S.S. Van Dine

The Greatest Works of S. S. Van Dine (Illustrated Edition)


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ain’t it?”

      “Anyway,” argued Heath, “Cleaver’s statement about phoning Odell at twenty minutes to twelve, and a man answering, is verified by Jessup’s testimony. And I guess Cleaver saw Lindquist all right that night, for it was him who first tipped us off about the doc. He took a chance doing it, because the doc was liable to tell us he saw Cleaver.”

      “But if Cleaver had an allurin’ alibi,” said Vance, “he could simply have said the doctor was lying. However, whether you accept Cleaver’s absorbin’ legend or not, you can take my word for it there was a visitor, other than Skeel, in the Odell apartment that night.”

      “That’s all right, too,” conceded Heath reluctantly. “But, even so, this other fellow is only valuable to us as a possible source of evidence against Skeel.”

      “That may be true, Sergeant.” Markham frowned perplexedly. “Only, I’d like to know how that side door was unbolted and then rebolted on the inside. We know now that it was open around midnight, and that Mannix and Cleaver both used it.”

      “You worry so over trifles,” said Vance negligently. “The door problem will solve itself once we discover who was keeping company with Skeel in the Canary’s gilded cage.”

      “I should say it boils down to Mannix, Cleaver, and Lindquist. They were the only three at all likely to be present; and if we accept Cleaver’s story in its essentials, each of them had an opportunity of getting into the apartment between half past eleven and midnight.”

      “True. But you have only Cleaver’s word that Lindquist was in the neighborhood. And that evidence, uncorroborated, can’t be accepted as the lily-white truth.”

      Heath stirred suddenly and looked at the clock.

      “Say, what about that nurse you wanted at eleven o’clock?”

      “I’ve been worrying horribly about her for an hour.” Vance appeared actually troubled. “Really, y’ know, I haven’t the slightest desire to meet the lady. I’m hoping for a revelation, don’t y’ know. Let’s wait for the doctor until half past ten, Sergeant.”

      He had scarcely finished speaking when Swacker informed Markham that Doctor Lindquist had arrived on a mission of great urgency. It was an amusing situation. Markham laughed outright, while Heath stared at Vance with uncomprehending astonishment.

      “It’s not necromancy, Sergeant,” smiled Vance. “The doctor realized yesterday that we were about to catch him in a falsehood; so he decided to forestall us by explaining personally. Simple, what?”

      “Sure.” Heath’s look of wonderment disappeared.

      As Doctor Lindquist entered the room I noted that his habitual urbanity had deserted him. His air was at once apologetic and apprehensive. That he was laboring under some great strain was evident.

      “I’ve come, sir,” he announced, taking the chair Markham indicated, “to tell you the truth about Monday night.”

      “The truth is always welcome, doctor,” said Markham encouragingly.

      Doctor Lindquist bowed agreement.

      “I deeply regret that I did not follow that course at our first interview. But at that time I had not weighed the matter sufficiently; and, having once committed myself to a false statement, I felt I had no option but to abide by it. However, after more mature consideration, I have come to the conclusion that frankness is the wiser course.—The fact is, sir, I was not with Mrs. Breedon Monday night between the hours I mentioned. I remained at home until about half past ten. Then I went to Miss Odell’s house, arriving a little before eleven. I stood outside in the street until half past eleven; then I returned home.”

      “Such a bare statement needs considerable amplification.”

      “I realize it, sir; and I am prepared to amplify it.” Doctor Lindquist hesitated, and a strained look came into his white face. His hands were tightly clinched. “I had learned that Miss Odell was going to dinner and the theatre with a man named Spotswoode; and the thought of it began to prey on my mind. It was Spotswoode to whom I owed the alienation of Miss Odell’s affections; and it was his interference that had driven me to my threat against the young woman. As I sat at home that night, letting my mind dwell morbidly on the situation, I was seized by the impulse to carry out that threat. Why not, I asked myself, end the intolerable situation at once? And why not include Spotswoode in the débâcle? . . .”

      As he talked he became more and more agitated. The nerves about his eyes had begun to twitch, and his shoulders jerked like those of a man attempting vainly to control a chill.

      “Remember, sir, I was suffering agonies, and my hatred of Spotswoode seemed to cloud my reason. Scarcely realizing what I was doing, and yet operating under an irresistible determination, I put my automatic in my pocket and hurried out of the house. I thought Miss Odell and Spotswoode would be returning from the theatre soon, and I intended to force my way into the apartment and perform the act I had planned. . . . From across the street I saw them enter the house—it was about eleven then—but, when I came face to face with the actuality, I hesitated. I delayed my revenge; I—I played with the idea, getting a kind of insane satisfaction out of it—knowing they were now at my mercy. . . .”

      His hands were shaking as with a coarse tremor; and the twitching about his eyes had increased.

      “For half an hour I waited, gloating. Then, as I was about to go in and have it over with, a man named Cleaver came along and saw me. He stopped and spoke. I thought he might be going to call on Miss Odell, so I told him she already had a visitor. He then went on toward Broadway, and while I was waiting for him to turn the corner, Spotswoode came out of the house and jumped into a taxicab that had just driven up. . . . My plan had been thwarted—I had waited too long. Suddenly I seemed to awake as from some terrible nightmare. I was almost in a state of collapse, but I managed to get home. . . . That’s what happened—so help me God!”

      He sank back weakly in his chair. The suppressed nervous excitement that had fired him while he spoke had died out, and he appeared listless and indifferent. He sat several minutes breathing stertorously, and twice he passed his hand vaguely across his forehead. He was in no condition to be questioned, and finally Markham sent for Tracy and gave orders that he was to be taken to his home.

      “Temporary exhaustion from hysteria,” commented Vance indifferently. “All these paranoia lads are hyperneurasthenic. He’ll be in a psychopathic ward in another year.”

      “That’s as may be, Mr. Vance,” said Heath, with an impatience that repudiated all enthusiasm for the subject of abnormal psychology. “What interests me just now is the way all these fellows’ stories hang together.”

      “Yes,” nodded Markham. “There is undeniably a groundwork of truth in their statements.”

      “But please observe,” Vance pointed out, “that their stories do not eliminate any one of them as a possible culprit. Their tales, as you say, synchronize perfectly; and yet, despite all that neat co-ordination, any one of the three could have got into the Odell apartment that night. For instance: Mannix could have entered from Apartment 2 before Cleaver came along and listened; and he could have seen Cleaver going away when he himself was leaving the Odell apartment.—Cleaver could have spoken to the doctor at half past eleven, walked to the Ansonia, returned a little before twelve, gone into the lady’s apartment, and come out just as Mannix opened Miss Frisbee’s door.—Again, the excitable doctor may have gone in after Spotswoode came out at half past eleven, stayed twenty minutes or so, and departed before Cleaver returned from the Ansonia. . . . No; the fact that their stories dovetail doesn’t in the least tend to exculpate any one of them.”

      “And,” supplemented Markham, “that cry of ‘Oh, my God!’ might have been made by either Mannix or Lindquist—provided Cleaver really heard it.”

      “He heard it unquestionably,” said Vance. “Some one in the apartment was invoking the Deity around midnight. Cleaver hasn’t sufficient sense of the dramatic to fabricate such a