Jonathan Franzen

The End of the End of the Earth


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since 2003. I can rationalize my compulsive counting as an extra little game I play within the context of my passion. But I really am compulsive. This makes me morally inferior to birders who bird exclusively for the joy of it.

      It happened that by going to Ghana I’d given myself a chance to break my previous year-list record of 1,286 species. I was already over 800 for 2016, and I knew, from my online research, that trips similar to ours had produced nearly 500 species, only a handful of which are also common in America. If I could see 460 unique year species in Africa, and then use my seven-hour layover in London to pick up twenty easy European birds at a park near Heathrow, 2016 would be my best year ever.

      We were seeing great stuff in Ghana, spectacular turacos and bee-eaters found only in West Africa. But the country’s few remaining forests are under intense hunting and logging pressure, and our walks in them were more sweltering than productive. By the evening of Election Day, we’d already missed our only shot at several of my target species. Very early the next morning, when polls were still open on the West Coast of the States, I turned on my phone for the pleasure of confirming that Clinton was winning the election. What I found instead were stricken texts from my friends in California, with pictures of them staring at a TV and looking morose, my girlfriend curled up on a sofa in a fetal position. The Times headline of the moment was “Trump Takes North Carolina, Building Momentum; Clinton’s Path to Victory Narrow.”

      There was nothing to be done but go birding. On a road in the Nsuta Forest, dodging timber trucks whose momentum I associated with Trump’s, and yet clinging to the idea that Clinton still had a path to victory, I saw Black Dwarf Hornbills, an African Cuckoo-Hawk, and a Melancholy Woodpecker.1 It was a sweaty but satisfactory morning that ended, when we re-emerged into network coverage, with the news that the “short-fingered vulgarian” (Spy magazine’s memorable epithet) was my country’s new president. This was the moment when I saw what my mind had been doing with Nate Silver’s figure of thirty percent for Trump’s odds. Somehow I’d taken the figure to mean that the world might be, worst-case, thirty percent shittier after Election Day. What the number actually represented, of course, was a thirty percent chance of the world’s being one hundred percent shittier.

      As we traveled up into drier, emptier northern Ghana, we intersected with some birds I’d long dreamed of seeing: Egyptian Plovers, Carmine Bee-eaters, and a male Standard-winged Nightjar, whose outrageous wing streamers gave it the look of a nighthawk being closely pursued by two bats. But we were falling ever farther behind the year-bird pace I needed to maintain. It occurred to me, belatedly, that the trip lists I’d seen online had included species that were only heard, not seen, while I needed to see a bird to count it. Those lists had raised my hopes the way Nate Silver had. Now every target species I missed increased the pressure to see all of the remaining targets, even the wildly unlikely ones, if I wanted to break my record. It was only a stupid year list, ultimately meaningless even to me, but I was haunted by the headline from the morning after Election Day. Instead of 275 electoral votes, I needed 460 species, and my path to victory was becoming very narrow. Finally, four days before the end of the trip, in the spillway of a dam near the Burkina Faso border, where I’d hoped to get half a dozen new grassland birds and saw zero, I had to accept the reality of loss. I was suddenly aware that I should have been at home, trying to console my girlfriend about the election, exercising the one benefit of being a depressive pessimist, which is the propensity to laugh in dark times.

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      How had the short-fingered vulgarian reached the White House? When Hillary Clinton started speaking in public again, she lent credence to a like-goes-with-like account of her character by advancing a this-followed-that narrative. Never mind that she’d mishandled her emails and uttered the phrase “basket of deplorables.” Never mind that voters might have had legitimate grievances with the liberal elite she represented; might have failed to appreciate the rationality of free trade, open borders, and factory automation when the overall gains in global wealth came at middle-class expense; might have resented the federal imposition of liberal urban values on conservative rural communities. According to Clinton, her loss was the fault of James Comey—maybe also of the Russians.

      Admittedly, I had my own neat narrative account. When I came home from Africa to Santa Cruz, my progressive friends were still struggling to understand how Trump could have won. I remembered a public event I’d once done with the optimistic social-media specialist Clay Shirky, who’d recounted to the audience how “shocked” professional New York restaurant critics had been when Zagat, a crowdsourced reviewing service, had named Union Square Cafe the best restaurant in town. Shirky’s point was that professional critics aren’t as smart as they think they are; that, in fact, in the age of Big Data, critics are no longer even necessary. At the event, ignoring the fact that Union Square Cafe was my favorite New York restaurant (the crowd was right!), I’d sourly wondered if Shirky believed that critics were also stupid to consider Alice Munro a better writer than James Patterson. But now Trump’s victory, too, had vindicated Shirky’s mockery of pundits. Social media had allowed Trump to bypass the critical establishment, and just enough members of the crowd, in key swing states, had found his low comedy and his incendiary speech “better” than Clinton’s nuanced arguments and her mastery of policy. This follows from that: without Twitter and Facebook, no Trump.

      After the election, Mark Zuckerberg did briefly seem to take responsibility, sort of, for having created the platform of choice for fake news about Clinton, and to suggest that Facebook could become more active in filtering the news. (Good luck with that.) Twitter, for its part, kept its head down. As Trump’s tweeting continued unabated, what could Twitter possibly say? That it was making the world a better place?

      In December, my favorite Santa Cruz radio station, KPIG, began running a fake ad offering counseling services to addicts of Trump-hating tweets and Facebook posts. The following month, a week before Trump’s inauguration, the PEN American Center organized events around the country to reject the assault on free speech that it claimed Trump represented. Although his administration’s travel restrictions did later make it harder for writers from Muslim countries to have their voices heard in the United States, the one bad thing that could not be said of Trump, in January, was that he had in any way curtailed free speech. His lying, bullying tweets were free speech on steroids. PEN itself, just a few years earlier, had given a free-speech award to Twitter, for its self-publicized role in the Arab Spring. The actual result of the Arab Spring had been a retrenchment of autocracy, and Twitter had since revealed itself, in Trump’s hands, to be a platform made to order for autocracy, but the ironies didn’t end there. During the same week in January, progressive American bookstores and authors proposed a boycott of Simon & Schuster for the crime of intending to publish one book by the dismal right-wing provocateur Milo Yiannopoulos. The angriest of the bookstores talked of refusing to stock all titles from S&S, including, presumably, the books of Andrew Solomon, the president of PEN. The talk didn’t end until S&S voided its contract with Yiannopoulos.

      Trump and his alt-right supporters take pleasure in pushing the buttons of the politically correct, but it only works because the buttons are there to be pushed—students and activists claiming the right to not hear things that upset them, and to shout down ideas that offend them. Intolerance particularly flourishes online, where measured speech is punished by not getting clicked on, invisible Facebook and Google algorithms steer you toward content you agree with, and nonconforming voices stay silent for fear of being flamed or trolled or unfriended. The result is a silo in which, whatever side you’re on, you feel absolutely right to hate what you hate. And here is another way in which the essay differs from superficially similar kinds of subjective speech. The essay’s roots are in literature, and literature at its best—the work of Alice Munro, for example—invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.

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      Three years ago, I was in a state of rage about climate change. The Republican Party was continuing to lie about the absence of a scientific consensus on climate—Florida’s Department of Environmental Protection