in Essex, the father whose face she could scarcely recall, the alcoholic brother who’d never worked a day in his life—but everything else she kept hidden behind a moat and walls of stone. “Our Madeline could be an ax murderer or a high-priced tart,” said Fiona, “and none of us would be the wiser.” But Alison, a Home Office underling with a much-broken heart, had another theory. “The poor lamb’s in love,” she declared one afternoon as she watched Madeline rising goddess-like from the sea in the tiny cove beneath the villa. “The trouble is, the man in question isn’t returning the favor.”
“Why ever not?” asked Fiona drowsily from beneath the brim of an enormous sun visor.
“Maybe he’s in no position to.”
“Married?”
“But of course.”
“Bastard.”
“You’ve never?”
“Had an affair with a married man?”
“Yes.”
“Just twice, but I’m considering a third.”
“You’re going to burn in hell, Fi.”
“I certainly hope so.”
It was then, on the afternoon of the seventh day, and upon the thinnest of evidence, that the three girls and two boys staying with Madeline Hart in the rented villa at the edge of Piana took it upon themselves to find her a lover. And not just any lover, said Pauline. He had to be appropriate in age, fine in appearance and breeding, and stable in his finances and mental health, with no skeletons in his closet and no other women in his bed. Fiona, the most experienced when it came to matters of the heart, declared it a mission impossible. “He doesn’t exist,” she explained with the weariness of a woman who had spent much time looking for him. “And if he does, he’s either married or so infatuated with himself he won’t have the time of day for poor Madeline.”
Despite her misgivings, Fiona threw herself headlong into the challenge, if for no other reason than it would add a hint of intrigue to the holiday. Fortunately, she had no shortage of potential targets, for it seemed half the population of southeast England had abandoned their sodden isle for the sun of Corsica. There was the colony of City financiers who had rented grandly at the northern end of the Golfe de Porto. And the band of artists who were living like Gypsies in a hill town in the Castagniccia. And the troupe of actors who had taken up residence on the beach at Campomoro. And the delegation of opposition politicians who were plotting a return to power from a villa atop the cliffs of Bonifacio. Using the Cabinet Office as her calling card, Fiona quickly arranged a series of impromptu social encounters. And on each occasion—be it a dinner party, a hike into the mountains, or a boozy afternoon on the beach—she snared the most eligible male present and deposited him at Madeline’s side. None, however, managed to scale her walls, not even the young actor who had just completed a successful run as the lead in the West End’s most popular musical of the season.
“She’s obviously got it bad,” Fiona conceded as they headed back to the villa late one evening, with Madeline leading the way through the darkness on her red motor scooter.
“Who do you reckon he is?” asked Alison.
“Dunno,” Fiona drawled enviously. “But he must be someone quite special.”
It was at this point, with slightly more than a week remaining until their planned return to London, that Madeline began spending significant amounts of time alone. She would leave the villa early each morning, usually before the others had risen, and return in late afternoon. When asked about her whereabouts, she was transparently vague, and at dinner she was often sullen or preoccupied. Alison naturally feared the worst, that Madeline’s lover, whoever he was, had sent notice that her services were no longer required. But the following day, upon returning to the villa from a shopping excursion, Fiona and Pauline happily declared that Alison was mistaken. It seemed that Madeline’s lover had come to Corsica. And Fiona had the pictures to prove it.
The sighting had occurred at ten minutes past two, at Les Palmiers, on the Quai Adolphe Landry in Calvi. Madeline had been seated at a table along the edge of the harbor, her head turned slightly toward the sea, as though unaware of the man in the chair opposite. Large dark glasses concealed her eyes. A straw sun hat with an elaborate black bow shadowed her flawless face. Pauline had tried to approach the table, but Fiona, sensing the strained intimacy of the scene, had suggested a hasty retreat instead. She had paused long enough to surreptitiously snap the first incriminating photograph on her mobile phone. Madeline had appeared unaware of the intrusion, but not the man. At the instant Fiona pressed the camera button, his head had turned sharply, as if alerted by some animal instinct that his image was being electronically captured.
After fleeing to a nearby brasserie, Fiona and Pauline carefully examined the man in the photograph. His hair was gray-blond, windblown, and boyishly full. It fell onto his forehead and framed an angular face dominated by a small, rather cruel-looking mouth. The clothing was vaguely maritime: white trousers, a blue-striped oxford cloth shirt, a large diver’s wristwatch, canvas loafers with soles that would leave no marks on the deck of a ship. That was the kind of man he was, they decided. A man who never left marks.
They assumed he was British, though he could have been German or Scandinavian or perhaps, thought Pauline, a descendant of Polish nobility. Money was clearly not an issue, as evidenced by the pricey bottle of champagne sweating in the silver ice bucket anchored to the side of the table. His fortune was earned rather than inherited, they decided, and not altogether clean. He was a gambler. He had Swiss bank accounts. He traveled to dangerous places. Mainly, he was discreet. His affairs, like his canvas boat shoes, left no marks.
But it was the image of Madeline that intrigued them most. She was no longer the girl they knew from London, or even the girl with whom they had been sharing a villa for the past two weeks. It seemed she had adopted an entirely different demeanor. She was an actress in another movie. The other woman. Now, hunched over the mobile phone like a pair of schoolgirls, Fiona and Pauline wrote the dialogue and added flesh and bones to the characters. In their version of the story, the affair had begun innocently enough with a chance encounter in an exclusive New Bond Street shop. The flirtation had been long, the consummation meticulously planned. But the ending of the story temporarily eluded them, for in real life it had yet to be written. Both agreed it would be tragic. “That’s the way stories like this always end,” Fiona said from experience. “Girl meets boy. Girl falls in love with boy. Girl gets hurt and does her very best to destroy boy.”
Fiona would snap two more photographs of Madeline and her lover that afternoon. One showed them walking along the quay through brilliant sunlight, their knuckles furtively touching. The second showed them parting without so much as a kiss. The man then climbed into a Zodiac dinghy and headed out into the harbor. Madeline mounted her red motor scooter and started back toward the villa. By the time she arrived, she was no longer in possession of the sun hat with the elaborate black bow. That night, while recounting the events of her afternoon, she made no mention of a visit to Calvi, or of a luncheon with a prosperous-looking man at Les Palmiers. Fiona thought it a rather impressive performance. “Our Madeline is an extraordinarily good liar,” she told Pauline. “Perhaps her future is as bright as they say. Who knows? She might even be prime minister someday.”
That night, the four pretty girls and two earnest boys staying in the rented villa planned to dine in the nearby town of Porto. Madeline made the reservation in her schoolgirl French and even imposed on the proprietor to set aside his finest table, the one on the terrace overlooking the rocky sweep of the bay. It was assumed they would travel to the restaurant in their usual caravan, but shortly before seven Madeline announced she was going to Calvi to have a drink with an old friend from Edinburgh. “I’ll meet you at the restaurant,” she shouted over her shoulder as she sped down the drive. “And for heaven’s sake, try to be on time for a change.” And then she