said some queer things lately. You've worried me. I hope you'll never be tempted to do anything so—to be foolish. Just look at the girls who have made silly matches; they all go back to work. You can't be too careful with the men you meet, for you're so beautiful that they'll promise you anything or pretend to be everything they aren't. I don't intend to let you make a mess of things by marrying some chorus-man. When the right person comes along you'll accept him, then you'll never have to worry again. But you MUST be careful."
"Do you think I'd be happy with a man like Mr. Wharton?"
"Why not? You'd at least be rich, and if rich people can't be happy, who can? If you accepted some poor boy he'd probably turn out to be a drunkard and a loafer, just like Wharton is now." She sighed. "I'd like to see you settled; we could take Peter to a specialist, and maybe he could be cured. The doctor says there is a chance. But it would take a world of money."
"I'll get the money."
"How?"
"Somehow. If you'd let me economize on clothes, and if Jim would help a little, we could save enough."
"Jim has all he can do to take care of himself—I'm sure I don't know how he manages—and you've got to keep up appearances. No; Peter will have to wait till you're married—only I did hope, when you told me about Robert Wharton, that he might be the one. We could go abroad and get the help of those German surgeons. I've always wanted to travel."
When Lorelei reached the theater that evening she found Lilas Lynn entertaining a caller who had been more than once in her thoughts during the day. Jim's reference to Max Melcher had recalled Mr. Merkle's earnest words of the previous night, and, although her brother had implied that Melcher was engineering the affair between Lilas and the steel man, Lorelei could not bring herself to take the statement seriously. It was too absurd. She could not imagine how such a thing could be managed by a third person, or how he could profit by it. Her stage experience had acquainted her with several intrigues in which the men's names were nearly as prominent as Hammon's; but in no case had anything more serious than gossip eventuated. A number of such attachments had resulted in happy marriages, although at the price of an occasional divorce. She remembered, now that she thought of it, that Merkle had mentioned the probability of that very thing in this instance. She began to doubt the banker's unselfishness and to question his motives, arguing, as she had done at first, that even if Hammon were really in danger it was no business of hers.
This lesson of non-interference in the affairs of others she had learned during her recent life, spent in an atmosphere not so much immoral as unmoral. For two years she had moved in a world where matters the mere mention of which would not have been tolerated in Vale were openly discussed. These topics were treated frankly, moreover, and with a wise cynicism which, in Lorelei's case, had proven protective. Gratuitous advice, however, was seldom welcomed, and a policy of "Hands off" prevailed.
Miss Lynn's visitor was a well-tailored man who gave a first impression of extreme physical neatness. He was immaculate in attire, his skin was fine, his color fresh; a pair of small, imperturbable eyes were set in a smiling face beneath a prematurely gray head. Max Melcher was a figure on Broadway; he had the entree to all the stage-doors; he frequented the popular cafes, where he surrounded himself with men. Always affable, usually at leisure, invariably obliging, he had many friends.
At Lorelei's entrance he smiled and nodded without rising, then continued his earnest conversation with Miss Lynn. None of their words were audible to the last comer until Melcher rose to leave; then Lilas halted him with a nervous laugh, saying:
"Remember, if it doesn't go, it's a joke, and I run to cover."
"It will go," he told her, quietly, as he strolled out.
"What are you two planning?" inquired Lorelei.
"Nothing. Max drops in regularly; he used to be sweet on me." Lilas completed her make-up, then fidgeted nervously. "Gee!" she presently exclaimed, "I'm tired of this business. We're fools to stay in it. Think of Atlantic City on a night like this, or the mountains. This heat has completely unstrung me." She rummaged through the confusion on her table, then inquired of the dresser, "Croft, where are my white gloves?"
"They haven't come back from the cleaner's," Mrs. Croft answered.
"Not back? Then you didn't send them when I told you. You're getting altogether too shiftless, Croft. When I tell you to do a thing I want it done."
"I sent all six pairs—"
"You did nothing of the sort."
"Oh, Miss Lynn; I hope I drop dead if—"
"Don't talk back to me. You always have an excuse, haven't you?" Lilas's voice was strident; her face was dark with sudden anger. "I've a notion to box your ears—"
Lorelei broke in reprovingly. "Lilas! Croft is old enough to be your mother."
"Yes, and she's old enough to have some sense, but she hasn't got it."
"I hope I drop dead if—"
"I hope you do," snapped the indignant girl. "I told you to attend to them; now I've nothing but soiled ones."
The dresser began to weep silently. She was a small, timid old woman, upon whose manifest need of employment Lorelei had taken pity some time before. Her forgetfulness had long been a trial to both her employers.
"That's right; turn on the flood-gates," mocked Lilas, "You stop that sniveling or I'll give you something to cry for. I'm nervous enough to-night without having you in hysterics. Remember, if it ever happens again you'll go—and you'll take something with you to think about." Seizing the cleanest pair of gloves at hand, she flung out of the room in a fine fury.
"You won't let her—fire me? I need work, I do," quavered Mrs. Croft.
"Now, now. Don't mind her temper. But you really ought to see to her gloves when—"
"I hope I drop dead this minute if I didn't send 'em out the very day she told me."
"Croft, you're fibbing. You know Lilas is excitable."
"Excitable?" Croft wiped her eyes with a corner of her apron. "Is that what you call it? How ever you can bear her I don't see, and you a nice girl. She won't do you no good, Miss Knight."
"Oh, pshaw! She was nervous."
"I should think she would be. I'll be glad if her millionaire takes her out of the business, like she thinks he will. Poor man! He's laying up trouble for himself, that he is. She'll land him in the divorce court—with her flesh-light photographs."
Lorelei swung around from her mirror. "What do you mean?"
"Oh, I heard her and that Jew—I beg pardon, Miss Knight. You ain't a
Jew, are you?"
"What about the flash-lights?"
"There's so many Hebrew girls in the profession—Not that I don't like 'em, you understand—"
"Go on."
"Well, I heard enough to know that she's up to some deviltry—her and that Maxey Melcher. They've got a photographer and witnesses. Your brother is one of 'em."
"Jim? What—"
"It's true. It's a bad crowd Mister Jim's in with. And there's something big in the air. Millions it is. And her saying she'll box my ears. The hussy! I've heard 'em talking before to-night."
"Tell me everything, Croft—quickly."
"I have. Only you better warn your brother—"
The assistant stage-manager thrust his head through the curtains, shouting: "Your cue, Miss Knight. What the devil—"
With a gasp Lorelei leaped to her feet and fled from the room.
Mrs. Croft shook her head mournfully, snuffled a few times, then scowled at the disarray Lilas had left behind. She breathed a feeble malediction upon the cause of it, seized a hat-pin, and, holding