Maria Edgeworth

Practical Education (Vol.1&2)


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and nails, to cast up long sums in addition right to a farthing, and to make out multifarious bills with quick and unerring precision. In almost all the dining houses at Vienna, as a late traveller[27] informs us "a bill of fare containing a vast collection of dishes is written out, and the prices are affixed to each article. As the people of Vienna are fond of variety, the calculation at the conclusion of a repast would appear somewhat embarrassing; this, however, is done by mechanical habit with great speed; the custom is for the party who has dined to name the dishes, and the quantity of bread and wine. The keller who attends on this occasion, follows every article you name with the sum, which this adds to the calculation, and the whole is performed, to whatever amount, without ink or paper. It is curious to hear this ceremony, which is muttered with great gravity, yet performed with accuracy and despatch."

      We coolly observe, when we read these things, "Yes, this is all habit; any body who had used himself to it might do the same things." Yet the very same power of abstracting the attention, when employed upon scientific and literary subjects, would excite our astonishment; and we should, perhaps, immediately attribute it to superior original genius. We may surely educate children to this habit of abstracting the attention, which we allow depends entirely upon practice. When we are very much interested upon any subject, we attend to it exclusively, and, without any effort, we surmount all petty interposing interruptions. When we are reading an interesting book, twenty people may converse round about us, without our hearing one word that they say; when we are in a crowded playhouse, the moment we become interested in the play, the audience vanish from our sight, and in the midst of various noises, we hear only the voices of the actors.

      In the same manner, children, by their eager looks and their unaffected absence to all external circumstances, show when they are thoroughly interested by any story that is told with eloquence suited to their age. When we would teach them to attend in the midst of noise and interruptions, we should begin by talking to them about things which we are sure will please them; by degrees we may speak on less captivating subjects, when we perceive that their habit of beginning to listen with an expectation of pleasure is formed. Whenever a child happens to be intent upon any favourite amusement, or when he is reading any very entertaining book, we may increase the busy hum around him, we may make what bustle we please, he will probably continue attentive; it is useful therefore to give him such amusements and such books when there is a noise or bustle in the room, because then he will learn to disregard all interruptions; and when this habit is formed, he may even read less amusing books in the same company without being interrupted by the usual noises.

      The power of abstracting our attention is universally allowed to be necessary to the successful labour of the understanding; but we may further observe, that this abstraction is characteristic in some cases of heroism as well as of genius. Charles the Twelfth and Archimedes were very different men; yet both, in similar circumstances, gave similar proofs of their uncommon power of abstracting their attention. "What has the bomb to do with what you are writing to Sweden," said the hero to his pale secretary when a bomb burst through the roof of his apartment, and he continued to dictate his letter. Archimedes went on with his demonstration in the midst of a siege, and when a brutal soldier entered with a drawn sword, the philosopher only begged he might solve his problem before he was put to death.

      Presence of mind in danger, which is usually supposed to depend upon our quick perception of all the present circumstances, frequently demands a total abstraction of our thoughts. In danger, fear is the motive which excites our exertions; but from all the ideas that fear naturally suggests, we must abstract our attention, or we shall not act with courage or prudence. In proportion to the violence of our terror, our voluntary exertion must be great to withdraw our thoughts from the present danger, and to recollect the means of escape. In some cases, where the danger has been associated with the use of certain methods of escape, we use these without deliberation, and consequently without any effort of attention; as when we see any thing catch fire, we instantly throw water upon the flames to extinguish them. But in new situations, where we have no mechanical courage, we must exert much voluntary, quick, abstract attention, to escape from danger.

      When Lee, the poet, was confined in Bedlam, a friend went to visit him; and finding that he could converse reasonably, or at least reasonably for a poet, imagined that Lee was cured of his madness. The poet offered to show him Bedlam. They went over this melancholy, medical prison, Lee moralising philosophically enough all the time to keep his companion perfectly at ease. At length they ascended together to the top of the building; and, as they were both looking down from the perilous height, Lee seized his friend by the arm, "Let us immortalize ourselves!" he exclaimed; "let us take this leap. We'll jump down together this instant." "Any man could jump down," said his friend, coolly; "we should not immortalize ourselves by that leap; but let us go down, and try if we can jump up again." The madman, struck with the idea of a more astonishing leap than that which he had himself proposed, yielded to this new impulse, and his friend rejoiced to see him run down stairs full of a new project for securing immortality.

      Lee's friend, upon this occasion, showed rather absence than presence of mind: before he could have invented the happy answer that saved his life, he must have abstracted his mind from the passion of fear; he must have rapidly turned his attention upon a variety of ideas unconnected by any former associations with the exciting motive—falling from a height—fractured skulls—certain death—impossibility of reasoning or wrestling with a madman. This was the train of thoughts which we might naturally expect to arise in such a situation, but from all these the man of presence of mind turned away his attention; he must have directed his thoughts in a contrary line: first, he must have thought of the means of saving himself, of some argument likely to persuade a madman, of some argument peculiarly suited to Lee's imagination, and applicable to his situation; he must at this moment have considered that alarming situation without thinking of his fears; for the interval in which all these ideas passed in his mind, must have been so short that he could not have had leisure to combat fear; if any of the ideas associated with that passion had interrupted his reasonings, he would not have invented his answer in time to have saved his life.

      We cannot foresee on what occasions presence of mind may be wanted, but we may, by education, give that general command of abstract attention, which is essential to its exercise in all circumstances.