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Woodcarving Illustrated Issue 83 Summer 2018


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1 to 4.

      For carvers, the second (cut) and fourth

      (puncture) numbers are the most important.

      The cut numbers are based on how many

      passes with a rotary blade are required

      to pierce the material (see photo, above);

      puncture resistance is measured by the

      weight required to push a stylus through the

      material. The Cordova Power-Cor gloves

      we use in our shop, for example, are rated

      3444. So, these gloves have a good rating for

      abrasion resistance and high ratings for cut,

      tear, and puncture resistance.

      WCI

      contributor Tom Borecki, who

      helped explain these complicated rating

      systems to us, uses Pakel High Performance

      gloves with a CEN rating of 4543. Personally,

      we would avoid using gloves with cut and

      puncture resistance ratings of less than 3.

      Steel-Thread Gloves

      These gloves, made from Kevlar yarn that includes

      strands of steel wire, have an ANSI A6 rating, so they

      are more resistant to cutting than any other ones

      we've seen. Unfortunately, most are not tested for

      puncture resistance, and the woven design can

      let small gouges slip through.

      Budget Carving Gloves

      These gloves usually have an ANSI rating of 2

      (or A2). They will stop a minor slip but not a major

      slash, and are not generally puncture-resistant.

      Use with caution.

      Leather-Palmed Gloves

      These have an ANSI cut rating ranging from 2 to

      4 (A2 to A5), so check to make sure you're using a

      higher-rated one. They were some of the only

      carving gloves we found that were also tested

      for puncture resistance, most coming in at

      level 4 (or A5).

      Latex/Nitril-Coated Gloves

      Not all of them have an ANSI rating, but two

      common ones, including the Cordova Power-Cors

      we like, have a solid CEN rating of 3444 or higher.

      They are often confused with gardening

      gloves—make sure you get the ones made

      with Kevlar.

      How Much Is Too Much?

      While researching for this article, we came

      across some gloves that have an A9 rating

      for cut resistance. We're working on getting

      a few pairs to test out. We'll let you know

      in a future issue how they perform in cut

      resistance, comfort, and ability to hold

      carvings. Stay tuned!

      The four-digit CEN code

      rates gloves for abrasion,

      cut, tear, and puncture

      resistance. For carving

      gloves, we suggest at

      least a 3 for cut and

      puncture resistance.

      ABRASION

      RESISTANCE

      CUT

      RESISTANCE

      TEAR

      RESISTANCE

      PUNCTURE

      RESISTANCE

      CEN Ratings

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      Carolea Hower

      Arkansas City, Kan.

      Carolea designed this 24" by

      24" (61cm by 61cm) Middle

      Earth chess set at her son’s

      request; each piece took nearly

      20 hours to carve. “We are

      very proud of it and as soon as

      the pieces are glued to their

      respective bases, a game WILL

      be played…but if I never carve

      another little dwarf it will be

      too soon!” Carolea said.

      Hans Peskowitz,

      Sleepy Hollow, Ill.

      When a family member announced their

      love of manatees, Hans knew it was time

      to hit the workshop. He hand-carved this

      underwater relief scene, but added the

      finishing touches with a rotary tool. It

      stands at 12" by 22" (30.5cm by 55.9cm)

      and is made from a chunk of willow. Find

      Hans at [email protected]

      Michael Bryant

      Sunriver, Ore.

      Michael has been

      carving “fine-figured

      western hardwood”—

      his favorite material

      to work with—since

      1997. He carved this 12"

      by 14" by 24" (30.5cm by 35.6cm

      by 61cm)

      Aristocrat

      from a single

      piece of maple burl, and without

      the use of model or picture.

      Find more of Michael’s work at

      thewoodenjewel.com.

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