Hilaire Belloc

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to having mislaid them.

      Mr. Quail was too well bred to make a scene. He quietly despatched his man Mole to the booking office with orders to get new tickets while he waited for him at an appointed place near the door. He had not been there five minutes, he had barely seen his man struggle through the press towards the booking office, when a hand was laid upon his shoulder and a policeman told him in an insolent and surly tone to "move out of it." Mr. Quail remonstrated, and the policeman—who, I am assured, was only a railway servant in disguise—bodily and physically forced him from the doorway.

      To this piece of brutality Mr. Quail ascribes all his subsequent misfortunes. Mr. Quail was on the point of giving his card, when he found himself caught in an eddy of common people who bore him off his feet; nor did he regain them, in spite of his struggles, until he was tightly wedged against the wall at the further end of the room.

      Mr. Quail glanced at his watch, and found it to be twenty minutes to ten. There were but seven minutes left before his train would start, and his appointment with his man, Mole, was hopelessly missed unless he took the most immediate steps to recover it.

      Mr. Quail is a man of resource; he has served in South Africa, and is a director of several companies. He noticed that porters pushing heavy trollies and crying "By your leave" had some chance of forging through the brawling welter of people. He hailed one such; and stretching, as best he could, from his wretched fix, begged him to reach the door and tell his man Mole where he was. At the same time—as the occasion was most urgent (for it was now 9.44)—he held out half a sovereign. The porter took it respectfully enough, but to Mr. Quail's horror the menial had no sooner grasped the coin than he made off in the opposite direction, pushing his trolley indolently before him and crying "By your leave" in a tone that mingled insolence with a coarse exultation.

      Mr. Quail, now desperate, fought and struggled to be free—there were but two minutes left—and he so far succeeded as to break through the human barrier immediately in front of him. It may be he used some necessary violence in this attempt; at any rate a woman of the most offensive appearance raised piercing shrieks and swore that she was being murdered.

      The policeman (to whom I have before alluded) came jostling through the throng, seized Mr. Quail by the collar, and crying "What! Again?" treated him in a manner which (in the opinion of Mr. Quail's solicitor) would (had Mr. Quail retained his number) have warranted a criminal prosecution.

      Meanwhile Mr. Quail's man Mole was anxiously looking for him, first at the refreshment bar, and later at the train itself. Here he was startled to hear the Guard say "Going?" and before he could reply he was (according to his own statement) thrust into the train which immediately departed, and did not stop till Peterborough; there the faithful fellow assures us he alit, returning home in the early hours of the morning.

      Mr. Quail himself was released with a torn coat and collar, his eye-glasses smashed, his watch-chain broken, and smarting under a warning from the policeman not to be caught doing it again.

      He went home in a cab to find every single servant out of the house, junketing at some music-hall or other, and several bottles of wine, with a dozen glasses, standing ready for them against their return, on his own study table.

      The unhappy story need not be pursued. Like every misfortune it bred a crop of others, some so grievous that none would expose them to the public eye, and one consequence remote indeed but clearly traceable to that evening nearly dissolved a union of seventeen years. I do not believe that any one of those who are for ever presenting to us the miseries of the lower classes, would have met a disaster of this sort with the dignity and the manliness of my friend, and I am further confident that the recital of his suffering here given will not have been useless in the great debate now engaged as to the function of wealth in our community.

      ON A CHILD WHO DIED

       Table of Contents

      There was once a little Whig. …

      Ugh! The oiliness, the public theft, the cowardice, the welter of sin! One cannot conceive the product save under shelter and in the midst of an universal corruption.

      Well, then, there was once a little Tory. But stay; that is not a pleasant thought. …

      Well, then there was once a little boy whose name was Joseph, and now I have launched him, I beg you to follow most precisely all that he said, did and was, for it contains a moral. But I would have you bear me witness that I have withdrawn all harsh terms, and have called him neither Whig nor Tory. Nevertheless I will not deny that had he grown to maturity he would inevitably have been a politician. As you will be delighted to find at the end of his short biography, he did not reach that goal. He never sat upon either of the front benches. He never went through the bitter business of choosing his party and then ratting when he found he had made a mistake. He never so much as got his hand into the public pocket. Nevertheless read his story and mark it well. It is of immense purport to the State.

      * * * * *

      When little Joseph was born, his father (who could sketch remarkably well and had rowed some years before in his College boat) was congratulated very warmly by his friends. One lady wrote to him: "Your son cannot fail to add distinction to an already famous name"—for little Joseph's father's uncle had been an Under Secretary of State. Then another, the family doctor, said heartily, "Well, well, all doing excellently; another Duggleton" (for little Joseph's father's family were Duggletons) "and one that will keep the old flag flying."

      Little Joseph's father's aunt whose husband had been the Under Secretary, wrote and said she was longing to see the last Duggleton, and hinted that a Duggleton the more was sheer gain to This England which Our Fathers Made. His father put his name down that very day for the Club and met there Baron Urscher, who promised every support "if God should spare him to the time when he might welcome another Duggleton to these old rooms." The baron then recalled the names of Charlie Fox and Beau Rimmel, that was to say, Brummel. He said an abusive word or two about Mr. Gladstone, who was then alive, and went away.

      Little Joseph for many long weeks continued to seem much like others, and if he had then died (as some cousins hoped he would, and as, indeed, there seemed to be a good chance on the day that he swallowed the pebble at Bournemouth) I should have no more to write about. There would be an end of little Joseph so far as you and I are concerned; and as for the family of Duggleton, why any one but the man who does Society Notes in the Evening Yankee should write about them I can't conceive.

      Well, but little Joseph did not die—not just then, anyhow. He lived to learn to speak, and to talk, and to put out his tongue at visitors, let alone interrupting his parents with unpleasing remarks and telling lies. It was early observed that he did all these things with a je-ne-scais-quoy and a verve quite different from the manner of his little playmates. When one day he moulded out, flattened and unshaped the waxen nose of a doll of his, it was apparent to all that it had been very skilfully done, and showed a taste for modelling, and the admiration this excited was doubled when it was discovered that he had called the doll "Aunt Garry". He took also to drawing things with a pencil as early as eight years old, and for this talent his father's house was very suitable, for Mrs. Duggleton had nice Louis XV furniture, all white and gold, and a quaint new brown-paper medium on her walls. Colour, oddly enough, little Joseph could not pretend to; but he had a remarkably fine ear, and was often heard, before he was ten years old, singing some set of words or other over and over again very loudly upon the staircase to a few single notes.

      It seems incredible, but it is certainly true, that he even composed verses at the age of eleven, wherein "land" and "strand", "more" and "shore" would frequently recur, the latter being commonly associated with England, to which, his beloved country, the intelligent child would add the epithet "old".

      He was, a short time after this, discovered playing upon words and would pun upon "rain" and "reign", as also upon "Wales" the country (or rather province, for no patriot would admit a Divided Crown) and "Whales"—the vast Oceanic or Thalassic mammals that swim in Arctic waters.

      He