Lionel Shriver

A Perfectly Good Family


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when they cleaned his desk of SDS handouts, because I used to sneak into his vacated hovel and pocket treasures. At twelve, when I scrounged the Peace armband from his closet and blithely displayed it binding my peasant blouse as I waltzed out the back door, my mother had shrieked, her cheeks streaking, that I was becoming “just like my older brother!” This, I was led to believe, was the worst thing that could happen to anyone.

      Three halls formed a peg-legged H around the stairwell and master bathroom, down the longest of which I lingered as Truman fetched my carry-on. The hall was narrow with a window at the end, the floor slick enough to play Slippery Slidey in socks, indoor skiing with a running start that my mother discouraged because we reliably embedded splinters into our feet. I noted that Truman had replaced the rotting boards that had skewered us, a neat job. Truman inherited all the physical meticulousness that had skipped a generation with my father.

      I peeked into the last left-hand door, slammed in my face enough times. I switched on the overhead light, to find a bland bedspread and stark surfaces: no international gewgaws here. I walked to Mordecai’s desk, where the booze-bottle rings and reefer burns had been lemon-oiled into the past. The drapes were pulled back—replaced, since Mordecai had caught one of his old set on fire—while in his heyday they were always tightly drawn, even on the brightest of summer days. I scanned the blank walls and bare boards, but aside from the painted-over lumps of lousy spackling and the discernible scrapes in the floor from when my brother would shove his desk over to barricade the door, I detected no trace of Mordecai Delano McCrea. In my own room, midis drooped in my wardrobe, plastic horses spilled from its top shelf, my first clumsy attempts at clay sculpture humbled me on my bureau. Yet here was a malicious erasure. Not a single test tube from his chemistry set rolled in a dresser drawer, and all the old Hermann Hesse paperbacks had been bagged and sent off to Goodwill. No stranger would imagine this had ever been anything other than a guest room. As I sometimes fudged to a Londoner that I was born in New York, I wondered if my parents had indulged the pleasant fiction with the odd out-of-towner that they had only two children.

      My footfalls rang hollow back down the hall. I had this entire floor to myself: a drastic privacy I had craved as an adolescent, yearning for evenings like this one when my parents would disappear. Now that I had got what I wished I didn’t want it, which goes to show there is no pleasing some people. When my father was alive Mahler and Ives thrummed through this mansion all the way to the tower deck, but with no symphonic bombast tyrannizing the stairwell, no more “Tommy” pounding from down the hall, no lilting alto of “I am a Poor Wayfaring Stranger” wending from the kitchen while my mother made pies, this cavernous structure was deathly quiet, and I was grateful for so much as the thump of my case as it fell from Truman’s exhausted hand, and even for the piping of my sister-in-law, whose nasal, peevish voice would ordinarily annoy me.

      As Truman lumbered up the next flight to grill chicken thighs, I shouted after him. “Why are you cooking up there? You’ve an enormous kitchen downstairs, and your kitchen is a closet.”

      “I always cook in the dovecot.” He kept walking.

      He always cooked in the dovecot, and that was reason enough, as he always had the same breakfast, mowed the lawn the same day of the week, and now that he was in college I figured that Duke’s varying his academic schedule must have plunged him into interior disarray for half of every semester. Truman’s disciplines were so strict not because they were solid but because they were shaky. In my little brother’s personal mythology, should he nibble a single biscuit between meals, lift weights on Friday instead of Thursday, or allow himself an extra half-shot of bourbon before bed, he would degenerate into a flabby dissolute overnight. Truman trusted everyone but himself.

      As I unpacked, Averil swayed in the doorway, her eyes following each pair of jeans to its drawer. She seemed to be counting them, like Truman and my glasses of wine.

      “Whatever happened with your room-mates?” she inquired. “You said one was cute.”

      “I said they were both cute.”

      “Which one did you like better? The runty guy with glasses, or the drunken thug?”

      I laughed. “In Britain, you’d say hooligan. Which he wasn’t, quite. But which did I like better? I guess I never made up my mind.”

      “Well, did you ever, you know?” Averil may have found my sexual peripatetics “disgusting”—her favorite word—just as Truman himself lumped everyone I had ever dated into the categories of “lunatic” or “waste product.” Yet like most who married as virgins or nearly so, she displayed a disapproving but keenly prurient curiosity about the love lives of the wayward.

      “It’s inadvisable,” I said, “to get romantically involved with flatmates. Even in South Ealing, flats are expensive and hard to come by; you don’t want to complicate matters. The three of us were agreed on that.”

      “So you left them alone after all?”

      “After all,” I said, “they have left me alone. I will miss them.”

      “What’s that?”

      I had unwrapped a piece of ceramic from my leggings, and set it on the dresser by the wobbly elephant from my first firing at ten. “A souvenir.”

      “Can I see it?”

      I shrugged.

      My sculptures were distinguished by their hands: oversized in relation to the figure and always finely wrought, attenuated fingers extended from a tendonous metacarpus. The severed hand Averil now rested in her palm was reaching for something, or someone, and without the rest of the figure attached no longer appeared youthfully desirous, but merely grasping.

      “It’s beautifully done,” she admired. “I can’t imagine making something so delicate out of clay. But why is it broken off?”

      “Because that’s the left hand,” I explained, “and it didn’t know what the right one was doing.”

      We trudged up the second flight of stairs where, according to Truman’s lore, we were entering another residence altogether. If I were to assert that my younger brother had never left home by thirty-one, he would object. Ten years before, he’d refurbished the top floor into an independent flat; he liked to regard the fact that his address tags still read “309 Blount Street” and his zip code hadn’t changed since he was two as mere coincidence.

      We had designated the third floor “the dovecot,” since the mansard roof was infested with pigeons, though the scampering overhead could sound ominously like rats. The pigeons had nested on the pediments over the dormer windows, whose overhangs didn’t protect the panes from being continually splattered with bird poo. Truman spent a lot of time squeegeeing. Truman lived to squeegee; all the humdrum toil my father deplored as distraction from the Great Questions my little brother regarded as the meat of life.

      I did feel a release on rising to the long central room in Truman’s hideaway, with its tall, round-headed window at the end, where the spiral staircase curled to his tower. The rooms adjoining this one all had at least one sloping wall, from the slant of the roof; in the cockeyed tilt lurked a sense of humor, which the ponderous lower floors could well afford. Truman’s aesthetic may have been backward-looking, but in the runaway eclecticism of downstairs there was no coherent aesthetic at all. He had a prejudice against any furniture made in his lifetime, which suggested a self-dislike. I think if Truman could have wished himself back a hundred years he would. He was always pining about the days when hard work was rewarded and a man was a man and you did what you had to do and life was simple. I personally didn’t believe life was ever simple, though I could see fancying the illusion. Truman hated his own time, and expressed his nostalgia in bygone appointments, mostly glommed from the boot sales of other children with dead parents. His offbeat furniture wasn’t restricted to a single era—his couch was Victorian, end-tables Edwardian, and there was one upright armchair in his living room, ridiculously carved, that I do not believe belonged to any era at all. But together the hodgepodge formed a family whose members all got along, which was more than you could say for ours.

      Here in the middle room he’d laid their