Neil G. Robertson

Leo Strauss


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of knowledge of the external world. Husserl’s phenomenology sought to pre-empt the turn to this kind of knowledge by engaging in a philosophy of the description of things as they appeared to the self, bracketing, or excluding, questions of causality or metaphysics. Strauss was deeply impressed by Husserl and took up his turn to the “natural understanding” – the way things appear to us naturally – as a beginning point for a philosophy that might point a way out of the nihilism of the age.

      Having briefly outlined the standpoints of these three major figures in Strauss’s intellectual background, we can turn to sketch five key themes in Strauss’s own thought.

      As a young man, Strauss was deeply struck by Nietzsche’s characterization of the contemporary western world as an age of nihilism. Strauss accepted Nietzsche’s account of the self-destruction of reason that produced nihilism as a loss of all moral meaning. The modern world seemed incapable of discerning truth, above all moral and political truth. Strauss’s “change of orientation” in the early 1930s was a movement away from Nietzsche made possible by Strauss’s recognizing that it was only modern rationalism that was in trouble; pre-modern rationalism could be recovered in order to develop a standpoint without the nihilistic implications of modernity. Further, what pre-modern rationalism allowed was a return to “nature” as a standpoint or standard that would allow the recovery of moral content and moral meaning. Hence the recovery of what Strauss calls “natural right” – Strauss’s way of translating the ancient Greek phrase physei dikaion, or “what is just or right by nature.” If there could be the recovery of a standard of right or justice based upon nature and so independent of history – including the history of modernity – then the apparent victory of modern philosophy over ancient philosophy needed to be reconsidered.

      To understand the significance and source of Strauss’s change of orientation and recovery of natural right, we must place it in the larger context of Strauss’s intellectual concerns. Strauss’s own description of this larger context is the “theological-political problem.” One way to view this problem is to see it in personal terms reflecting the predicament Strauss found himself in as a Jew who could no longer adhere to the orthodox faith in which he had been raised, but who equally could not identify himself with the larger German culture in which he found himself. Strauss experienced this as an antinomy between modern thought – ultimately Nietzschean atheism – and orthodoxy. The way out of this predicament was, for Strauss, in the return to pre-modern rationalism. Strauss first came to this discovery not in Plato or Socrates, but in medieval Jewish and Islamic thought, above all in the figure of Moses Maimonides (1138–1204).

      One of Strauss’s fundamental and recurring arguments is that philosophy, as the life given to questioning in the pursuit of wisdom, is inherently opposed to the nature of the “city” (or, more generally, of society) as a way of life founded upon opinion and above all upon belief in the justice of the laws of the city. In order that philosophers would not be persecuted nor the city be harmed, according to Strauss, philosophers began to conceal their true teaching behind an outer or “exoteric” teaching that would, at least on the surface, suggest that philosophy supported the ways of the city. In other words, the tension between philosophy and the city gave birth to an art of writing for philosophy: the art of esoteric writing.

      The exoteric/esoteric distinction can appear to be a plausible claim that philosophers, facing potential persecution, have not always been open about their thoughts, and so interpreters must “read between the lines.” At one level, Strauss is certainly saying this. Importantly, however, he connects this historical point to the deeper claim that underlying what appears to be an occasional strategy is a fundamental opposition between philosophy and the city.