met Vronsky at the railway station."
"Oh, was he there?" asked Kitty, blushing. "What was it Stiva told you?"
"Stiva gossiped about it all. And I should be so glad … I traveled yesterday with Vronsky’s mother," she went on; "and his mother talked without a pause of him, he’s her favorite. I know mothers are partial, but…"
"What did his mother tell you?"
"Oh, a great deal! And I know that he’s her favorite; still one can see how chivalrous he is… Well, for instance, she told me that he had wanted to give up all his property to his brother, that he had done something extraordinary when he was quite a child, saved a woman out of the water. He’s a hero, in fact," said Anna, smiling and recollecting the two hundred roubles he had given at the station.
But she did not tell Kitty about the two hundred roubles. For some reason it was disagreeable to her to think of it. She felt that there was something that had to do with her in it, and something that ought not to have been.
"She pressed me very much to go and see her," Anna went on; "and I shall be glad to go to see her tomorrow. Stiva is staying a long while in Dolly’s room, thank God," Anna added, changing the subject, and getting up, Kitty fancied, displeased with something.
"No, I’m first! No, I!" screamed the children, who had finished tea, running up to their Aunt Anna.
"All together," said Anna, and she ran laughing to meet them, and embraced and swung round all the throng of swarming children, shrieking with delight.
Chapter 21
Dolly came out of her room to the tea of the grown-up people. Stepan Arkadyevitch did not come out. He must have left his wife’s room by the other door.
"I am afraid you’ll be cold upstairs," observed Dolly, addressing Anna; "I want to move you downstairs, and we shall be nearer."
"Oh, please, don’t trouble about me," answered Anna, looking intently into Dolly’s face, trying to make out whether there had been a reconciliation or not.
"It will be lighter for you here," answered her sister-in-law.
"I assure you that I sleep everywhere, and always like a marmot."
"What’s the question?" inquired Stepan Arkadyevitch, coming out of his room and addressing his wife.
From his tone both Kitty and Anna knew that a reconciliation had taken place.
"I want to move Anna downstairs, but we must hang up blinds. No one knows how to do it; I must see to it myself," answered Dolly addressing him.
"God knows whether they are fully reconciled," thought Anna, hearing her tone, cold and composed.
"Oh, nonsense, Dolly, always making difficulties," answered her husband. "Come, I’ll do it all, if you like…"
"Yes, they must be reconciled," thought Anna.
"I know how you do everything," answered Dolly. "You tell Matvey to do what can’t be done, and go away yourself, leaving him to make a muddle of everything," and her habitual, mocking smile curved the corners of Dolly’s lips as she spoke.
"Full, full reconciliation, full," thought Anna; "thank God!" and rejoicing that she was the cause of it, she went up to Dolly and kissed her.
"Not at all. Why do you always look down on me and Matvey?" said Stepan Arkadyevitch, smiling hardly perceptibly, and addressing his wife.
The whole evening Dolly was, as always, a little mocking in her tone to her husband, while Stepan Arkadyevitch was happy and cheerful, but not so as to seem as though, having been forgiven, he had forgotten his offense.
At half-past nine o’clock a particularly joyful and pleasant family conversation over the tea-table at the Oblonskys’ was broken up by an apparently simple incident. But this simple incident for some reason struck everyone as strange. Talking about common acquaintances in Petersburg, Anna got up quickly.
"She is in my album," she said; "and, by the way, I’ll show you my Seryozha," she added, with a mother’s smile of pride.
Towards ten o’clock, when she usually said good-night to her son, and often before going to a ball put him to bed herself, she felt depressed at being so far from him; and whatever she was talking about, she kept coming back in thought to her curly-headed Seryozha. She longed to look at his photograph and talk of him. Seizing the first pretext, she got up, and with her light, resolute step went for her album. The stairs up to her room came out on the landing of the great warm main staircase.
Just as she was leaving the drawing room, a ring was heard in the hall.
"Who can that be?" said Dolly.
"It’s early for me to be fetched, and for anyone else it’s late," observed Kitty.
"Sure to be someone with papers for me," put in Stepan Arkadyevitch. When Anna was passing the top of the staircase, a servant was running up to announce the visitor, while the visitor himself was standing under a lamp. Anna glancing down at once recognized Vronsky, and a strange feeling of pleasure and at the same time of dread of something stirred in her heart. He was standing still, not taking off his coat, pulling something out of his pocket. At the instant when she was just facing the stairs, he raised his eyes, caught sight of her, and into the expression of his face there passed a shade of embarrassment and dismay. With a slight inclination of her head she passed, hearing behind her Stepan Arkadyevitch’s loud voice calling him to come up, and the quiet, soft, and composed voice of Vronsky refusing.
When Anna returned with the album, he was already gone, and Stepan Arkadyevitch was telling them that he had called to inquire about the dinner they were giving next day to a celebrity who had just arrived. "And nothing would induce him to come up. What a queer fellow he is!" added Stepan Arkadyevitch.
Kitty blushed. She thought that she was the only person who knew why he had come, and why he would not come up. "He has been at home," she thought, "and didn’t find me, and thought I should be here, but he did not come up because he thought it late, and Anna’s here."
All of them looked at each other, saying nothing, and began to look at Anna’s album.
There was nothing either exceptional or strange in a man’s calling at half-past nine on a friend to inquire details of a proposed dinner party and not coming in, but it seemed strange to all of them. Above all, it seemed strange and not right to Anna.
Chapter 22
The ball was only just beginning as Kitty and her mother walked up the great staircase, flooded with light, and lined with flowers and footmen in powder and red coats. From the rooms came a constant, steady hum, as from a hive, and the rustle of movement; and while on the landing between trees they gave last touches to their hair and dresses before the mirror, they heard from the ballroom the careful, distinct notes of the fiddles of the orchestra beginning the first waltz. A little old man in civilian dress, arranging his gray curls before another mirror, and diffusing an odor of scent, stumbled against them on the stairs, and stood aside, evidently admiring Kitty, whom he did not know. A beardless youth, one of those society youths whom the old Prince Shtcherbatsky called "young bucks," in an exceedingly open waistcoat, straightening his white tie as he went, bowed to them, and after running by, came back to ask Kitty for a quadrille. As the first quadrille had already been given to Vronsky, she had to promise this youth the second. An officer, buttoning his glove, stood aside in the doorway, and stroking his mustache, admired rosy Kitty.
Although her dress, her coiffure, and all the preparations for the ball had cost Kitty great trouble and consideration, at this moment she walked into the ballroom in her elaborate tulle dress over a pink slip as easily and simply as though all the rosettes and lace, all the minute details of her attire, had not cost her or her family a moment’s attention, as though she had been born in that tulle and lace, with her hair done up high on her head, and a rose and two leaves on the top of it.
When, just before entering the ballroom, the princess, her mother, tried to turn right side out of the ribbon of her sash, Kitty had drawn back a little. She felt that everything must be right of itself, and graceful, and nothing could need setting straight.
It