stood there with their heads stretched out and their ears for'ard. 'Come on,' he says, and away they went, tearin' away. Left great ruts in the road where the wheels sent in—that'll show ye they got something to pull."
We got one shrub a little further, Bettesworth grunting to a heavy lift; then, in answer to a question:
"No, none o' we helped 'n. We was only gone out to see 'n do it. He never wanted no help. He didn't say much; only 'Git back,' or 'Git up,' to the hosses. When it come to gettin' the last tree up, on top o' t'other two, I never thought he could ha' done it. But he got 'n up. And he was a oldish man, too: sixty, I dessay he was. But he jest spoke to the hosses. Never used no whip 'xcept jest to guide 'em. Didn't the old farmer go on at his own men, too! 'You dam fellers, call yerselves carters,' he says; 'a man like that's worth a dozen o' you.' Well, they couldn' ha' done it. A dozen of 'em 'd ha' scrambled about, an' then not done it! Besides, their hosses wouldn't. But this feller the old farmer says to 'n, 'I never believed you'd ha' done it.' 'I thought mos likely I should,' he says. But he never had much to say."
A few hundred yards further along the Hog's Back the road drops down south-east to Seale, the first of the three ancient and interesting villages which lie under the ridge between Farnham and Guildford. Seale is a fascinating little place. It consists only of a few cottages, shy and red-roofed, deep among high hedges, bushy dells and reedy meadows, with wheatfields and barleyfields clothing the chalky slopes above. The church has been rebuilt, but has some inscriptions worth looking at. One is an epitaph on a young officer, Edward Noel Long, who was drowned at sea. According to the inscription:—
"On his way to join the British forces in Spain, he, with others of his regiment, perished in the sea near Cape St. Vincent, during the confusion of a fatal accident occasioned by the Isis man-of-war falling on board the transport on which he was embarked on the night of the 6th March, 1809."
That was just after Corunna. A carved bas-relief represents the Isis under full sail "falling on board" the transport.
Here, under the Hog's Back north and south, nearly all the cottages are old and nearly all have gardens. One perfect little building stands not far from Seale on the road to Puttenham, bowered in vines and quaintly chimneyed, with white-curtained windows opening on a low wall and stone-crop and high box borders, and, when I saw it in July, bunches of pink and white mallows glowing under an old oak door. No cottages count sunnier hours than these that stand about the long strip of green country under the chalk downs. This part of Surrey, perhaps, has changed as little as any part during the last twenty or thirty years, which have added so many miles of brick and slate to Surrey villages and towns; probably the greatest change has been in the roads. Mrs. Henry Ady, for instance, writing of the Pilgrims' Way just fifteen years ago, speaks of the road that runs through Seale, Puttenham, and Compton as being "a grassy lane, not always easy to follow, and little used in places." The road as it runs here may not take the exact line of the Pilgrims' Way, but no one could call it difficult to follow. Here and there it passes through cornfields, and it is by leaving the road to take a footpath through a cornfield that the best view is to be had of Puttenham, whose red roofs and grey church tower are set delightfully among rich elms, with a splash of ploughed chalk blazing white through the trees beyond. Puttenham has added only a few new cottages to its outskirts; under the church it is still red and mossy and lichened. The cottages are oddly built to suit the sloping ground, for the road to the church rises on a hill, and necessitates different levels for foundations and stone pathways. One of the cottages has an outside staircase to its front door, for what reason there is no guessing.
The next village under the Hog's Back on the way to Guildford is Compton, perhaps the third stage of thirsty pilgrims journeying from Whitewaysend. The main road enters Compton from the north, but the prettiest way to find the village is to drop down on it by a woodland footpath from the west. Icehouse Wood is the name of the few acres of trees through which the path runs; an old brick-lined pocket in the side of the hill suggests the name, but there are remains of another brick building higher up the slope which look nothing like an icehouse. Was the name ever Oasthouse wood, perhaps, and did they grow hops here as at Farnham? If any pilgrims left the beaten track from Puttenham which runs north of Compton they may have come to the church and the inn by this footpath. It is centuries old; it is lined, before it enters the wood, by ordered holly which may once have marked a road, and as it drops down the hill it cuts as deep into the sand as the old trackways north of Anstiebury Camp or west of Albury. Great beeches coil their roots about its edge—younger than the road if ever oasthouses stood by it.
Compton looks like a village presided over by a single mind. The cottages which add themselves to whatever is old in neighbouring buildings are designed to fit with a scheme; the cottage gardens are challenges of roses and phloxes, which shall be brightest. The black beams and jutting stories of an ancient timbered house stand above the road, an example and a guardian; the whole aspect of the village is of the quietest country. When I was walking through Compton I was told of a village festival which had been held in the spring, in which children from Bermondsey—Bermondsey once a Thames-side village itself—dressed in the old dresses and danced the old dances. They had a Queen of the May and they twined a maypole with ribands; and as I went out of Compton there were the Compton village children, six or seven of them, dancing over the dances the Bermondsey children had shown them, in the same field where the festival was held. The first of May would come round again; they would choose their own Queen and twine their own maypole.
Compton church is one of the most interesting in the country. It must be forgiven a hideous organ, whose blue and red pipes block the western arch of the nave; the sanctuary is the beauty of the church. It is the only two-storied sanctuary in England, and the origin of two-storied sanctuaries is unknown. Mr. Lewis André, writing in the Surrey Archæological Collections, is inclined to think that the dedication of the upper sanctuary may have been to St. Michael; there are several altars dedicated to St. Michael in the galleries of continental churches. Another feature of the church is the wooden Norman screen which fences off the upper sanctuary; it is the oldest known in England, and dates back to 1180, according to the archæologists. Some Jacobean screen work in the pulpit and the altar rails is an interesting contrast.
Half a mile north of Compton are a chapel and a cemetery, the joint gift of the late George Frederick Watts and Mrs. Watts; the chapel, designed by Mrs. Watts, strikes a dominant note of terracotta and red brick. There are strengths and splendours which belong to the building and its frescoes, but to me, at all events, it seems to lack the peace and mystery of quieter, duller chapels. A noble memorial of a master mind is the picture gallery in the grounds of the terracotta designing school founded by the late painter's wife. The gallery contains many of his finest pictures, and in particular the last of all which he painted—Destiny, a tremendous figure with a shadowed face; masses of filmy light are about it, and power moves in the arm that holds the book; there is a secret hidden which the grey face knows. The gallery is lighted as no London gallery is; the ceiling and walls are washed with old gold, which takes all the hardness from the spaces of sunshine playing through the roof. Mrs. Watts, I believe, added this charm to the gallery. Others besides critics owe her gratitude. Outside the gallery stand rows of pottery, the work of her pupils. Urns, vases, basins, cups, pedestals, fountains await translation to flower gardens. The birds of many Surrey lawns owe a debt to Compton for wide splash-baths of water to bathe in and drink at in the heats of summer.
Compton can be seen either from Guildford or from Godalming, and the traveller has the choice at Puttenham either of rejoining the Hog's Back immediately above the village, and so dropping down into Wanborough on the other side, or going on to Compton and perhaps climbing up again to the road on the ridge afterwards. Wanborough, a fascinating little hamlet, is worth the extra climbs up the hill. It is little more, in reality, than a manor house or farm homestead, wealthy with huddled ricks and superb barns, and a simple little church, perhaps the tiniest of all in Surrey; it measures only forty-five feet by eighteen. I found it locked, but a village child with engaging confidence told me to "look under the brick" for the key, and under a loose brick in the porch I found it. It may be lying there to-day. There is little in the church itself;