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Howl on Trial


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which he soon renames “Howl,” based on his Moloch vision. August 30 In a letter to Jack Kerouac, Ginsberg mentions that City Lights might publish a small booklet of his poems to be called Howl. October 7 Allen Ginsberg reads part of “Howl” for the first time in public at the Six Gallery, 3119 Fillmore Street. October 8 Lawrence Ferlinghetti sends a telegram to Ginsberg asking for the manuscript of “Howl.” 1956 March 18 Ginsberg reads the completed text of “Howl” for the first time at the Town Hall Theater in Berkeley, California. March Ferlinghetti asks the ACLU if it will defend the book in court if he is prosecuted. March William Carlos Williams writes an introduction for Howl and Other Poems. May 16 Ginsberg mimeographs about 25 copies of “Howl” to give to his friends. June City Lights receives the first proofs of Howl and Other Poems from its British printer, Villiers. August A few advance copies of the book arrive from the printer and Ferlinghetti sends them to Ginsberg, who is working on a ship near the Arctic Circle. November 1 Official date of publication for Howl and Other Poems, the fourth number in the City Lights Pocket Poets Series. The first printing is 1,000 copies. 1957 March 25 San Francisco Collector of Customs Chester MacPhee seizes 520 copies of the second printing of Howl and Other Poems on the grounds that the writing is obscene. (“You wouldn’t want your children to come across it”) An additional 1,000 copies slip through undetected. April 3 The American Civil Liberties Union informs Chester MacPhee that it will contest the legality of the seizure on the grounds that the book is not obscene. May Ferlinghetti does a third printing of 2,500 copies in the U.S., to circumvent the jurisdiction of Customs. May 19 William Hogan of the San Francisco Chronicle writes a piece in favor of “Howl” in his column “Between the Lines” and lends it to Lawrence Ferlinghetti for the purpose of defending Howl and Other Poems. May 29 Customs releases the copies of Howl and Other Poems after the United States Attorney in San Francisco, Lloyd H. Burke, refuses to institute condemnation proceedings against the book. June 3 Shigeyoshi Murao is arrested for selling a copy of Howl and Other Poems to undercover inspectors, Russell Woods and Thomas Pagee, and a warrant is issued for the arrest of Lawrence Ferlinghetti by Captain William A. Hanrahan of the San Francisco Police Department’s Juvenile Bureau.

June 6 Lawrence Ferlinghetti, who was in Big Sur when Murao was arrested, turns himself in to the police upon his return and is released after the ACLU posts $500 bail.
August 8 Howl’s jury trial is scheduled to begin at the Municipal Court of the City and County of San Francisco, 750 Kearny Street, with Judge Byron Arnold presiding.
August 16 After a delay, trial by jury is waived and the case is switched to Judge Clayton W. Horn’s court.
August 22 Charges against Shigeyoshi Murao are dismissed by Judge Horn, since the prosecution could not prove that Murao had read the publication or sold it “lewdly.”
September 5 Nine witnesses for the defense testify on the literary merits of Ginsberg’s Howl and Other Poems.
September 19 Rebuttal witnesses and closing arguments are given in the trial.
October 3 Judge Clayton W. Horn finds Lawrence Ferlinghetti not guilty of publishing and selling obscene writings, on the grounds that Howl and Other Poems was not written with lewd intent and was not without “redeeming social importance.”
October To meet the demand created by the trial, a fourth printing of 5,000 copies is ordered.

      “Censorship reflects a society’s lack of confidence in itself. It is a hallmark of an authoritarian regime. Long ago, those who wrote our First Amendment charted a different course. They believed a society can be truly strong only when it is truly free. In the realm of expression, they put their faith, for better or worse, in the enlightened choice of the people, free from the interference of a policeman’s intrusive thumb or a judge’s heavy hand. So it is that the Constitution protects coarse expression as well as refined, and vulgarity no less than elegance. A book worthless to me may convey something of value to my neighbor. In the free society to which our Constitution has committed us, it is for each to choose for himself.”

      —Potter Stewart, U.S. Supreme Court Justice

       MILESTONES OF LITERARY CENSORSHIP

       by Nancy J. Peters

      During the century prior to the Howl decision in 1957, freedom of expression in America, with few exceptions, did not extend to any writing that contained overtly sexual references. No matter how beautifully written or ethical its viewpoint, if a work of literature employed frank sexual language or depicted sexual acts, it was considered obscene and banned in the U.S. Then, over the next decade, beginning in 1957, a series of court decisions began to remove restrictions on purportedly obscene literature. At the apex of legal tolerance, in 1966, the ban was finally lifted from John Cleland’s 1749 novel Fanny Hill: Memoirs of a Woman of Pleasure, which had been, in 1821, the object of America’s first known obscenity case.

      Obscenity laws are concerned with prohibiting lewd or sexually charged words or pictures, and with determining what role the government should have in regulating what people should read and see. The U.S. Supreme Court has always held that the First Amendment does not protect obscene material that would present a clear and present danger to society. The problem is that there have always been disagreements about what constitutes obscenity. There is still a lack of clarity around the meaning of the words “indecent,” “filthy,” “lewd,” “lascivious,” and “obscene.” Justice Potter Stewart memorably epitomized the problem when he admitted that he couldn’t define “obscenity” but “I know it when I see it.” In current Internet cases, deliberations of the Supreme Court focus on these same definitions. What is meant by “indecent”? Which “community” is being offended? These questions are still not resolved.

      The intent of the authors of the Bill of Rights was to withhold the power to censor from the national government. Thus, the First Amendment: “Congress shall make no law respecting the establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech or of the press …” The idea was to leave decisions in these matters to the individual states. Today, American obscenity law is a patchwork of court decisions,