on Annette Carvel's cheeks and the enormous soberness of the other girl, Judith Cameron. She felt Surratt's glance, and looked abruptly at him; and turned her eyes away again. Surratt removed his pipe; he bowed his head and remained in this studying attitude. He said: "I'll take the job—for reasons of my own."
Torveen's grin freshened across the brick-red skin. "I got reasons of my own for askin' you. So we're even. Get your horse and ride up the road three miles till you see a fence. Turn in there." But after a minute he added dryly: "That is, if you can leave town. There may be some argument about that."
Surratt left him, quartering over to the stable. He paid the hostler and went back and got his pony. But he stood a moment by it before mounting, staring at the blanket roll. It had been pawed apart, and the end of his gun belt hung out. He withdrew the gun belt and strapped it on, and lifted the revolver and spun the cylinder before replacing it. In the saddle he sat motionless, his head bowed a little. His lips made a faintly downward semicircle and his breathing deepened. He turned and rode from the stable.
Bill Head had walked down the street with the others. They were halted by the hotel now, a circle of townsmen forming around them. Sam Torveen loitered against a near-by porch post and seemed indifferent to the scene. Bolderbuck noticed Surratt and broke from the circle walking over and waving his hands negatively. "You'll have to get down—"
Surratt brushed by, riding toward the circle. He slipped from the saddle and walked on to where Bill Head stood. Bill Head had been watching, his big shoulders reared. Surratt's cheeks were thin and his voice slashed against Head with a queer, exciting effect:
"I believe it was your suggestion that sent the marshal down to paw over my blanket roll and look at my gun. Is that right?"
Bill Head showed a sultry surprise. "Certainly."
Buck Surratt's body kinked at the waist. It threw his torso ahead of his hips. He stood this way, stiffly, with both arms hanging straight down. A man behind Bill Head suddenly pushed himself to one side—an obvious move that agitated and shifted the other townsmen. Head looked around, scowling at this change; and then his glance whipped back to Surratt, his attention rigid and full with what he saw. All the group turned dead still.
"I am warning you," said Buck Surratt. His talk struck the silence recklessly, flattening and swelling. "Never touch my things again. Do you understand? Never touch them again."
He took a backward step and got into the saddle; and turned and went trotting up the street. Nobody spoke. Sam Torveen, with his shoulders against the porch post, was silently laughing. Judith Cameron saw him doing this and looked at Bill Head with a deepening wonder, and then watched Buck Surratt rise at the head of the canyon and turn beyond the bend of the road and disappear. Bill Head's cheeks were locked in a flushed, angry confusion. Annette Carvel at once whispered to Judith: "Who is he—who is that new, good-looking man?"
SAM TORVEEN
He rode out of Morgantown at a short trot, as deliberate in retreat as he had been in attack. But when he turned the first bend of the road he set his horse to a fast, reaching canter and held it.
The road kept winding and climbing, with lesser roads angling off at intervals to ranches hidden somewhere behind the trees. Now and then, up an occasional vista, he got a brief view of the Gray Bull peaks, but otherwise his roving glance struck against the solid green wall of the forest. The day was fresh and still, with the fragrance of pine resin strong in it. All the details of this mountain world were vivid and pleasant. They fed his senses in a way that was strange to him, fulfilling a hunger he did not understand, covering him with a comfort and a familiarity even as his regretting thoughts dwelt on the scene in Morgantown. He had crossed the desert to find ease and rest—the deep desire of his life; yet the echoes of that night bullet had laid an ancient pattern of trouble over these hills, and he was trapped in the pattern. The ways of a man's life, he thought wistfully, always caught up with him.
Around the next quick bend of the road he came upon a man riding loosely and sleepily, the fatness of his body jiggling to the motion of the horse. A black-brimmed stetson slanted over his features and hid them until the sound of Surratt's nearing pony roused him. He hauled himself back in the saddle then and hoisted his shoulders. His eyes were a sparkling black, set close to a gigantic nose that brought the rest of his face to a point. He stopped immediately, and Surratt, following suit, saw some kind of an emotion ripple through this vast hulk and straighten the loose lines of a pendulous mouth. Surratt dropped his hands on the saddle horn. Severe and motionless he watched the man scan him and identify him. He said then:
"You never saw me before, Blackjack. And I don't know you. Do you get it?"
The man's lips spread and became loose again. He folded both arms across his bully chest and seemed to struggle darkly with his confused thoughts. His eyes dropped from Surratt, and that was all. Surratt went by him. Three hundred yards up the slope he saw a fence and a road paralleling it. This he followed, passing into the semidarkness of the pines, into a thick warm silence. Five minutes later the trees dropped away and left him on the edge of a rolling basin surrounded by timber and ridges. A creek slashed its way through the meadow, glistening under the sunlight; across the creek stood a ranch house, long and low and gray, surrounded by the customary clutter of sheds and corrals of cattle land. Surratt went over a plank bridge, lifting a hollow signal of arrival, and circled the house. A dark little man sat on the edge of the porch oiling a rifle. He looked up with the sharpest and briefest of glances, and returned his attention to the gun. Surratt dismounted.
The man's head instantly lifted again. He said, uncharitably: "Anybody invite you to light here?"
"Torveen's place?"
"Yeah."
Surratt shrugged his shoulders. He walked to an empty box and overturned it and sat down; he got out his pipe and loaded it. But his nerves were alert, keened by the suspecting unfriendliness of that other man's attention. He was beyond forty, Surratt judged, and gray at the temples; there was a thinness of body and temper about him, a wicked excitability. Something struck Surratt on his left side then, something that had weight but no physical substance. He got a match out of his pocket and lighted it, his glance sliding quickly along the porch. A sort of an ell ran back from the left corner of the house, with four doors opening into what he judged to be kitchen and bunkroom. His eyes went along the ell and reached a window and stopped. Behind the window was the attentive face of a young man, pallid and prematurely etched by lines of violence.
Surratt ground the burnt match into his palm, creating a sooty disk there. He pulled smoke into his lungs, his lips lengthened and tightened. The feel of this place was bad. It rubbed his fur the wrong way, it kept plucking at his senses, it cocked his muscles. A horse scudded out of the trees. Looking up, he saw Sam Torveen wheel around the house and step to the ground. The little man on the porch rose immediately. He stared at Torveen.
"You know this fella?"
"Sure," said Torveen.
The man's wire-edged features snapped to anger. He said something under his voice and picked up his gun and went scowling through a doorway, into the ell.
Torveen's grin streaked angularly across his sandy cheeks. "You may like Nick Perrigo," he said carelessly. "Or you may not. He's my foreman. Come inside." The restlessness of this redheaded man sent him across the porch at a high stride. Soberly following, Buck Surratt came into a long bare room cluttered with the gear of a cattleman. There was a bunk at one end, and a fireplace, and a desk with a tally book and a pad of writing paper on it, and two chairs. The windows had wooden shutters that closed from the inside; a stand containing four rifles stood near the bunk. Torveen dropped into a chair. He hooked a leg over the chair's arm and began swinging it. The greenness of his eyes was brighter and there was the stronger impression of a controlled rashness playing behind that color.
"Want a drink?"
"No."
"You've heard my name