minutes later a chill wind blew up, and the air became suffused with such an intolerable stench that only the strong freshness of the sea could have prevented its being noticed by the shore party or by any wakeful souls in Pawtuxet village. This stench was nothing which any of the Fenners had ever encountered before, and produced a kind of clutching, amorphous fear beyond that of the tomb or the charnel-house. Close upon it came the awful voice which no hapless hearer will ever be able to forget. It thundered out of the sky like a doom, and windows rattled as its echoes died away. It was deep and musical; powerful as a bass organ, but evil as the forbidden books of the Arabs. What it said no man can tell, for it spoke in an unknown tongue, but this is the writing Luke Fenner set down to portray the daemoniac intonations: “DEESMEES–JESHET–BONE DOSEFE DUVEMA–ENITEMOSS”. Not till the year 1919 did any soul link this crude transcript with anything else in mortal knowledge, but Charles Ward paled as he recognised what Mirandola had denounced in shudders as the ultimate horror among black magic’s incantations.
An unmistakably human shout or deep chorused scream seemed to answer this malign wonder from the Curwen farm, after which the unknown stench grew complex with an added odour equally intolerable. A wailing distinctly different from the scream now burst out, and was protracted ululantly in rising and falling paroxysms. At times it became almost articulate, though no auditor could trace any definite words; and at one point it seemed to verge toward the confines of diabolic and hysterical laughter. Then a yell of utter, ultimate fright and stark madness wrenched from scores of human throats—a yell which came strong and clear despite the depth from which it must have burst; after which darkness and silence ruled all things. Spirals of acrid smoke ascended to blot out the stars, though no flames appeared and no buildings were observed to be gone or injured on the following day.
Toward dawn two frightened messengers with monstrous and unplaceable odours saturating their clothing knocked at the Fenner door and requested a keg of rum, for which they paid very well indeed. One of them told the family that the affair of Joseph Curwen was over, and that the events of the night were not to be mentioned again. Arrogant as the order seemed, the aspect of him who gave it took away all resentment and lent it a fearsome authority; so that only these furtive letters of Luke Fenner, which he urged his Connecticut relative to destroy, remain to tell what was seen and heard. The non-compliance of that relative, whereby the letters were saved after all, has alone kept the matter from a merciful oblivion. Charles Ward had one detail to add as a result of a long canvass of Pawtuxet residents for ancestral traditions. Old Charles Slocum of that village said that there was known to his grandfather a queer rumour concerning a charred, distorted body found in the fields a week after the death of Joseph Curwen was announced. What kept the talk alive was the notion that this body, so far as could be seen in its burnt and twisted condition, was neither thoroughly human nor wholly allied to any animal which Pawtuxet folk had ever seen or read about.
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Not one man who participated in that terrible raid could ever be induced to say a word concerning it, and every fragment of the vague data which survives comes from those outside the final fighting party. There is something frightful in the care with which these actual raiders destroyed each scrap which bore the least allusion to the matter. Eight sailors had been killed, but although their bodies were not produced their families were satisfied with the statement that a clash with customs officers had occurred. The same statement also covered the numerous cases of wounds, all of which were extensively bandaged and treated only by Dr. Jabez Bowen, who had accompanied the party. Hardest to explain was the nameless odour clinging to all the raiders, a thing which was discussed for weeks. Of the citizen leaders, Capt. Whipple and Moses Brown were most severely hurt, and letters of their wives testify the bewilderment which their reticence and close guarding of their bandages produced. Psychologically every participant was aged, sobered, and shaken. It is fortunate that they were all strong men of action and simple, orthodox religionists, for with more subtle introspectiveness and mental complexity they would have fared ill indeed. President Manning was the most disturbed; but even he outgrew the darkest shadow, and smothered memories in prayers. Every man of those leaders had a stirring part to play in later years, and it is perhaps fortunate that this is so. Little more than a twelvemonth afterward Capt. Whipple led the mob who burnt the revenue ship Gaspee, and in this bold act we may trace one step in the blotting out of unwholesome images.
There was delivered to the widow of Joseph Curwen a sealed leaden coffin of curious design, obviously found ready on the spot when needed, in which she was told her husband’s body lay. He had, it was explained, been killed in a customs battle about which it was not politic to give details. More than this no tongue ever uttered of Joseph Curwen’s end, and Charles Ward had only a single hint wherewith to construct a theory. This hint was the merest thread—a shaky underscoring of a passage in Jedediah Orne’s confiscated letter to Curwen, as partly copied in Ezra Weeden’s handwriting. The copy was found in the possession of Smith’s descendants; and we are left to decide whether Weeden gave it to his companion after the end, as a mute clue to the abnormality which had occurred, or whether, as is more probable, Smith had it before, and added the underscoring himself from what he had managed to extract from his friend by shrewd guessing and adroit cross-questioning. The underlined passage is merely this:
“I say to you againe, doe not call up Any that you can not put downe; by the Which I meane, Any that can in Turne call up somewhat against you, whereby your Powerfullest Devices may not be of use. Ask of the Lesser, lest the Greater shall not wish to Answer, and shall commande more than you.”
In the light of this passage, and reflecting on what last unmentionable allies a beaten man might try to summon in his direst extremity, Charles Ward may well have wondered whether any citizen of Providence killed Joseph Curwen.
The deliberate effacement of every memory of the dead man from Providence life and annals was vastly aided by the influence of the raiding leaders. They had not at first meant to be so thorough, and had allowed the widow and her father and child to remain in ignorance of the true conditions; but Capt. Tillinghast was an astute man, and soon uncovered enough rumours to whet his horror and cause him to demand that his daughter and granddaughter change their name, burn the library and all remaining papers, and chisel the inscription from the slate slab above Joseph Curwen’s grave. He knew Capt. Whipple well, and probably extracted more hints from that bluff mariner than anyone else ever gained respecting the end of the accused sorcerer.
From that time on the obliteration of Curwen’s memory became increasingly rigid, extending at last by common consent even to the town records and files of the Gazette. It can be compared in spirit only to the hush that lay on Oscar Wilde’s name for a decade after his disgrace, and in extent only to the fate of that sinful King of Runazar in Lord Dunsany’s tale, whom the Gods decided must not only cease to be, but must cease ever to have been.
Mrs. Tillinghast, as the widow became known after 1772, sold the house in Olney Court and resided with her father in Power’s Lane till her death in 1817. The farm at Pawtuxet, shunned by every living soul, remained to moulder through the years; and seemed to decay with unaccountable rapidity. By 1780 only the stone and brickwork were standing, and by 1800 even these had fallen to shapeless heaps. None ventured to pierce the tangled shrubbery on the river-bank behind which the hillside door may have lain, nor did any try to frame a definite image of the scenes amidst which Joseph Curwen departed from the horrors he had wrought.
Only robust old Capt. Whipple was heard by alert listeners to mutter once in a while to himself, “Pox on that ———, but he had no business to laugh while he screamed. ’Twas as though the damn’d ——— had some’at up his sleeve. For half a crown I’d burn his ——— house.”
III. A Search and an Evocation
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