a sudden end. During the Reformation, Henry VIII. seized and demolished the shrine. The treasure, filling two large chests, and which eight men could with difficulty carry, was seized, and on the adjoining pavement the bones of the saint were burned. Not a single relic of Becket now remains in Canterbury. With no ordinary feeling does one stand amid the scene of this most interesting and curious chapter in church history. Not far from the shrine is the place where the murder of Becket was committed. You are shown the actual stone that was stained with his blood. A piece of this stone, about four inches square, was cut out of the pavement at the time of the murder and sent to Rome, where it is still preserved. Among many interesting tombs not already referred to are those of the great St. Dunstan; of Admiral Rooke, the hero of Gibraltar; of Stephen Langton (immortal with Magna Charta), and of Archbishop Pole, of Mary Tudor's time, who died the same day as that queen, and thus made clear Elizabeth's path to a restoration of Protestantism.
After the cathedral, the most interesting place in Canterbury is St. Martin's Church. With few exceptions—including, perhaps, a very early and well-preserved church in Ravenna—it is doubted if an older Christian church now remains in Europe. There certainly is none that can claim more interest for Englishmen and for descendants of Englishmen in the New World. St. Martin's is somewhat removed from the town, where it stands alone on a sloping knoll, and is very simple in form. The tower that rises over the doorway is built of plain Roman brick and broken flint stones, and has occasionally a piece of drest stone on corners. The tower is square and rises about ten feet above the roof. Almost any mason could have built this church. A luxuriant growth of ivy covers nearly all its parts. Rude in outline and finish are all its parts, ivy has added to St. Martin's the only beauty it could possibly claim.
The interior bears heavier marks of age than do the walls outside. The chancel has walls built almost entirely of Roman brick, and the nave is without columns. The old font—certainly one of the first constructed in England—stands in the chancel. It was probably from this font that King Ethelbert was baptized. Both chronicle and tradition say good Bertha was buried here. A recess in the wall of the chancel contains an old stone coffin, which is believed to contain the dust of England's first Christian queen. Standing within this ancient structure, one feels that he has reached the source for Anglo-Saxon people of this modern faith, Christianity, and the civilization it has given to the world. A new race of pilgrims, as numerous as those who went to Becket's shrine, might well find as worthy an object of their gifts and their journeys in this ivy-mantled relic of ancient days.
1 From "Two Months Abroad." Printed privately. (1878.)
OLD YORK1
By William Winter
The pilgrim to York stands in the center of the largest shire in England, and is surrounded by castles and monasteries, now mostly in ruins, but teeming with those associations of history and literature that are the glory of this delightful land. From the summit of the great central tower of the cathedral, which is reached by 237 steps, I gazed, one morning, over the vale of York and beheld one of the loveliest spectacles that ever blest the eyes of man. The wind was fierce, the sun brilliant, and the vanquished storm-clouds were streaming away before the northern blast. Far beneath lay the red-roofed city, its devious lanes and its many great churches—crumbling relics of ancient ecclesiastical power—distinctly visible. Through the plain, and far away toward the south and east, ran the silver thread of the Ouse, while all around, as far as the eye could see, stretched forth a smiling landscape of green meadow and cultivated field; here a patch of woodland, and there a silver gleam of wave; here a manor house nestled amid stately trees, and there an ivy-covered fragment of ruined masonry; and everywhere the green lines of the flowering hedge. …
In the city that lies at your feet stood once the potent Constantine, to be proclaimed Emperor, A.D. 306, and to be vested with the imperial purple of Rome. In the original York Minster (the present is the fourth church that has been erected upon this site) was buried that valiant soldier, "old Siward," whom "gracious England" lent to the Scottish cause, under Malcolm and Macduff, when time at length was ripe for the ruin of Glamis and Cawdor. Close by is the field of Stamford, where Harold defeated the Norwegians with terrible slaughter, only nine days before he was himself defeated, and slain, at Hastings. Southward, following the line of the Ouse, you look down upon the ruins of Clifford's Tower, built by King William the Conqueror in 1068, and destroyed by the explosion of its powder magazine in 1684. Not far away is the battlefield of Towton. King Henry the Sixth and Queen Margaret were waiting in York for news of the event of that fatal battle—which, in its effect, made them exiles, and bore to supremacy the rightful standard of the White Rose. In this church King Edward the Fourth was crowned, 1464, and King Richard the Third was proclaimed king and had his second coronation.
Southward you can see the open space called the Pavement, connecting with Parliament Street, and the red brick church of St. Crux. In the Pavement the Earl of Northumberland was beheaded for treason against Queen Elizabeth, in 1572, and in St. Crux, one of Wren's churches, his remains lie buried, beneath a dark blue slab which is shown to visitors. A few miles away, but easily within reach of your vision, is the field of Marston Moor, where the impetuous Prince Rupert imperiled and well-nigh lost the cause of King Charles the First in 1644; and as you look toward that fatal spot you almost hear, in the chamber of your fancy, the paeans of thanksgiving for the victory, that were uttered in the church beneath. Cromwell, then a subordinate officer in the Parliamentary army, was one of the worshipers. Of the fifteen kings, from William of Normandy to Henry of Windsor, whose sculptured effigies appear upon the chancel screen in York Minster, there is scarcely one who has not worshiped in this cathedral. …
There it stands, symbolizing, as no other object on earth can ever do, except one of its own great kindred, the promise of immortal life to man and man's pathetic faith in that promise. Dark and lonely it comes back upon my vision, but during all hours of its daily and nightly life sentient, eloquent, vital, participating in all the thought, conduct, and experience of those who dwell around it. …
York is the loftiest of all the English cathedrals, and the third in length—both St. Alban's and Winchester being longer. The present structure is 600 years old, and more than 200 years were occupied in the building of it. They show you, in the crypt, some fine remains of the Norman church that preceded it on the same site, together with traces of the still older Saxon church that preceded the Norman. The first one was of wood, and was totally destroyed. The Saxon remains are a fragment of stone staircase and a piece of wall built in the ancient herring-bone fashion. The Norman remains are four clustered columns, embellished in the zig-zag style. There is not much of commemorative statuary at York, and what there is of it was placed chiefly in the chancel.
1 From "Gray Days and Gold." By arrangement with the publishers, Moffat, Yard & Co. Copyright by William Winter, 1890.
YORK AND LINCOLN COMPARED 1
By Edward A. Freeman
The towers of Lincoln, simply as towers, are immeasurably finer than those of York; but the front of York, as a front, far surpasses the front of Lincoln.
As for the general outline, there can be no doubt as to the vast superiority of Lincoln. Lincoln has sacrificed a great deal to the enormous pitch of its roofs, but it has its reward in the distant view of the outside. The outline of York is spoiled by the incongruity between the low roofs of the nave and choir and the high roofs of the transepts. The dumpiness of the central tower of York—which is, in truth, the original Norman tower cased—can not be wholly made a matter of blame to the original builders. For it is clear that some finish, whether a crown like those at Newcastle and Edinburgh or any other, was intended. Still the proportion which is solemn in Romanesque becomes squat in perpendicular, and, if York has never received its last finish, Lincoln has lost the last finish which it received. Surely no one who is not locally sworn