Various

The Golden Treasury


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CCCX

       SONG TO THE EVENING STAR

       CCCXI

       DATUR HORA QUIETI

       CCCXII

       TO THE MOON

       CCCXIII

       TO SLEEP

       CCCXIV

       THE SOLDIER'S DREAM

       CCCXV

       A DREAM OF THE UNKNOWN

       CCCXVI

       KUBLA KHAN

       CCCXVII

       THE INNER VISION

       CCCXVIII

       THE REALM OF FANCY

       CCCXIX

       WRITTEN IN EARLY SPRING

       CCCXX

       RUTH: OR THE INFLUENCES OF NATURE

       CCCXXI

       WRITTEN AMONG THE EUGANEAN HILLS

       CCCXXII

       ODE TO THE WEST WIND

       CCCXXIII

       NATURE AND THE POET

       CCCXXIV

       THE POET'S DREAM

       CCCXXV

       GLEN-ALMAIN, THE NARROW GLEN

       CCCXXVI

       CCCXXVII

       WITHIN KING'S COLLEGE CHAPEL, CAMBRIDGE

       CCCXXVIII

       ODE ON A GRECIAN URN

       CCCXXIX

       YOUTH AND AGE

       CCCXXX

       THE TWO APRIL MORNINGS

       CCCXXXI

       THE FOUNTAIN

       CCCXXXII

       THE RIVER OF LIFE

       CCCXXXIII

       THE HUMAN SEASONS

       CCCXXXIV

       A DIRGE

       CCCXXXV

       THRENOS

       CCCXXXVI

       THE TROSACHS

       CCCXXXVII

       CCCXXXVIII

       ODE ON INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD

       CCCXXXIX

       End of the Golden Treasury

       INDEX OF WRITERS

       INDEX OF FIRST LINES

       (1861—1891)

       Summary of Book First

       Summary of Book Second.

       Summary of Book Third

       Summary of Book Fourth

       INDEX OF WRITERS

       INDEX OF FIRST LINES

       Richard Clay and Sons, Limited,

       THE GOLDEN TREASURY SERIES.

       MACMILLAN & CO., Limited , LONDON.

       Table of Contents

      This little Collection differs, it is believed, from others in the attempt made to include in it all the best original Lyrical pieces and Songs in our language (save a very few regretfully omitted on account of length), by writers not living,—and none beside the best. Many familiar verses will hence be met with; many also which should be familiar:—the Editor will regard as his fittest readers those who love Poetry so well, that he can offer them nothing not already known and valued.

      The Editor is acquainted with no strict and exhaustive definition of Lyrical Poetry; but he has found the task of practical decision increase in clearness and in facility as he advanced with the work, whilst keeping in view a few simple principles. Lyrical has been here held essentially to imply that each Poem shall