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FURTHER READING
1 Draycott, C. (2010). Convoy commanders and other military identities in tomb art of western Anatolia around the time of the Persian Wars. Bolletino di archeologia: XVII International Congress of Classical Archaeology Meetings Between Cultures in the Ancient Mediterranean, Being Graeco‐Persian. Rome, 22–26 September 2008, Volume Speciale, pp. 6–23. (A stimulating analysis of a long debated group of representations.)
2 Dusinberre, E.R.M. (2013). Empire, Authority, and Autonomy in Achaemenid Anatolia. Cambridge: Cambridge University Press. (A significant work in empire studies exploring the balance between authority and autonomy based on archaeological and textual evidence.)
3 İren, K., Karagöz, Ç., Kasar, Ö. (eds.) (2017). Persler, Anadolu’da Kudret ve Görkem. The Persians, Power and Glory in Anatolia. Istanbul: Yapi Kredi Yayınları. (Contains a variety of contributions with color pictures.)
4 Jacobs, B. (2014). Bildkunst als Zeugnis fu¨r Orientierung und Konsens innerhalb der Eliten des westlichen Achämenidenreichs. In R. Rollinger, K. Schnegg (eds.), Kulturkontakte in antiken Welten: Vom Denkmodell zum Fallbeispiel, Colloquia Antiqua 10. Leuven/Paris/Walpole: Peeters, pp. 343–368. (Analytical discussion of the concept of adaptation in the art for Asia Minor’s elite during the Achaemenid period.)
5 Kaptan, D. (2013). Déjà vu? Visual culture in western Asia Minor. In E. Stravrianopoulou (ed.), Shifting Social Imaginaries in the Hellenistic Period, Narration, Practices, and Images. Leiden: Brill, pp. 25–49. (Explores artistic and social dynamics in Asia Minor under Achaemenid rule.)
6 Kuhrt, A. (2007). The Persian Empire: A Corpus of Sources from the Achaemenid Empire Period, 2 vols. London/New York: Routledge. (Excellent compilation of written sources concerning the Achaemenid empire.)
7 Marston,