Abi Andrews

The Word for Woman Is Wilderness


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and her pup, who is too fat and small to clamber out onto the ice when some killer whales chase it because they are hungry. Then we harpoon the killer whales to rescue the baby. Then we sit down to a bowl of seal stew.

      Scott and his men died to put a flag at the South Pole. This is where the fine line between exploration and imperialism was crossed. The expedition was not an exercise in curiosity and adventure but a race of nationalistic pride. Men just love to stick their flags in places. North Pole, South Pole, on the seabed underneath the North Pole, on the tops of mountains, on the moon. Like territorial animals pissing on things.

      Annie Smith Peck was a mountaineer who beat Indiana Jones to the summit of Mount Coropuna and stuck a ‘votes for women’ flag on the top of it. She was one of a handful of female explorers to be recognised for her success. Okay, ladies, Annie Smith Peck can have that one, although she is a ‘superwoman’ so don’t you mere mortal women go getting any ideas.

      People go mad for that stuff still now, this boyish British Peter Pan nostalgia for exploration and empire. Scouting and wilderness techniques and Bear Grylls, the zealous Christian outdoorsman on the Discovery Channel. When it came out Scouting for Boys was only beaten as a bestseller by the Bible. It actually came out after the imperial age of Scott and Shackleton when British masculinity was feeling threatened by the waning strength of empire and the rise of the women’s rights movement. The emasculation of men. Which is maybe what the current resurgence of Mountain Man documentaries on television is all about. And they made Bear Grylls the new Chief Scout.

      I want my documentary to be the opposite of colonial exploitation. I want it to explore, quietly, without imprinting. To be porous to all things without contaminating. I want it to be conscious of its tracks in the snow (I did get footage of this to use to that purpose).

       THE RESURRECTION OF RACHEL CARSON

      Today I ride with Genen again. I go to the furthest places at times like this, when I am stationary in transit and alone with just my own head. I fell asleep and had a dream about Rachel Carson. I was in the ‘woods’ that are near my house, which really is just a square of lank trees they did not cut down when they built the estate. It is also laced with radon. It is kind of a recreational area for the housing estate, where everyone walks their dogs. It stinks of dog shit. Mum told me not to play in there when I was young in case it somehow got in my eyes and I got blinded by the shit.

      I was in the woods, standing in the woods and being very still because I could hear buzzing and I was trying to figure out which way not to walk. Then next to me what I had taken for a very ordinary mound of undergrowth started to move. It began to rise in the horizontal shape of a human body. The human shape pulled up all the turf around it as it began to sit up, plucking the plant roots out of the soil like snapping violin strings. They made a noise like that, pluck pluck pluck. When the human shape had sat up it started to brush itself down, its clothes caked in mud and its skin smeared with dirt and dog shit. I recognised Rachel Carson even though I don’t know what she looks like and her face was just a smudge with lichen for eyes.

      ‘Pigeons are suddenly dropping out of the sky dead.’

      I was not sure if she was addressing me. It was hard to tell what way her lichen eyes were facing, but her head was turned away from me anyway. Then I woke up from pins and needles because Genen was sat with his femur digging into my shin.

       FIRST FOOTPRINTS IN THE FRESH SNOW

      Every day here is just a slight variation on the first, differentiated by switching sledges, sluggish topics of conversation, and a sky that will sometimes bleed dramatically pink to orange like the belly of a rainbow trout. Sometimes there are strong winds. The constants are the smell of the dogs, wincing at the whip-crack, tensing for the snowdrifts, pins and needles, and the white nothing. I am trying to stay proactive and read but I am kind of too bored to concentrate.

      A THOUGHT: This nothingness is going to be a very prominent part of the trip. Lots and lots of sitting around, waiting on things, being in transit, but out on the ice like on the ocean this is intensified, your own small contours marked out against the vastness of ether, so that you look at your hands out in front of you and follow the line of your fingers up and down and think, I end here, all of me fills up this container that is my body.

      Like proprioception. I keep on thinking that this is the closest I will ever come to moonwalking. There are parallels: the same bulky outerwear, the same being-in-emptiness. Yes, it is almost like moonwalking.

      All day I was with Urla and we did not speak more than ten words. Today is day nine, entries are sparse because, mostly, I had nothing to say. It is hard to think with no stimulation. Doing nothing is exhausting. We have slipped into this kind of mental hibernation, except Umik and Amos, who have their tasks to occupy them. Mostly I have been sleeping lots and dreaming vividly. And the ice has saturated my dreams. After a while nothingness becomes potent and textured because of the sense of what is absent. Things are evoked more than if they were actually there: colours, heights, depths. Slight changes in the monochrome landscape come out in relief. When the ice-mountains precipitate onto the horizon they appear as a whisper and disappear as quietly. The horizon is the only spatial marker and it is always on the horizon. We are perpetually at the centre of nothing.

      It feels like trespassing to be alive in a place that is not dead but is inexistence, negation of potentiality. Anything alive is only ever passing through. I cannot put a word on it and when I try I can only think ‘primordial,’ but that word entails potential because a beginning initiates a narrative. The one I want is the very opposite of origin.

      Words are getting harder and I am starting to think like the ice; without contrast there is no definition. The ice is self-referential and there is no way into the tautology. I cannot get my bearings if there is nothing to grasp.

       THESE ARE SHINING PARTS

      I was sorry to leave Umik behind to look after the dogs and sleds. We all hugged goodbye awkwardly, which made him visibly uncomfortable. It felt strange to be walking, and to be walking off the packed snow. I thought permafrost was a permanent frost that kept the ground crispy, but Amos explained it is underneath the ground, and keeps the water up so everything is actually wet and boggy. It was a difficult walk with all the sucking mud, and the weight of our rucksacks. It got a bit warm, even with the wind, so we had to take our coats off, but the wet brings all the insects out and some of them were biting through our thinner sleeves.

      I had managed to walk all that way without looking up much from where my feet were going and what insects I was slapping into my skin so it did not even occur to me that the ice was gone until we started driving. Amos was so excited to be in a car, he drove the whole way with the window down and his arm resting on the door, which made it cold in the back but neither of us wanted to say anything. He was talking to his brother, who picked us up in his 4x4, all animated, which suited me because I like to zone out when people are talking a language I do not understand.

      Then I started to look out of the window and it hit me how colourful everything was. Not really objectively, but in such contrast it nearly hurt my eyes. All this space just mossy and vaguely pink and it just went on and on and on. It hardly changed for the whole journey, flickering on in muted colours, and in front and behind the road was a thin wisp existing through it. The only shape to change was the twisting spine of the mountains.

      Wilderness, vast open spaces untouched and just left be. Not a reserve portioned off as a space where you are supposed to go and be recreational. It made me think of Alaska, and how much left I have to see, and how out here it is easy to imagine yourself alone and happy in it.

      As I watched the landscape thaw I thought I felt my spirit thawing a little with it. As if there was something deep inside me that was frozen and had maybe always been frozen and like an Alaskan wood frog frozen dormant for winter it was beginning to wake up to the world again with the spring.

      A RECURRING FEELING: getting excited like forgetting something and then remembering you already did it, like I was waiting for a phone call from Mum asking me what the hell I thought I was doing, young lady, and to come home right now, but realising, nope, she was not going to.