he would be called upon first to bring in another burden that he would never forget.
Her eyes went back to the house. There was some one sitting in a rocker in the shade near the front door. It was her mother. This news would be a bitter, bitter shock to the tender-hearted woman who had called Arthur Shandon one of her "boys."
The girl drew nearer, with no tightening of reins upon Gypsy's headlong speed. Another glimpse through the cedars showed her that there was some one with her mother, a man, broad and heavy shouldered. He turned, hearing the pound of the flying hoofs through the still air as she came on. It was her father. She could see the massive, calm face, the white hair and white square beard.
She was barely five hundred yards from the foot of the knoll when she saw that her father and mother were not alone. The third figure had been concealed from her until now by the great post standing at the top of the steps. But now the man sitting there rose to his feet and turned to look in the direction her parents were looking. A sudden choking came into the girl's throat, a quick rush of tears into her dry eyes. She drew her reins tight, bringing her pony down into a trot, then to a walk. She could not rush on like this, carrying a message of grief and terror; must she hasten so eagerly to speak the word that was going to make life so different to this man?
"Oh, how can I tell him?" she was moaning. "The gladdest, gayest, happiest boy of a man that ever lived! Will he ever be glad again?"
Her mother had waved to her, her father was smiling, proud of her as he always was when he saw how she rode. And the other man who had leaped to his feet was running down the steps, coming to meet her, coming to meet the news she brought.
CHAPTER II
THE SHADOW
The girl drooped her head a little, while Gypsy walked very slowly. Then she looked up again, swiftly, saw that the man was coming on to meet her, saw the great, tall, gaunt form, marked the free swinging carriage which she had noted so many times before, noticed the way he carried his head, well back, saw the sunlight splashing like fire in the red, red hair that in some fashion seemed to proclaim red blood and recklessness. A young man he was with mighty hands and iron body, with life leaping high in his laughing eyes, a man who might have been some pagan god of youth and joy and heedlessness.
His big boots brought him on swiftly until he came to her horse and she stopped, her eyes dropping before his. He twined his fingers in Gypsy's mane and looked up into her face, he laughing softly.
"So you've ridden back to us, at last." His voice was in tune with the rest of him, suggesting the wildness and recklessness that were part of the man's nature. He ran on, half bantering, half softly wondering at the loveliness of her. "Are you pagan nymph or Christian maiden, Wanda?" he asked a little seriously, as nearly serious, one might have said, as it was this man's nature to be.
She raised her lowered eyes, looking at him searchingly. Then he saw the tears that at last were spilling over, the face from which the colour was going again, the traces of horror of that thing which lay far back there under the pines.
"Wanda!" he cried sharply. "You … There's something the matter! I've been running on like an inspired idiot and … What is it, Wanda?"
"Oh," she said desperately, "it is terrible! I can't … " She choked over her words. But they were burning the soul within her, and she ran on hastily. "I found him back there by Echo Creek crossing. He … he is dead."
"Dead?" repeated the man. "Dead? Who, Wanda?"
"Arthur!" she whispered.
"Arthur, dead?" he muttered, his voice oddly low and quiet. "Arthur, dead? I don't understand."
"He is dead," she said again heavily. "Some one shot him."
She broke off and began to sob. He looked first at her, then along the trail she had ridden, and finally, taking his hand from her horse's mane he turned abruptly and strode off toward the house. He mounted the steps swiftly, passed her father and mother without a word in answer to the questioning faces they turned toward him, entered the door and returned almost immediately, carrying his hat in his hand. As he came down the steps, he put on his hat and bent his head a little so that she could not see his face. He passed her without a sign and went down to the stable. Then she rode up to the house and slipped from her saddle at the foot of the steps. Her father and mother hurried to meet her.
"It is Arthur. It is Wayne's brother," cried Wanda brokenly from her mother's arms. "He is dead!"
She told them briefly, hurriedly. Her father, his eyes strangely hard and inscrutable swore softly and turning without a word to either of the women went back to the house as Wayne had done, got his hat and hurried to the stable. His voice, hard and expressionless like his eyes, floated up to them as he gave his brief orders to Jim to drive straight back to the spot Wanda had described. The girl saw him enter the stable and in a little while come out, riding a saddled horse. Already Wayne Shandon had ridden off along the trail, travelling with a fury of speed that took no heed of the miles ahead of him.
Mother and daughter turned and went slowly up the steps, their arms about each other, their cheeks wet.
"Who killed him, mamma?" whispered the girl, her moist eyes lifted. "Who could have killed him?"
The silent tale that a pearl handled revolver had told her was a lie, a hideous lie. She did not believe it, she was never going to believe it. For an instant there had been a horrible suspicion in her breast, then her loyalty had risen and crushed it and killed it and cast it out. But now she sought some new explanation to take its place, sought it with intense eagerness.
"Who killed him?" Mother's and daughter's eyes met furtively for a quick second. And then the mother's answer was no answer at all, but a broken, tremulous prayer: "Dear God, may they never know who did this thing!"
They did not look at each other again as they crossed the length of the veranda, on the north exposure of the great square house and turned into the spacious living room.
"I am going to my room, mamma," said the girl faintly. "I want to be alone just a little."
She knew that her mother was watching her as she passed through the living room and out through the double doors to the veranda at the east. But she did not turn. She did not ask what her mother had meant, she did not wish to know. She wanted just now more than anything in the world, to be alone in her own room, to take from her bosom the thing which she felt every one would know she had there, to hide it where it would be safe.
To the east of the house in a little sheltered hollow her father, twenty years ago, had planted an orchard. She could see the white and delicate pink of the blossoms, could catch the hint of perfume that a little frolicking breeze brought to her.
She heard voices out there and saw two men coming toward the house. There came to her ears, too, the sound of cool, contemptuous laughter. She knew who it was insolently jeering at the other, knew before she saw them that it was the big, splendidly big fellow, as tall as Red Reckless and heavier, who was known to her only as "Sledge" Hume. She had heard her father say last night that both Hume and Arthur Shandon were coming to-day upon some matter of business in which the three men were interested.
"You're a little fool, anyway, Conway," the deep voice said with that frank impudence which was a part of Hume.
Garth Conway, not a small man by two inches or fifty pounds, although he appeared so beside his companion, made a reply which Wanda did not hear in full, but which reached her sufficiently to tell her that the two men were talking about some trifling matter of range management and that his theory had provoked Sledge Hume's blunt comment. The two men came on, Hume striding a couple of paces in front