armguard; for someone to change his bow, and bring him a choice. A cringing slave hands a napkin, to mop his forehead, and picks it up from where the king has dropped it; and then, exasperated, one shot or two falling wide, the King of England snaps his fingers, for God to change the wind.
The king shouts, ‘From various quarters I receive the advice that I should consider my marriage dissolved in the eyes of Christian Europe, and may remarry as I please. And soon.’
He doesn't shout back.
‘But others say …’ The breeze blows, his words are carried off, towards Europe.
‘I am one of the others.’
‘Dear Jesus,’ Henry says. ‘I will be unmanned by it. How long do you suppose my patience lasts?’
He hesitates to say, you are still living with your wife. You share a roof, a court, wherever you move together, she on the queen's side, you on the king's; you told the cardinal she was your sister not your wife, but if today you do not shoot well, if the breeze is not in your favour or you find your eyes blurred by sudden tears, it is only sister Katherine whom you can tell; you can admit no weakness or failure to Anne Boleyn.
He has studied Henry through his practice round. He has taken up a bow at his invitation, which causes some consternation in the ranks of the gentlemen who stud the grass and lean against trees, wearing their fallen-fruit silks of mulberry, gold and plum. Though Henry shoots well, he has not the action of a born archer; the born archer lays his whole body into the bow.
Compare him with Richard Williams, Richard Cromwell as he is now. His grandfather ap Evan was an artist with the bow. He never saw him, but you can bet he had muscles like cords and every one in use from the heels up. Studying the king, he is satisfied that his great-grandfather was not the archer Blaybourne, as the story says, but Richard, Duke of York. His grandfather was royal; his mother was royal; he shoots like a gentleman amateur, and he is king through and through.
The king says, you have a good arm, a good eye. He says disparagingly, oh, at this distance. We have a match every Sunday, he says, my household. We go to Paul's for the sermon and then out to Moorfields, we meet up with our fellow guilds-men and destroy the butchers and the grocers, and then we have a dinner together. We have grudge matches with the vintners …
Henry turns to him, impulsive: what if I came with you one week? If I came in disguise? The commons would like it, would they not? I could shoot for you. A king should show himself, sometimes, don't you feel? It would be amusing, yes?
Not very, he thinks. He cannot swear to it, but he thinks there are tears in Henry's eyes. ‘For sure we would win,’ he says. It is what you would say to a child. ‘The vintners would be roaring like bears.’
It begins to drizzle, and as they walk towards a sheltering clump of trees, a pattern of leaves shadows the king's face. He says, Nan threatens to leave me. She says that there are other men and she is wasting her youth.
Norfolk, panicking, that last week of October 1530: ‘Listen. This fellow here,’ he jerks his thumb, rudely, at Brandon – who is back at court, of course he is back – ‘this fellow here, a few years ago, he charged at the king in the lists, and nearly killed him. Henry had not put his visor down, God alone knows why – but these things happen. My lord here ran his lance – bam! – into the king's headpiece, and the lance shattered – an inch, one inch, from his eye.’
Norfolk has hurt his right hand, by the force of his demonstration. Wincing, but furious, earnest, he presses on. ‘One year later, Henry is following his hawk – it's that cut-up sort of country, flat, deceptive, you know it – he comes to a ditch, he drives in a pole to help him cross, the infernal instrument breaks, God rot it, and there's His Majesty face down and stunned in a foot of water and mud, and if some servant hadn't clawed him out, well, gentlemen, I shudder to think.’
He thinks, that's one question answered. In case of peril, you may pick him up. Fish him out. Whatever.
‘Suppose he dies?’ Norfolk demands. ‘Supposing a fever carries him away or he comes off his horse and breaks his neck? Then what? His bastard, Richmond? I've nothing against him, he's a fine boy, and Anne says I should get him married to my daughter Mary, Anne's no fool, let's put a Howard everywhere, she says, everywhere the king looks. Now I have no quarrel with Richmond, except he was born out of wedlock. Can he reign? Ask yourselves this. How did the Tudors get the crown? By title? No. By force? Exactly. By God's grace they won the battle. The old king, he had such a fist as you will go many a mile to meet, he had great books into which he entered his grudges and he forgave, when? Never! That's how one rules, masters.’ He turns to his audience, to the councillors waiting and watching and to the gentlemen of the court and the bedchamber; to Henry Norris, to his friend William Brereton, to Master Secretary Gardiner; to, incidentally, as it happens, Thomas Cromwell, who is increasingly where he shouldn't be. He says, ‘The old king bred, and by the help of Heaven he bred sons. But when Arthur died, there were swords sharpened in Europe, and they were sharpened to carve up this kingdom. Henry that is now, he was a child, nine years old. If the old king had not staggered on a few more years, the wars would have been to fight all over again. A child cannot hold England. And a bastard child? God give me strength! And it's November again!’
It's hard to fault what the duke says. He understands it all; even that last cry, wrung from the duke's heart. It's November, and a year has passed since Howard and Brandon walked into York Place and demanded the cardinal's chain of office, and turned him out of his house.
There is a silence. Then someone coughs, someone sighs. Someone – probably Henry Norris – laughs. It is he who speaks. ‘The king has one child born in wedlock.’
Norfolk turns. He flushes, a deep mottled purple. ‘Mary?’ he says. ‘That talking shrimp?’
‘She will grow up.’
‘We are all waiting,’ Suffolk says. ‘She has now reached fourteen, has she not?’
‘But her face,’ Norfolk says, ‘is the size of my thumbnail.’ The duke shows off his digit to the company. ‘A woman on the English throne, it flies in the face of nature.’
‘Her grandmother was Queen of Castile.’
‘She cannot lead an army.’
‘Isabella did.’
Says the duke, ‘Cromwell, why are you here? Listening to the talk of gentlemen?’
‘My lord, when you shout, the beggars on the street can hear you. In Calais.’
Gardiner has turned to him; he is interested. ‘So you think Mary can rule?’
He shrugs. ‘It depends who advises her. It depends who she marries.’
Norfolk says, ‘We have to act soon. Katherine has half the lawyers of Europe pushing paper for her. This dispensation. That dispensation. The other dispensation with the different bloody wording that they say they've got in Spain. It doesn't matter. This has gone beyond paper.’
‘Why?’ Suffolk says. ‘Is your niece in foal?’
‘No! More's the pity. Because if she were, he'd have to do something.’
‘What?’ Suffolk says.
‘I don't know. Grant his own divorce?’
There is a shuffle, a grunt, a sigh. Some look at the duke; some look at their shoes. There's no man in the room who doesn't want Henry to have what he wants. Their lives and fortunes depend on it. He sees the path ahead: a tortuous path through a flat terrain, the horizon deceptively clear, the country intersected by ditches, and the present Tudor, a certain amount of mud bespattering his person and his face, fished gasping into clear air. He says, ‘That good man who pulled the king out of the ditch, what was his name?’
Norfolk says, drily, ‘Master Cromwell likes to hear of the deeds of those of low birth.’
He doesn't suppose any of them will know. But Norris says, ‘I know. His name was Edmund Mody.’
Muddy,