Thorstein Veblen

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in London, invented a most ingenious device for producing ghosts which should walk about upon the stage in such a perfectly-astounding manner as to throw poor Hamlet’s father and the evil genius of Brutus quite into the “shade.” “Pepper’s Ghost” soon crossed the Atlantic, and all our theatres were speedily alive with nocturnal apparitions. The only real ghosts, however—four in number—came out at the Museum, in an appropriate drama, which had an immense run—“all for twenty-five cents,” or only six and a quarter cents per ghost!

      But I must not forget to say that, really, the details given in the “Sunday Mercury” were well calculated to lead captive a large class of minds prone to luxuriate in the marvelous when well mixed with plausible reasoning. The most circumstantial accounts were given of sundry “gifted young ladies,” “grave and learned professors,” “reliable gentlemen”—where are those not found?—“lonely watchers,” and others, who had sought interviews with the “ghost,” to their own great enlightenment, indeed, but, likewise, complete discomfiture. Pistols were fired at him, pianos played and songs sung for him, and, finally, his daguerreotype taken on prepared metallic plates set upright in the haunted room. One shrewd artist brought out an “exact photographic likeness” of the distinguished stranger on cartes de visite, and made immense sales. The apparitions, too, multiplied. An old man, a woman, and a child made their appearance in the house of wonders, and, at last, a gory head with distended eyeballs, swimming in a sea of blood, upon a platter—like that of Holofernes—capped the climax.

      Certain wiseacres here began to see political allusions in the Ghost, and many actually took the whole affair to be a cunningly devised political satire upon this or that party, according as their sympathies swayed them.

      It would have been a remarkable portion of “this strange, eventful history,” of course, if “Barnum” could have escaped the accusation of being its progenitor.

      I was continually beset, and frequently, when more than usually busy, thoroughly annoyed by the innuendoes of my visitors, that I was the father of “the Ghost.”

      “Come, now, Mr. Barnum—this is going a little too far!” some good old dame or grandfather would say to me. “You oughtn’t to scare people in this way. These ghosts are ugly customers!”

      “My dear Sir,” or “Madam,” I would say, as the case might be, “I do assure you I know nothing whatever about the Ghost”—and as for “spirits,” you know I never touch them, and have been preaching against them nearly all my life.”

      “Well! well! you will have the last turn,” they’d retort, as they edged away; “but you needn’t tell us. We guess we’ve found the ghost.”

      Now, all I can add about this strange hallucination is, that those who came to me to see the original “Carter,” really saw the “Elephant.”

      The wonderful apparition disappeared, at length, as suddenly as he had come. The “Bull’s-Eye Brigade,” as the squad of police put on duty to watch the neighborhood, for various reasons, was termed, hung to their work, and flashed the light of their lanterns into the faces of lonely couples, for some time afterward; but quiet, at length, settled down over all: and it has been it seems, reserved for my pen to record briefly the history of “The Twenty-seventh street Ghost.”

      CHAPTER XXXII.

       Table of Contents

      THE MOON-HOAX.

      The most stupendous scientific imposition upon the public that the generation with which we are numbered has known, was the so-called “Moon-Hoax,” published in the columns of the “New York Sun,” in the months of August and September, 1835. The sensation created by this immense imposture, not only throughout the United States, but in every part of the civilized world, and the consummate ability with which it was written, will render it interesting so long as our language shall endure; and, indeed, astronomical science has actually been indebted to it for many most valuable hints—a circumstance that gives the production a still higher claim to immortality.

      At the period when the wonderful “yarn” to which I allude first appeared, the science of astronomy was engaging particular attention, and all works on the subject were eagerly bought up and studied by immense masses of people. The real discoveries of the younger Herschel, whose fame seemed destined to eclipse that of the elder sage of the same name, and the eloquent startling works of Dr. Dick, which the Harpers were republishing, in popular form, from the English edition, did much to increase and keep up this peculiar mania of the time, until the whole community at last were literally occupied with but little else than “star-gazing.” Dick’s works on “The Sidereal Heavens,” “Celestial Scenery,” “The improvement of Society,” etc., were read with the utmost avidity by rich and poor, old and young, in season and out of season. They were quoted in the parlor, at the table, on the promenade, at church, and even in the bedroom, until it absolutely seemed as though the whole community had “Dick” upon the brain. To the highly educated and imaginative portion of our good Gothamite population, the Doctor’s glowing periods, full of the grandest speculations as to the starry worlds around us, their wondrous magnificence and ever-varying aspects of beauty and happiness were inexpressibly fascinating. The author’s well-reasoned conjectures as to the majesty and beauty of their landscapes, the fertility and diversity of their soil, and the exalted intelligence and comeliness of their inhabitants, found hosts of believers; and nothing else formed the staple of conversation, until the beaux and belles, and dealers in small talk generally, began to grumble, and openly express their wishes that the Dickens had Doctor Dick and all his works.

      It was at the very height of the furor above mentioned, that one morning the readers of the “Sun”—at that time only twenty-five hundred in number—were thrilled with the announcement in its columns of certain “Great Astronomical Discoveries Lately Made by Sir John Herschel, LL.D., F.R.S. etc., at the Cape of Good Hope,” purporting to be a republication from a Supplement to the Edinburgh Journal of Science. The heading of the article was striking enough, yet was far from conveying any adequate idea of its contents. When the latter became known, the excitement went beyond all bounds, and grew until the “Sun” office was positively besieged with crowds of people of the very first class, vehemently applying for copies of the issue containing the wonderful details.

      As the pamphlet form in which the narrative was subsequently published is now out of print, and a copy can hardly be had in the country, I will recall a few passages from a rare edition, for the gratification of my friends who have never seen the original. Indeed, the whole story is altogether too good to be lost; and it is a great pity that we can not have a handsome reprint of it given to the world from time to time. It is constantly in demand; and, during the year 1859, a single copy of sixty pages, sold at the auction of Mr. Haswell’s library, brought the sum of $3,75. In that same year, a correspondent, in Wisconsin, writing to the “Sunday Times” of this city, inquired where the book could be procured, and was answered that he could find it at the old bookstore, No. 85 Centre Street, if anywhere. Thus, after a search of many weeks, the Western bibliopole succeeded in obtaining a well-thumbed specimen of the precious work. Acting upon this chance suggestion, Mr. William Gowans, of this city, during the same year, brought out a very neat edition, in paper covers, illustrated with a view of the moon, as seen through Lord Rosse’s grand telescope, in 1856. But this, too, has all been sold; and the most indefatigable book-collector might find it difficult to purchase a single copy at the present time. I, therefore, render the inquiring reader no slight service in culling for him some of the flowers from this curious astronomical garden.

      The opening of the narrative was in the highest Review style; and the majestic, yet subdued, dignity of its periods, at once claimed respectful attention; while its perfect candor, and its wealth of accurate scientific detail exacted the homage of belief from all but cross-grained and inexorable skeptics.

      It commences thus:

      “In this unusual addition to our Journal, we have the happiness to make known to the British public, and thence to the whole civilized world, recent discoveries in Astronomy,