that squalid hut on the Aventine where her mother dwelt.
She hung her head and made no reply, whilst from the group of the young and idle sycophants who had hung on Dea Flavia's honeyed words just as they had done round her litter a while ago, came murmurs of extravagant adulation and well-chosen words in praise of her exquisite diction, her marvellous pity, her every talent and virtue thus freely displayed.
Even the crowd stared open-mouthed and agape at this wonderful spectacle of so great a lady stooping to parley with a slave.
The praefect alone remained seemingly unmoved; but the expression of hidden wrath had once more crept into his eyes, making them look dark and fierce and glowing with savage impotence; and his gaze had remained fixed on the radiantly beautiful woman who stood there before him in all the glory of her high descent, her patrician bearing, the exquisite charm of her personality, seductive in its haughty aloofness, voluptuous even in its disdainful calm.
Neither did Menecreta fall a victim to Dea Flavia's melodious voice. She had listened from a respectful distance, and with the humble deference born of years of bondage, to the honeyed words with which the great lady deigned to cajole a girl-slave: but when Dea Flavia had finished speaking and the chorus of admiration had died down around her, the freedwoman, with steps which she vainly tried to render firm, approached to the foot of the catasta and stood between the great lady and her own child.
She placed one trembling, toil-worn hand on Nola's shoulder and said gently:
"Nola, thou hast heard what my lady's grace hath deigned to speak. A humble life but yet a free one awaits thee in thy mother's home on the Aventine; a life of luxurious slavery doth my lady's grace offer thee. She deigns to say that thou alone shalt choose thy way in life. Thou wast born a slave, Nola, and shouldst know how to obey. Obey my lady then. Choose thy future, Nola. The humble and free one which I, thy mother, have earned for thee, or the golden cage in which this proud lady would deign to keep her latest whim in bondage!"
Her voice, which at first had been almost steady, died down at the end in a pitiful quiver. It was the last agony of her hopes, the real parting from her child, for even whilst Menecreta's throat was choked with sobs, Nola hung her head and great heavy tears dropped from her eyes upon her clasped hands. The child was crying and the mother understood.
She no longer moaned with pain now. The pain was gone; only dull despair remained. Her heart had hungered for the one glad cry of joy: "Mother, I'll come to thee!" It was left starving even through her daughter's tears.
But those who watched this unwonted scene could not guess what Dea Flavia felt, for her eyes were veiled by her long lashes, and the mouth expressed neither triumph nor pity. Menecreta now once more tried to steady her quivering voice; she straightened her weary back and said quite calmly:
"My lady's grace has spoken, and the great lords here assembled have uttered words of praise for an exquisite act of pity. My lady's grace hath spoken and hath told the poor slave, Nola, to choose her own life. But I, the humble freedwoman, will speak in my turn to thee, O Dea Flavia of the imperial house of immortal Cæsar, and looking into thine eyes I tell thee that thy pity is but falsehood and thine eloquence naught but cruelty. By thy words thou didst take my child from me as effectually as if thou already hadst bought and paid for her. Look at the child now! She hangs her head and dares not look on me, her mother. Oh! thou didst well choose thy words, oh daughter of imperial Cæsar, for thy honeyed words were like the nectar which hid the poison that hath filtrated into my daughter's heart. Thou hast said it right—her life with me had been one of toil and mayhap of misery,