you have nothing to do with sociology, and you ought to have been called How to Think Honestly—my face flushed again and again as I perused your ugly yellowish pages! Again and again I exclaimed: ‘But this is marvellous!’ I had not guessed that anything so honest, and so courageous, and so simple, and so convincing had ever been written. I am capable now of suspecting that Spencer was not a supreme genius; but he taught me intellectual courage; he taught me that nothing is sacred that will not bear inspection; and I adore his memory. The next morning after breakfast I fell asleep in a chair. ‘My dear!’ protested Aunt Constance. ‘Ah,’ I thought, ‘if you knew, Aunt Constance, if you had the least suspicion, of the ideas that are surging and shining in my head, you would go mad—go simply mad!’ I did not care much for deception, but I positively hated clumsy concealment, and the red book was in the house; at any moment it might be seized. On a shelf of books in my bedroom was a novel called The Old Helmet, probably the silliest novel in the world. I tore the pages from the binding and burnt them; I tore the binding from Spencer and burnt it; and I put my treasure in the covers of The Old Helmet. Once Rebecca, a person privileged, took the thing away to read; but she soon brought it back. She told me she had always understood that The Old Helmet was more, interesting than that.
Later, I discovered The Origin of Species in the Free Library. It finished the work of corruption. Spencer had shown me how to think; Darwin told me what to think. The whole of my upbringing went for naught thenceforward. I lived a double life. I said nothing to my aunt of the miracle wrought within me, and she suspected nothing. Strange and uncanny, is it not, that such miracles can escape the observation of a loving heart? I loved her as much as ever, perhaps more than ever. Thank Heaven that love can laugh at reason!
So much for my intellectual inner life. My emotional inner life is less easy to indicate. I became a woman at fifteen—years, interminable years, before I left school. I guessed even then, vaguely, that my nature was extremely emotional and passionate. And I had nothing literary on which to feed my dreams, save a few novels which I despised, and the Bible and the plays and poems of Shakespeare. It is wonderful, though, what good I managed to find in those two use-worn volumes. I knew most of the Song of Solomon by heart, and many of the sonnets; and I will not mince the fact that my favourite play was Measure for Measure. I was an innocent virgin, in the restricted sense in which most girls of my class and age are innocent, but I obtained from these works many a lofty pang of thrilling pleasure. They illustrated Chopin for me, giving precision and particularity to his messages. And I was ashamed of myself. Yes; at the bottom of my heart I was ashamed of myself because my sensuous being responded to the call of these masterpieces. In my ignorance I thought I was lapsing from a sane and proper ideal. And then—the second miracle in my career, which has been full of miracles—I came across a casual reference, in the Staffordshire Recorder, of all places, to the Mademoiselle de Maupin of Théophile Gautier. Something in the reference, I no longer remember what, caused me to guess that the book was a revelation of matters hidden from me. I bought it. With the assistance of a dictionary, I read it, nightly, in about a week. Except Picciola, it was the first French novel I had ever read. It held me throughout; it revealed something on nearly every page. But the climax dazzled and blinded me. It was exquisite, so high and pure, so startling, so bold, that it made me ill. When I recovered I had fast in my heart’s keeping the new truth that in the body, and the instincts of the body, there should be no shame, but rather a frank, joyous pride. From that moment I ceased to be ashamed of anything that I honestly liked. But I dared not keep the book. The knowledge of its contents would have killed my aunt. I read it again; I read the last pages several times, and then I burnt it and breathed freely.
Such was I, as I forced my will on my aunt in the affair of the concert. And I say that she who had never suspected the existence of the real me, suspected it then, when we glanced at each other across the breakfast-room. Upon these apparent trifles life swings, as upon a pivot, into new directions.
I sat with my aunt while Lucy went with the note. She returned soon with the reply, and the reply was:
‘So sorry I can’t accept your kind invitation. I should have liked to go awfully. But Fred has got the toothache, and I must not leave him.’
The toothache! And my very life, so it seemed to me, hung in the balance.
I did not hesitate one second.
‘Hurrah!’ I cried. ‘She can go. I am to call for her in the cab.’
And I crushed the note cruelly, and threw it in the fire.
‘Tell him to call at Ryleys’,’ I said to Rebecca as she was putting me and my dress into the cab.
And she told the cabman with that sharp voice of hers, always arrogant towards inferiors, to call at Ryleys.’
I put my head out of the cab window as soon as we were in Oldcastle Street.
‘Drive straight to Hanbridge,’ I ordered.
The thing was done.
II
He was like his photograph, but the photograph had given me only the most inadequate idea of him. The photograph could not render his extraordinary fairness, nor the rich gold of his hair, nor the blue of his dazzling eyes. The first impression was that he was too beautiful for a man, that he had a woman’s beauty, that he had the waxen beauty of a doll; but the firm, decisive lines of the mouth and chin, the overhanging brows, and the luxuriance of his amber moustache, spoke more sternly. Gradually one perceived that beneath the girlish mask, beneath the contours and the complexion incomparably delicate, there was an individuality intensely and provocatively male. His body was rather less than tall, and it was muscular and springy. He walked on to the platform as an unspoilt man should walk, and he bowed to the applause as if bowing chivalrously to a woman whom he respected but did not love. Diaz was twenty-six that year; he had recently returned from a tour round the world; he was filled full of triumph, renown, and adoration. As I have said, he was already legendary. He had become so great and so marvellous that those who had never seen him were in danger of forgetting that he was a living human being, obliged to eat and drink, and practise scales, and visit his tailor’s. Thus it had happened to me. During the first moments I found myself thinking, ‘This cannot be Diaz. It is not true that at last I see him. There must be some mistake.’ Then he sat down leisurely to the piano; his gaze ranged across the hall, and I fancied that, for a second, it met mine. My two seats were in the first row of the stalls, and I could see every slightest change of his face. So that at length I felt that Diaz was real, and that he was really there close in front of me, a seraph and yet very human. He was all alone on the great platform, and the ebonized piano seemed enormous and formidable before him. And all around was the careless public—ignorant, unsympathetic, exigent, impatient, even inimical—two thousand persons who would get value for their money or know the reason why. The electric light and the inclement gaze of society rained down cruelly upon that defenceless head. I wanted to protect it. The tears rose to my eyes, and I stretched out towards Diaz the hands of my soul. My passionate sympathy must have reached him like a beneficent influence, of which, despite the perfect self-possession and self-confidence of his demeanour, it seemed to me that he had need.
I had risked much that night. I had committed an enormity. No one but a grown woman who still vividly remembers her girlhood can appreciate my feelings as I drove from Bursley to Hanbridge in the cab, and as I got out of the cab in the crowd, and gave up my ticket, and entered the glittering auditorium of the Jubilee Hall. I was alone, at night, in the public places, under the eye of the world. And I was guiltily alone. Every fibre of my body throbbed with the daring and the danger and the romance of the adventure. The horror of revealing the truth to Aunt Constance, as I was bound to do—of telling her that I had lied, and that I had left my maiden’s modesty behind in my bedroom, gripped me at intervals like some appalling and exquisite instrument of torture. And yet, ere Diaz had touched the piano with his broad white hand, I was content, I was rewarded, and