South Wind.]—Ver. 66. The South Wind is especially called rainy, because, blowing from the Mediterranean sea on the coast of France and Italy, it generally brings with it clouds and rain.
24 The forms of the Gods.]—Ver. 73. There is some doubt what the Poet here means by the ‘forms of the Gods.’ Some think that the stars are meant, as if it were to be understood that they are forms of the Gods. But it is most probably only a poetical expression for the Gods themselves, and he here assigns the heavens as the habitation of the Gods and the stars; these last, according to the notion of the Platonic philosophers being either intelligent beings, or guided and actuated by such.
25 Inhabited by the smooth fishes.]—Ver. 74. ‘Cesserunt nitidis habitandæ piscibus;’ Clarke translates ‘fell to the neat fishes to inhabit.’
26 Could rule over the rest.]—Ver. 77. This strongly brings to mind the words of the Creator, described in the first chapter of Genesis, ver. 28. ‘And God said unto them—have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth.’
27 Framed him from divine elements.]—Ver. 78. We have here strong grounds for contending that the ancient philosophers, and after them the poets, in their account of the creation of the world followed a tradition that had been copied from the Books of Moses. The formation of man, in Ovid, as well as in the Book of Genesis, is the last work of the Creator, and was, for the same purpose, that man might have dominion over the other animated works of the creation.
28 Read upon the brazen tables.]—Ver. 91. It was the custom among the Romans to engrave their laws on tables of brass, and fix them in the Capitol, or some other conspicuous place, that they might be open to the view of all.
29 Clarions of crooked brass.]—Ver. 98. ‘Cornu’ seems to have been a general name for the horn or trumpet; whereas the “tuba” was a straight trumpet, while the ‘lituus’ was bent into a spiral shape. Lydus says that the ‘lituus’ was the sacerdotal trumpet, and that it was employed by Romulus when he proclaimed the title of his newly-founded city. Acro says that it was peculiar to the cavalry, while the ‘tuba’ belonged to the infantry. The notes of the ‘lituus’ are usually described as harsh and shrill.
30 Age of degenerated tendencies.]—Ver. 128. ‘Vena’ signifies among other things, a vein or track of metal as it lies in the mine. Literally, ‘venæ pejoris’ signifies ‘of inferior metal.’
31 Now as ships bounded.]—Ver. 134. ‘Insultavere carinæ.’ This line is translated by Clarke, ‘The keel-pieces bounced over unknown waves.’
32 To the Stygian shades.]—Ver. 139. That is, in deep caverns, and towards the centre of the earth; for Styx was feigned to be a river of the Infernal Regions, situate in the depths of the earth.
33 Through the means of both.]—Ver. 142. Gold forms, perhaps, more properly the sinews of war than iron. The history of Philip of Macedon gives a proof of this, as he conquered Greece more by bribes than the sword, and used to say, that he deemed no fortress impregnable, where there was a gate large enough to admit a camel laden with gold.
34 Prematurely makes inquiry.]—Ver. 148. Namely, by inquiring of the magicians and astrologers, that by their skill in casting nativities, they might inform them the time when their parents were likely to die, and to leave them their property.
35 Astræa.]—Ver. 150. She was the daughter of Astræus and Aurora, or of Jupiter and Themis, and was the Goddess of Justice. On leaving the earth, she was supposed to have taken her place among the stars as the Constellation of the Virgin.
36 Olympus.]—Ver. 154. Olympus was a mountain between Thessaly and Macedonia. Pelion was a mountain of Thessaly, towards the Pelasgic gulf; and Ossa was a mountain between Olympus and Pelion. These the Giants are said to have heaped one on another, in order to scale heaven.
37 There is a way on high.]—Ver. 168. The Poet here gives a description of the court of heaven; and supposing the galaxy, or Milky Way, to be the great road to the palace of Jupiter, places the habitations of the Gods on each side of it, and adjoining the palace itself. The mythologists also invented a story, that the Milky Way was a track left in the heavens by the milk of Juno flowing from the mouth of Hercules, when suckled by her. Aristotle, however, suspected what has been since confirmed by the investigations of modern science, that it was formed by the light of innumerable stars.
38 The ennobled Deities.]—Ver. 172. These were the superior Deities, who formed the privy councillors of Jupiter, and were called ‘Di majorum gentium,’ or, ‘Di consentes.’ Reckoning Jupiter as one, they were twelve in number, and are enumerated by Ennius in two limping hexameter lines:—
‘Juno, Vesta, Minerva, Ceres, Diana, Venus, Mars,
Mercurius, Jovis, Neptunus, Vulcanus, Apollo.’
39 The Gods of lower rank.]—Ver. 173. These were the ‘Dii minorum gentium,’ or inferior Deities.
40 Shook the awful locks.]—Ver. 179. This awful nod of Jupiter, the sanction by which he confirms his decrees, is an idea taken from Homer; by whom it is so vividly depicted at the end of the first book of the Iliad, that Phidias, in his statue of that God, admired for the awful majesty of its looks, is said to have derived his conception of the features from that description. Virgil has the same idea in the Æneid, book x; ‘Annuit, et totum metu tremefecit Olympum.’
41 Nereus.]—Ver. 187. He was one of the most ancient of the Deities of the sea, and was the son of Oceanus and Tethys.
42 The Nymphs.]—Ver. 192. The terrestrial Nymphs were the Dryads and Hamadryads, who haunting the woods, and the duration of their existence depending upon the life of particular trees, derived their name from the Greek word δρῦς, ‘an oak.’ The Oreades were nymphs who frequented the mountains, while the Napeæ lived in the groves and valleys. There were also Nymphs of the sea and of the rivers; of which, the Nereids were so called from their father Nereus, and the Oceanitides, from Oceanus. There were also the Naiads, or nymphs of the fountains, and many others.
43 Thus when an impious band.]—Ver. 200. It is a matter of doubt whether he here refers to the conspiracies of Brutus and Cassius against Julius Cæsar, or whether to that against Augustus, which is mentioned by Suetonius, in the nineteenth chapter of his History. As Augustus survived the latter