William Holmes McGuffey

McGuffey's Sixth Eclectic Reader


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ordinary manners, in private life, in the social circle, in the family. It can not well be superinduced upon all the other acquisitions of youth, any more than that nameless, but invaluable, quality called good breeding. Begin, therefore, the work of forming the orator with the child; not merely by teaching him to declaim, but what is of more consequence, by observing and correcting his daily manners, motions, and attitudes. You can say, when he comes into your apartment, or presents you with something, a book or letter, in an awkward and blundering manner, "Return, and enter this room again," or, "Present me that book in a different manner," or, "Put yourself in a different attitude." You can explain to him the difference between thrusting or pushing out his hand and arm, in straight lines and at acute angles, and moving them in flowing circular lines, and easy graceful action. He will readily understand you. Nothing is more true than that the motions of children are originally graceful; it is by suffering them to be perverted, that we lay the foundation of invincible awkwardness in later life.

      In schools for children, it ought to be a leading object to teach the art of reading. It ought to occupy threefold more time than it does. The teachers of these schools should labor to improve themselves. They should feel that to them, for a time, are committed the future orators of the land.

      It is better that a girl should return from school a first-rate reader, than a first-rate performer on the pianoforte. The accomplishment, in its perfection, would give more pleasure. The voice of song is not sweeter than the voice of eloquence; and there may be eloquent readers, as well as eloquent speakers. We speak of perfection in this art: and it is something, we must say in defense of our preference, which we have never yet seen. Let the same pains be devoted to reading, as are required to form an accomplished performer on an instrument; let us have, as the ancients had, the formers of the voice, the music masters of the reading voice; let us see years devoted to this accomplishment, and then we should be prepared to stand the comparison.

      Reading is indeed, a most intellectual accomplishment. So is music, too, in its perfection. We do by no means undervalue this noble and most delightful art, to which Socrates applied himself even in his old age. But one recommendation of the art of reading is, that it requires a constant exercise of mind. It involves, in its perfection, the whole art of criticism on language. A man may possess a fine genius without being a perfect reader; but he can not be a perfect reader without genius.

      ON MODULATION. (59)

      FROM LLOYD.

      'T is not enough the voice' be sound and clear',

       'T is modulation' that must charm the ear.

       When desperate heroes grieve with tedious moan,

       And whine their sorrows in a seesaw tone,

       The same soft sounds of unimpassioned woes,

       Can only make the yawning hearers doze.

      The voice all modes of passion can express

       That marks the proper word with proper stress:

       But none emphatic can that speaker call,

       Who lays an equal emphasis on all.

      Some o'er the tongue the labored measure roll,

       Slow and deliberate as the parting toll;

       Point every stop, mark every pause so strong,

       Their words like stage processions stalk along.

      All affectation but creates disgust;

       And e'en in speaking, we may seem too just.

       In vain for them' the pleasing measure flows,

       Whose recitation runs it all to prose:

       Repeating what the poet sets not down,

       The verb disjointing from its favorite noun,

       While pause, and break, and repetition join

       To make it discord in each tuneful line'.

      Some' placid natures fill the allotted scene

       With lifeless drawls, insipid and serene;

       While others' thunder every couplet o'er,

       And almost crack your ears with rant and roar;

       More nature oft, and finer strokes are shown

       In the low whisper than tempestuous tone;

       And Hamlet's hollow voice and fixed amaze,

       More powerful terror to the mind conveys

       Than he, who, swollen with impetuous rage,

       Bullies the bulky phantom of the stage.

      He who, in earnest studies o'er his part,

       Will find true nature cling about his heart.

       The modes of grief are not included all

       In the white handkerchief and mournful drawl:

       A single look' more marks the internal woe,

       Than all the windings of the lengthened Oh'!

       Table of Contents

       Table of Contents

      SELECTIONS FOR READING.

      I. ANECDOTE OF THE DUKE OF NEWCASTLE.

      A laughable story was circulated during the administration of the old Duke of Newcastle, and retailed to the public in various forms. This nobleman, with many good points, was remarkable for being profuse of his promises on all occasions, and valued himself particularly on being able to anticipate the words or the wants of the various persons who attended his levees, before they uttered a word. This sometimes led him into ridiculous embarrassment; and it was this proneness to lavish promises, which gave occasion for the following anecdote:

      At the election of a certain borough in Cornwall, where the opposite interests were almost equally poised, a single vote was of the highest importance. This object the Duke, by well applied argument and personal application, at length attained; and the gentleman he recommended, gained the election. In the warmth of gratitude, his grace poured forth acknowledgments and promises without ceasing, on the fortunate possessor of the casting vote; called him his best and dearest friend; protested, that he should consider himself as forever indebted to him; and that he would serve him by night or by day.

      The Cornish voter, who was an honest fellow, and would not have thought himself entitled to any reward, but for such a torrent of acknowledgments, thanked the Duke for his kindness, and told him the supervisor of excise was old and infirm, and, if he would have the goodness to recommend his son-in-law to the commissioners, in case of the old man's death, he should think himself and his family bound to render his grace every assistance in their power, on any future occasion.

      "My dear friend, why do you ask for such a trifling employment?" exclaimed his grace; "your relative shall have it the moment the place is vacant, if you will but call my attention to it."

      "But how shall I get admitted to you, my lord? For in London, I understand, it is a very difficult business to get a sight of you great folks, though you are so kind and complaisant to us in the country."

      "The instant the man dies," replied the Duke, "set out posthaste for London; drive directly to my house, and, be it by night or by day, thunder at the door; I will leave word with my porter to show you upstairs directly; and the employment shall be disposed of according to your wishes."

      The parties separated; the Duke drove to a friend's house in the neighborhood, without a wish or desire to see his new acquaintance till that day seven years; but the memory of the Cornish