Hilary Mantel

Hilary Mantel Collection: Six of Her Best Novels


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it's not Clement we have to persuade of the king's case. It's all of Europe. All Christian men.’

      ‘I'm afraid the Christian women may be harder still.’

      Cranmer drops his eyes. ‘I could never persuade my wife of anything. I would never have thought to try.’ He pauses. ‘We are two widowers, I think, Master Cromwell, and if we are to become colleagues, I must not leave you wondering, or at the mercy of stories that people will bring to you.’

      The light is fading around them while he talks, and his voice, each murmur, each hesitation, trails away into the dusk. Outside the room where they sit, where the house is going on its nightly course, there is a banging and scraping, as if trestles were being moved, and a faint sound of cheering and whooping. But he ignores it, settles his attention on the priest. Joan, an orphan, he says, servant in a gentleman's house where he used to visit; no people of her own, no marriage portion; he pitied her. A whisper in a panelled room raises spirits from the fens, fetches the dead: Cambridge twilights, damp seeping from the marshes and rush lights burning in a bare swept room where an act of love takes place. I could not help but marry her, Dr Cranmer says, and indeed, how can a man help marrying? His college took away his fellowship, of course, you cannot have married fellows. And naturally she had to leave her place, and not knowing what else to do with her, he lodged her at the Dolphin, which is kept by some connections of his, some – he confesses, not without a downward glance – some relations of his, yes it is true that some of his people keep the Dolphin.

      ‘It's nothing to be ashamed of. The Dolphin is a good house.’

      Ah, you know it: and he bites his lip.

      He studies Dr Cranmer: his way of blinking, the cautious finger he lays to his chin, his eloquent eyes and his pale praying hands. So Joan was not, he says, she was not, you see, a barmaid, whatever people say, and I know what they do say. She was a wife with a child in her belly, and he a poor scholar, preparing to live with her in honest poverty, but that didn't happen, in the event. He thought he might find a position as secretary to some gentleman, or as a tutor, or that he might earn a living by his pen, but all that scheming was to no avail. He thought they might move from Cambridge, even from England, but they didn't have to, in the end. He hoped some connection of his would do something for him, before the child was born: but when Joan died in labour, no one could do anything for him, not any more. ‘If the child had lived I would have salvaged something. As it was, no one knew what to say to me. They did not know whether to condole with me on losing my wife, or congratulate me because Jesus College had taken me back. I took holy orders; why not? All that, my marriage, the child I thought I would have, my colleagues seemed to regard it as some sort of miscalculation. Like losing your way in the woods. You get home and never think of it again.’

      ‘There are some strange cold people in this world. It is priests, I think. Saving your presence. Training themselves out of natural feeling. They mean it for the best, of course.’

      ‘It was not a mistake. We did have a year. I think of her every day.’

      The door opens; it is Alice bringing in lights. ‘This is your daughter?’

      Rather than explain his family, he says, ‘This is my lovely Alice. This is not your job, Alice?’

      She bobs, a small genuflection to a churchman. ‘No, but Rafe and the others want to know what you are talking about so long. They are waiting to know if there will be a dispatch to the cardinal tonight. Jo is standing by with her needle and thread.’

      ‘Tell them I will write in my own hand, and we will send it tomorrow. Jo may go to bed.’

      ‘Oh, we are not going to bed. We are running Gregory's greyhounds up and down the hall and making a noise fit to wake the dead.’

      ‘I can see why you don't want to break off.’

      ‘Yes, it is excellent,’ Alice says. ‘We have the manners of scullery maids and no one will ever want to marry us. If our aunt Mercy had behaved like us when she was a girl, she would have been knocked round the head till she bled from the ears.’

      ‘Then we live in happy times,’ he says.

      When she has gone, and the door is closed behind her, Cranmer says, ‘The children are not whipped?’

      ‘We try to teach them by example, as Erasmus suggests, though we all like to race the dogs up and down and make a noise, so we are not doing very well in that regard.’ He does not know if he should smile; he has Gregory; he has Alice, and Johane and the child Jo, and in the corner of his eye, at the periphery of his vision, the little pale girl who spies on the Boleyns. He has hawks in his mews who move towards the sound of his voice. What has this man?

      ‘I think of the king's advisers,’ Dr Cranmer says. ‘The sort of men who are about him now.’

      And he has the cardinal, if the cardinal still thinks well of him after all that has passed. If he dies, he has his son's sable hounds to lie at his feet.

      ‘They are able men,’ Cranmer says, ‘who will do anything he wants, but it seems to me – I do not know how it seems to you – that they are utterly lacking in any understanding of his situation … any compunction or kindness. Any charity. Or love.’

      ‘It is what makes me think he will bring the cardinal back.’

      Cranmer studies his face. ‘I am afraid that cannot happen now.’

      He has a wish to speak, to express the bottled rage and pain he feels. He says, ‘People have worked to make misunderstandings between us. To persuade the cardinal that I am not working for his interests, only for my own, that I have been bought out, that I see Anne every day –’

      ‘Of course, you do see her …’

      ‘How else can I know how to move next? My lord cannot know, he cannot understand, what it's like here now.’

      Cranmer says gently, ‘Should you not go to him? Your presence would dispel any doubt.’

      ‘There is no time. The snare is set for him and I dare not move.’

      There is a chill in the air; the summer birds have flown, and black-winged lawyers are gathering for the new term in the fields of Lincoln's Inn and Gray's. The hunting season – or at least, the season when the king hunts every day – will soon be over. Whatever is happening elsewhere, whatever deceits and frustrations, you can forget them in the field. The hunter is among the most innocent of men; living in the moment makes him feel pure. When he returns in the evening, his body aches, his mind is full of pictures of leaves and sky; he does not want to read documents. His miseries, his perplexities have receded, and they will stay away, provided – after food and wine, laughter and exchange of stories – he gets up at dawn to do it all over again.

      But the winter king, less occupied, will begin to think about his conscience. He will begin to think about his pride. He will begin to prepare the prizes for those who can deliver him results.

      It is an autumn day, whitish sun flitting behind the loosening, flickering leaves. They go into the butts. The king likes to do more than one thing at once: talk, direct arrows at a target. ‘Here we will be alone,’ he says, ‘and I will be free to open my mind to you.’

      In fact, the population of a small village – as it might be, Aslockton – is circulating around them. The king does not know what ‘alone’ means. Is he ever by himself, even in his dreams? ‘Alone’ means without Norfolk clattering after him. ‘Alone’ means without Charles Brandon, who in a summer fit of fury the king advised to make himself scarce and not come within fifty miles of the court. ‘Alone’ means just with my yeoman of the bow and his menials, alone with my gentlemen of the privy chamber, who are my select and private friends. Two of these gentlemen, unless he is with the queen, sleep at the foot of his bed; so they have been on duty for some years now.

      When he sees Henry draw his bow, he thinks, I see now he is royal. At home or abroad, in wartime or peacetime, happy or aggrieved, the king likes to practise several times in the week, as an Englishman should; using his height, the beautiful trained