breast of the Duchess d'Angoulême, and awakened new hopes, caused her to suspend operations for a time. Bourbon had been a widower for six months, during which he had remained at the Château de Moulins, when he was summoned by the king to Fontainebleau, and set out at once, attended, as was his custom, by a numerous and splendid escort. He rested on the last night of his journey at the Château de Nemours, in order to reach Fontainebleau at noon.
Amid the crowd of nobles and gentlemen who accompanied him were René de Bretagne, Comte de Penthièvre, and Jean de Poitiers, Seigneur de Saint-Vallier, and Comte de Valentinois. The latter belonged to one of the oldest families in France, and had been governor of Dauphiné during the reign of the late king Louis XII. He had raised a large number of men for François I. during the war in Italy, and, like Bourbon, had good cause to complain of the king's neglect and ingratitude. Saint-Vallier's daughter, the beautiful Diane de Poitiers, had recently married Louis de Brézé, Comte de Maulévrier, grand seneschal of Normandy. Saint-Vallier was somewhat stricken in years, his beard and locks were grizzled, and his noble countenance had a grave and melancholy expression, as if he foresaw the misfortunes in store for him. He was a man of the highest honour, and Bourbon, who had great faith in his judgment, generally consulted him. Of the gentlemen in attendance upon the Constable, the two in whom he chiefly confided were the Seigneurs Pompérant and Lurcy, both young men of good family, graceful in exterior, mettlesome, proud, and eager for distinction.
Since the accession of François I., the old feudal château of Philippe Auguste and Saint Louis had been almost entirely demolished, and had given place to a superb palace, reared in the style of the Renaissance. François I. had not as yet completed his grand designs, but he had done enough to make the Palace of Fontainebleau one of the noblest structures in France. Its splendid apartments were full of objects of art, paintings, and sculpture brought from Italy, and its glorious gallery, just completed, was richly decorated. The old walls and moat of the mediaeval chateau had given place to delicious gardens, with broad terraces, parterres, alleys, fountains, lakes, bosquets, and all that could contribute to enjoyment. As Bourbon drew near the palace, and gazed at its magnificent façade, he could not refuse it the meed of admiration it so well deserved.
The approach of the Constable and his suite was watched by a number of arquebusiers, pages, grooms, and serving-men, collected in the outer court, or grouped upon the great horse-shoe stairs leading to the principal entrance of the palace. Various comments were made by these persons on the number and splendour of the Constable's retinue, and the general opinion seemed to be that the king would take offence at the display. Among the observers were two magnificently-attired seigneurs, who, being stationed on the summit of the lofty stairs, commanded a complete view of the scene. Evidently, from the respect with which they were treated, these persons were of the highest rank. The most noticeable of the two—though both were noticeable—was a very distinguished-looking man, in age about thirty-five, though he did not look so much, and possessing features of classical regularity, and a figure of incomparable grace. In stature he was a little above the ordinary height, and his deportment was haughty and commanding. His rich brown locks were shorn close, as was then the mode, and he wore a pointed beard à l'Espagnole. Both for his graceful exterior and fascinating manner he seemed formed to captivate, and indeed almost all those whom he had addressed—and he made the highest dames his mark—had found him irresistible. He was accounted the handsomest, as well as the most accomplished cavalier at court, and excelled all his compeers in manly exercises, as he surpassed them in grace.
This preux chevalier was Guillaume Gouffier de Boisy, Seigneur de Bonnivet, Admiral of France. From the favour bestowed upon him by his royal master, he was called “le Grand Mignon du Roi.” Audacious in love as in war, equally at home in the mêlée or at the masked ball, Bonnivet was the most gallant and profligate personage of the most gallant and profligate court in Europe, he had fought by the side of his royal master at the battle of Marignan, and was subsequently sent by François as ambassador-extraordinary to England, where he distinguished himself at the gorgeous court of Henry VIII. by his unparalleled magnificence. Brave to a fault, rash, enterprising, spiritual, lively, a boon companion, inordinately addicted to gallantry, Bonnivet exactly suited the king. A perfect courtier, he maintained his influence over François, while he strengthened his position by ingratiating himself with the king's mother. His prodigality was excessive, and his audacity in love affairs unparalleled. If we are to believe Brantôme, he resorted to the most extraordinary stratagems in the prosecution of his amours, and had trap-doors contrived in the chambers of his château. He was the secret lover of the king's mistress, the beautiful Comtesse de Châteaubriand, and he even dared to raise his eyes to the Duchess d'Alençon, the king's sister. To Louise de Savoie he was so subservient, that he became little better than her tool, but she requited him by showering favours on his head. It was by her desire that the command of the army of Guienne was bestowed upon him; and he had but recently returned to court, flushed with the successes he had gained over the Spaniards in Fontarabia.
Vain and presumptuous, Bonnivet had offended most of the old commanders, but, being supported by the king and the duchess, he was unassailable.
The person who stood next to Bonnivet, and who watched Bourbon's approach with as much surprise and as much curiosity as the Admiral, was very different in appearance and manner from the royal favourite, though equally richly attired. Though not handsome, he had a striking countenance, and his deportment was proud and martial. He was no other than the renowned Anne de Montmoreney, one of the haughtiest and wealthiest nobles of France, and one of the bravest of her captains. Though he did not envy Bonnivet the king's favour, nor seek to supplant him, he held him in contempt, and would probably have rejoiced in his downfall. Montmorency belonged to a ruder and hardier school than that represented by the Admiral, and had distinguished himself by many feats of arms and personal courage. On account of his valour and military skill he had just been named a marshal of France by the king.
“By Heaven! it is the Constable de Bourbon!” cried Bonnivet. “What brings him to Fontainebleau?”
“I know not,” replied Montmorency, “but I trust he may be restored to the king's favour, and this abominable process abandoned.”
“That is not likely to be the case,” remarked Bonnivet. “If Bourbon humbles himself, the king may overlook his faults—not otherwise.”
“I have yet to learn what faults he has committed,” said Montmorency. “I know he has been unjustly treated, and so I shall not hesitate to tell the king.”
“You had better not say as much to the duchess,” remarked Bonnivet.
“Wherefore not?” demanded the marshal. “If this suit is pressed to an issue, mischievous consequences are sure to follow, and I therefore hope it may be amicably arranged. From Bourbon's appearance here, I augur favourably. If I can help to set the matter right, I will.”
“Take my advice, marshal, and do not meddle in the matter,” said Bonnivet. “You will only incur the duchess's displeasure.”
“I care not for that,” said Montmorency.
“And yet it is to the duchess you owe your bâton. You are ungrateful, monsieur le maréchal.”
These words were not uttered by Bonnivet, but by a singular personage, who had approached them unawares, and listened to their discourse. On turning, Montmorency beheld Triboulet, the king's jester. The court buffoon wore the parti-coloured garb proper to his office, and carried a bauble in his hand. Misshapen in person, he had high shoulders, long arms, large feet and hands, and an immense head. His brow was low, his eyes lighted up by a malicious flame, and his countenance altogether had a cunning and mischievous expression, which inspired fear while it excited mirth.
Immediately behind Triboulet stood a tall, thin man, whose appearance offered a striking contrast to that of the jester. This personage wore a black taffeta robe with loose sleeves, and a silken skull-cap of the same hue, which set off his sallow features. His eyes were thoughtful in expression, and a long grey beard, descending to his girdle, added materially to the gravity of his aspect. This individual was the renowned Cornelius Agrippa, who after many years of travel and strange adventure in Germany, Switzerland, the Low Countries, and England, now formed part