Mark Burnell

Chameleon


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family were burying you after your fatal car crash. Remember?’

      Stephanie ignored the barb. There were five photographs taken on a beach. Bamburgh, perhaps, or maybe Seahouses. Those were the beaches Stephanie’s parents had taken them to as children. They’d remained popular with Christopher and Jane and their children. She saw James and Polly running through ankle-deep surf, Christopher with his trousers rolled up to the knee, Philip on his shoulders, tiny hands in his hair. It looked like a windy day. As she remembered them, they always were. There was a golden retriever in two of the shots. She wanted to know if it was theirs but knew she couldn’t ask. The final photographs were taken at their home, overlooking Falstone; Christopher rounding up sheep in the field below the paddock, Jane captured in the bathroom window, unfastening her bra, unaware. Stephanie recognized an implied threat when she saw it.

      She put the prints on the table. ‘I imagine there’s a point to this.’

      ‘Been to Paris recently?’

      She said nothing.

      ‘What do you know about James Marshall?’

      ‘Never heard of him.’

      ‘How about Oleg Rogachev?’

      ‘No.’

      Alexander finally lit his cigarette. ‘Ever heard of a man named Koba?’

      ‘No.’

      ‘Another Russian.’

      ‘I would never have guessed.’

      ‘Not even when you were Petra?’

      ‘No.’

      ‘I have a proposition for you …’

      ‘Not a chance.’

      ‘You haven’t heard it yet.’

      ‘It doesn’t matter. I’m not interested.’

      ‘You will be. So why don’t you sit down and listen?’

      She remained standing.

      Alexander looked bored. ‘I’m not leaving until you hear me out.’

      ‘Then get on with it.’

      ‘You have no right to expect any leniency from me, you know. You belonged to Magenta House. You still do. The last four years count for nothing. You should bear that in mind when you consider my proposition, which is this: one job in two or three parts –’

      ‘No.’

      Alexander continued as though he hadn’t heard her. ‘Afterwards … well, you’ll be free. You won’t have to see me again. A pleasure for both of us, I’m sure.’

      ‘No.’

      ‘Stephanie …’

      ‘You don’t understand. I can’t work for you again.’

      ‘You mean, you won’t.’

      ‘I mean, I can’t. I’ve changed.’

      ‘We’ve all changed. Some of us more than others. But no one changes quite like you. Changing is what you do best, Stephanie. And once you’ve changed into Petra Reuter and taken care of business, you’ll be free to change back into who you are now. Or anyone else you might want to be.’

      ‘Didn’t you hear what I said? I’ll never work for you again. I’d sooner be dead.’

      Alexander took a long, theatrical drag, then exhaled slowly, smoke spilling from his nostrils. ‘I don’t expect you to agree. Not here, not now. You have your pride. But when you manage to put that to one side, you’ll see that this is a good offer.’ He picked up the photographs from the table. ‘It’s Monday afternoon now. I’ll expect you at Magenta House by the end of the week.’

      ‘You must be out of your mind.’

      His shrug was dismissive. ‘You seem to have made a good life for yourself here. Why ruin it? Why go back on the run? Which is what you’ll have to do. Think about it. You can set yourself free.’ He was about to put the photographs back into his briefcase but changed his mind. ‘I’ll leave these with you.’

      ‘You don’t really think you’ll see me again, do you?’

      ‘Were you really going to shoot me?’

      ‘Yes.’

      ‘But you didn’t.’ He headed for the terrace, then paused. On the slate worktop, next to the sink, were the drawings she’d made of the shepherd’s hut the previous afternoon. He picked one up and examined it. ‘Yours?’

      ‘Get out.’

      He dropped the sketch back onto the pile with casual contempt. ‘You should stick to killing people, Stephanie. That’s where your real talent lies.’

      ‘I’m retired.’

      Alexander smiled. She wasn’t sure she’d ever seen him do that. He said, ‘You’re twenty-seven. You’re too young to retire.’

      Stephanie watched Alexander walk down the track towards the road. She hadn’t noticed a car on her return from Entrecasteaux. Perhaps he had a driver nearby. She didn’t wait for him to fade from view.

       You can make a home for yourself, you can make a life for yourself, but don’t make anything for yourself that you can’t walk away from in a second.

      There was no need to think. The procedure was self-activating.

      She collected a paring knife from a kitchen drawer and went upstairs to her bedroom. Beneath her bed, there was an old leather suitcase with brass locks. She opened it and slit the stained fabric lining near the bottom, so that the contents would not be damaged. A German passport in the name of Franka Müller and two thousand Deutschmarks. That was enough to get her to Helsinki. There, in a safe-deposit box at the 1572 Senaatintori branch of the Merita-Nordbanken on Aleksanterinkatu, the ingredients of Franka Müller’s life awaited collection; keys to a rented bed-sit in Berlin that was paid for monthly by direct debit to a management agency, a birth certificate, a valid American Express card, a German driving licence, personal bank records. A dormant but complete identity.

      She opened the cupboard to the right of the bed and stood on a chair so that she could reach the back of the top shelf. Behind an old shoe-box, there was a small black rucksack. Everything was already packed; some underwear, socks, a pair of trainers, a pair of black jeans (now probably too tight), a couple of T-shirts, a sweatshirt, a thin grey anorak with a hood. Also, a wash-bag containing a few toiletries and a medical pack that included sutures, disinfectant and painkillers.

      Stephanie looked at her watch. It was only ten thirty. Traffic permitting, she’d be at Nice airport by twelve thirty. From there, one way or another, she’d make sure she was in Helsinki before the end of the day. Tomorrow, once she’d gathered the rest of Franka Müller, she would have the whole world in which to lose herself. Tomorrow, there would be no trace of Stephanie Schneider left on the planet.

      Seven fifteen. Masson entered the kitchen from the terrace, as he sometimes did, and stopped. On the floor, there was smashed crockery, shattered glass, cutlery. The wooden chair that had been next to the fridge was broken. Not just a slat here or a leg there, but destroyed.

      He shouted her name but got no response.

      In the sitting room, books had been torn from their shelves and hurled about the room. A turquoise china vase lay in pieces in the cast-iron grate. He ran upstairs to the bedroom; untouched, she wasn’t in it. Back in the kitchen, he noticed blood for the first time. A trail of glossy drops led through the back door and vanished into the coarse grass outside. He looked up and saw her sitting beneath an olive tree, legs dangling over a stone ledge.

      ‘Stephanie!’

      She’d been ready to leave before Alexander had reached the road. But she hadn’t. She’d hesitated. Now, she found she couldn’t remember quite why. An hour had passed.