the nervous Grand Marshal, and Simon Petrovich with his band of dramatists, guarded by the indefatigable Sasha. All others slept,—and the curious crowd outside, listening to the music, stole silently away; down in Kinesma, the mothers ceased to scold their children, and the merchants whispered to each other in the bazaar; the captains of vessels floating on the Volga directed their men by gestures; the mechanics laid aside hammer and axe, and lighted their pipes. Great silence fell upon the land, and continued unbroken so long as Prince Alexis and his guests slept the sleep of the just and the tipsy.
By night, however, they were all awake and busily preparing for the diversions of the evening. The ball-room was illuminated by thousands of wax-lights, so connected with inflammable threads, that the wicks could all be kindled in a moment. A pyramid of tar-barrels had been erected on each side of the castle-gate, and every hill or mound on the opposite bank of the Volga was similarly crowned. When, to a stately march,—the musicians blowing their loudest,—Prince Alexis and Princess Martha led the way to the ball-room, the signal was given: candles and tar-barrels burst into flame, and not only within the castle, but over the landscape for five or six versts, around everything was bright and clear in the fiery day. Then the noises of Kinesma were not only permitted, but encouraged. Mead and qvass flowed in the very streets, and the castle trumpets could not be heard for the sound of troikas and balalaikas.
After the Polonaise, and a few stately minuets, (copied from the court of Elizabeth), the company were ushered into the theatre. The hour of Simon Petrovitch had struck: with the inspiration smuggled to him by Prince Boris, he had arranged a performance which he felt to be his masterpiece. Anxiety as to its reception kept him sober. The overture had ceased, the spectators were all in their seats, and now the curtain rose. The background was a growth of enormous, sickly toad-stools, supposed to be clouds. On the stage stood a girl of eighteen, (the handsomest in Kinesma), in hoops and satin petticoat, powdered hair, patches, and high-heeled shoes. She held a fan in one hand, and a bunch of marigolds in the other. After a deep and graceful curtsy to the company, she came forward and said,—
“I am the goddess Venus. I have come to Olympus to ask some questions of Jupiter.”
Thunder was heard, and a car rolled upon the stage. Jupiter sat therein, in a blue coat, yellow vest, ruffled shirt and three-cornered hat. One hand held a bunch of thunderbolts, which he occasionally lifted and shook; the other, a gold-headed cane.
“Here am, I Jupiter,” said he; “what does Venus desire?”
A poetical dialogue then followed, to the effect that the favorite of the goddess, Prince Alexis of Kinesma, was about sending his son, Prince Boris, into the gay world, wherein himself had already displayed all the gifts of all the divinities of Olympus. He claimed from her, Venus, like favors for his son: was it possible to grant them? Jupiter dropped his head and meditated. He could not answer the question at once: Apollo, the Graces, and the Muses must be consulted: there were few precedents where the son had succeeded in rivalling the father,—yet the father's pious wishes could not be overlooked. Venus said,—
“What I asked for Prince Alexis was for HIS sake: what I ask for the son is for the father's sake.”
Jupiter shook his thunderbolt and called “Apollo!”
Instantly the stage was covered with explosive and coruscating fires,—red, blue, and golden,—and amid smoke, and glare, and fizzing noises, and strong chemical smells, Apollo dropped down from above. He was accustomed to heat and smoke, being the cook's assistant, and was sweated down to a weight capable of being supported by the invisible wires. He wore a yellow caftan, and wide blue silk trousers. His yellow hair was twisted around and glued fast to gilded sticks, which stood out from his head in a circle, and represented rays of light. He first bowed to Prince Alexis, then to the guests, then to Jupiter, then to Venus. The matter was explained to him.
He promised to do what he could towards favoring the world with a second generation of the beauty, grace, intellect, and nobility of character which had already won his regard. He thought, however, that their gifts were unnecessary, since the model was already in existence, and nothing more could be done than to IMITATE it.
(Here there was another meaning bow towards Prince Alexis,—a bow in which Jupiter and Venus joined. This was the great point of the evening, in the opinion of Simon Petrovitch. He peeped through a hole in one of the clouds, and, seeing the delight of Prince Alexis and the congratulations of his friends, immediately took a large glass of Cognac).
The Graces were then summoned, and after them the Muses—all in hoops, powder, and paint. Their songs had the same burden,—intense admiration of the father, and good-will for the son, underlaid with a delicate doubt. The close was a chorus of all the deities and semi-deities in praise of the old Prince, with the accompaniment of fireworks. Apollo rose through the air like a frog, with his blue legs and yellow arms wide apart; Jupiter's chariot rolled off; Venus bowed herself back against a mouldy cloud; and the Muses came forward in a bunch, with a wreath of laurel, which they placed upon the venerated head.
Sasha was dispatched to bring the poet, that he might receive his well-earned praise and reward. But alas for Simon Petrovitch? His legs had already doubled under him. He was awarded fifty rubles and a new caftan, which he was not in a condition to accept until several days afterward.
The supper which followed resembled the dinner, except that there were fewer dishes and more bottles. When the closing course of sweatmeats had either been consumed or transferred to the pockets of the guests, the Princess Martha retired with the ladies. The guests of lower rank followed; and there remained only some fifteen or twenty, who were thereupon conducted by Prince Alexis to a smaller chamber, where he pulled off his coat, lit his pipe, and called for brandy. The others followed his example, and their revelry wore out the night.
Such was the festival which preceded the departure of Prince Boris for St. Petersburg.
IV.
Before following the young Prince and his fortunes, in the capital, we must relate two incidents which somewhat disturbed the ordered course of life in the castle of Kinesma, during the first month or two after his departure.
It must be stated, as one favorable trait in the character of Prince Alexis, that, however brutally he treated his serfs, he allowed no other man to oppress them. All they had and were—their services, bodies, lives—belonged to him; hence injustice towards them was disrespect towards their lord. Under the fear which his barbarity inspired lurked a brute-like attachment, kept alive by the recognition of this quality.
One day it was reported to him that Gregor, a merchant in the bazaar at Kinesma, had cheated the wife of one of his serfs in the purchase of a piece of cloth. Mounting his horse, he rode at once to Gregor's booth, called for the cloth, and sent the entire piece to the woman, in the merchant's name, as a confessed act of reparation.
“Now, Gregor, my child,” said he, as he turned his horse's head, “have a care in future, and play me no more dishonest tricks. Do you hear? I shall come and take your business in hand myself, if the like happens again.”
Not ten days passed before the like—or something fully as bad—did happen. Gregor must have been a new comer in Kinesma, or he would not have tried the experiment. In an hour from the time it was announced, Prince Alexis appeared in the bazaar with a short whip under his arm.
He dismounted at the booth with an ironical smile on his face, which chilled the very marrow in the merchant's bones.
“Ah, Gregor, my child,” he shouted, “you have already forgotten my commands. Holy St. Nicholas, what a bad memory the boy has! Why, he can't be trusted to do business: I must attend to the shop myself. Out of the way! march!”
He swung his terrible whip; and Gregor, with his two assistants, darted under the counter, and made their escape. The Prince then entered the booth, took up a yard-stick, and cried out in a voice which could