them Moors and disbelievers in God; the women cheated the mother when they sold her provisions, and moreover they dubbed her "the witch." They all made the sign of the cross when they met these "gypsies" who dared to live in a cell at the monastery, neighbors to the dead, in constant communication with the spectral friar who stalked through the cloister.
By day, while the invalid was resting, George Sand prepared the broth, and with her slender, white, artistic hands, helped the maidservant to peel the vegetables; then, with, her two children she would race down to the abrupt, tree-covered beach of Miramar where Ramon Lull had established his school of oriental study. Only at the approach of night did her real existence begin.
Then the great gloomy cloister vibrated with mysterious music which seemed to float in from afar through the heavy walls. It was Chopin, bending over the piano composing his Nocturnes. The novelist, by the light of the candle was writing "Spiridion," the story of the monk who finally forsook his faith; but frequently she laid aside her work to rush to the musician's side and give him medicine, alarmed at the frequency of his cough. On moonlight nights, tempted by the thrill of the mysterious, in a voluptuosity of fear, she stole out into the cloister where the darkness was pierced by the milky spots of the window panes. Nobody!… Then she would sit down in the monks' cemetery vainly awaiting the apparition of the ghostly friar to enliven her monotonous existence with a novel adventure.
One night during Carnival season Cartuja was invaded by "Moors." They were young men from Palma, who, after having overrun the town disguised as Berbers, thought of the "French woman," ashamed, no doubt, at the isolation in which she was held by the townspeople. They arrived at midnight, with their songs and guitars breaking the mysterious calm of the monastery, frightening away the birds perched in the ruins. In one corner of the cell they danced Spanish dances which Chopin watched attentively with his fever-lighted eyes, while the novelist flitted from group to group, experiencing the simple joy of the bourgeoise at finding herself not forgotten.
This was her single happy night in Majorca. Afterward, with the return of spring, the "beloved invalid" felt relief and they began a leisurely return to Paris. They were birds of passage, who, after wintering on this "Fortunate Isle," left no other trace than an undying tradition.
Jaime could not even find out with certainty which room she had occupied. The changes which had taken place in the monastery had obliterated every vestige. Many families from Palma now spent the summer at Cartuja, transforming the cells into handsome apartments, and each one wished it to be understood that his was the one which had been occupied by George Sand, she who had been defamed and ostracized by their grandmothers. Febrer had visited the monastery with a nonagenarian, who had been one of the youths that had gone dressed as Moors to serenade the Frenchwoman. He could not remember any details nor could he even recognize her room.
Don Horacio's grandson experienced a kind of retrospective affection for that extraordinary woman. He imagined her as she appeared in her youthful pictures, with expressionless face and deep enigmatic eyes beneath fluffy hair, with no other decoration than a rose over one temple. Poor George Sand! Love had been for her like the ancient Sphinx: each time that she ventured to interrogate it she had felt its merciless blow upon her heart. She had tasted all love's abnegations and perversities. The capricious woman of the Venetian nights, the unfaithful companion of de Musset, was the same nurse who cooked the meals and prepared the cough syrups for the dying Chopin in the solitudes of Valldemosa. If only Jaime had known a woman like that, a woman who combined within herself the natures of a thousand women, with all their infinite feminine variety of sweetness and cruelty!… To be loved by a superior woman upon whom he could impose his masculine will, and who at the same time would inspire him with respect for her was his dream.
Febrer sat as if stupefied by this thought, staring at the landscape without seeing it. Then he smiled ironically, as if realizing his own insignificance. The object of his journey flashed across his mind, and he pitied himself. He, who had been dreaming of a grand, unselfish, extraordinary love, was on his way to sell himself, offering his hand and his name to a woman whom he had barely seen, to contract an alliance which would scandalize the whole island… worthy end to a useless, unbridled life!
The emptiness of his existence was revealed to him clearly now, stripped of the deceptions of personal vanity, as he had never seen it before. The nearness of his sacrifice stirred him to re-live the past in his memory, as if seeking justification for his present acts. What purpose had been served by his passing through the world?
He returned again to the childhood recollections which had been evoked on the road to Soller. He imagined himself in the venerable Febrer mansion with his parents and his grandfather. He was an only son. His mother, a pale lady of melancholy beauty, had been left an invalid as the result of his birth. Don Horacio lived in the second story, in the company of an old servant, as if he were a guest in the house, mingling with the family or isolating himself according to caprice. Jaime, in the midst of his childhood recollections, beheld his grandfather's figure in prominent relief. Never had he surprised a smile on that white-bearded face, which contrasted with his dark and imperious eyes. The members of the household were prohibited from ascending to his apartments. No one had ever seen him except when in street dress, which was always scrupulously neat. His grandson, who was the only one allowed in his dormitory at all hours, found him early in the morning in his blue coat with high, pointed collar and a black stock folded around his neck, ornamented with an enormous pearl. He maintained this correct old-time elegance until overtaken by illness. Whenever sickness compelled him to keep his bed he would give orders to his servant not to admit even his son.
Jaime used to pass many hours seated at his grandfather's feet, listening to his tales, and at the same time awed by the enormous number of books which overflowed the bookcases and littered the tables and chairs. He found him ever the same, wearing his coat lined with red silk, which seemed changeless, but which was renewed, nevertheless, once every six months. The seasons brought no other variation than that of converting the velvet winter waistcoat into another of embroidered silk. His pride was centered chiefly upon his linen and his books. He ordered from abroad dozens of shirts which frequently lay in the bottom of the clothes press forgotten and yellowing and never worn. The booksellers of Paris sent him enormous packages of recent volumes, and in view of his unceasing orders added "Bookseller" to the address, a title which Don Horacio displayed with playful satisfaction.
He talked to the last of the Febrers with grandfatherly kindness, trying to make him understand his tales, despite the fact that he was sparing of words and showed little patience in his relations with the rest of the family. He told of his journeys to Paris, and to London, sometimes in a sailing vessel as far as Marseilles and then by post-chaise; again by steam-engines along iron roadways, great inventions the infancy of which he had seen. He told of society at the court of Louis Philippe; of the great beginnings of the romanticist movement in which he had taken part; and he told of the barricades thrown up in the streets which he had watched from his room, not mentioning that, at the same time, his arm was encircling the waist of a grisette peeping out of the window beside him. His grandson, he would say, had been born in a glorious epoch, the best of all. Don Horacio recollected the disagreements with his terrible father that had compelled him to travel through Europe; that caballero who had gone out to meet King Ferdinand, to ask him for the reëstablishment of ancient usages, and who blessed his sons, saying: "May God make you a good inquisitor!"
Then he would display before Jaime great books containing views of splendid capitals in which he had lived, and which to the boy seemed like cities beheld in a dream. Sometimes he would remain lost in contemplation of the picture of "the grandmother with the harp," his wife, the interesting Doña Elvira, the same canvas which now hung in the reception hall among the other ladies of the family. He did not seem moved; he maintained the same grave demeanor which accompanied the jests to which he was addicted and the coarse words with which he sprinkled his conversations, but he said in a somewhat tremulous voice:
"Your grandmother was a great lady, with the soul of an angel, an artist. I seemed like a barbarian beside her. She was one of our family, but she came from Mexico to marry me. Her father was a sea-faring man, and he stayed over there with the insurgents. There is no one in all our race who resembles her."
At half past eleven in the morning he would dismiss his grandson, and putting on his tall hat, black silk in winter and beaver