In rear of the house, a wall white and new like the rest, encloses a space in which a drum major could not lie at full length. This is called the garden. Issuing shiveringly from the earth is a little tree, long, spare and sickly, which seems always to be in winter, for it has not a single leaf. This broom is called a poplar. The remainder of the garden is strewn with old potsherds and bottoms of bottles. Among them one notices two or three list slippers. In a corner on top of a heap of oyster shells is an old tin watering can, painted green, dented, rusty and cracked, inhabited by slugs which silver it with their trails of slime.
Let us enter the hovel. In the other you will find perhaps a ladder “rickety,” as Regnier says, “from the top to the bottom.” Here you will find a staircase.
This staircase, “ornamented” with brass-knobbed banisters, has fifteen or twenty wooden steps, high, narrow, with sharp angles, which rise perpendicularly to the first floor and turn upon themselves in a spiral of about eighteen inches in diameter. Would you not be inclined to ask for a ladder?
At the top of these stairs, if you get there, is the room.
To give an idea of this room is difficult. It is the “new hovel” in all its abominable reality. Wretchedness is everywhere; a new wretchedness, which has no past, no future, and which cannot take root anywhere. One divines that the lodger moved in yesterday and will move out tomorrow. That he arrived without saying whence he came, and that he will put the key under the door when he goes away.
The wall is “ornamented” with dark blue paper with yellow flowers, the window is “ornamented” with a curtain of red calico in which holes take the place of flowers. There is in front of the window a rush-bottom chair with the bottom worn out; near the chair a stove; on the stove a stewpot; near the stewpot a flowerpot turned upside down with a tallow candle stuck in the hole; near the flowerpot a basketful of coal which evokes thoughts of suicide and asphyxiation; above the basket a shelf encumbered with nameless objects, distinguishable among which are a worn broom and an old toy representing a green rider on a crimson horse. The mantelpiece, mean and narrow, is of blackish marble with a thousand little white blotches. It is covered with broken glasses and unwashed cups. Into one of these cups a pair of tin rimmed spectacles is plunging. A nail lies on the floor. In the fireplace a dishcloth is hanging on one of the fire-iron holders. No fire either in the fireplace or in the stove. A heap of frightful sweepings replaces the heaps of cinders. No looking glass on the mantelpiece, but a picture of varnished canvas representing a nude negro at the knees of a white woman in a decolletée ball dress in an arbour. Opposite the mantelpiece, a man’s cap and a woman’s bonnet hang from nails on either side of a cracked mirror.
At the end of the room is a bed. That is to say, a mattress laid on two planks that rest upon a couple of trestles. Over the bed, other boards, with openings between them, support an undesirable heap of linen, clothes and rags. An imitation cashmere, called “French cashmere,” protrudes between the boards and hangs over the pallet.
Mingled with the hideous litter of all these things are dirtiness, a disgusting odour, spots of oil and tallow, and dust everywhere. In the corner near the bed stands an enormous sack of shavings, and on a chair beside the sack lies an old newspaper. I am moved by curiosity to look at the title and the date. It is the “Constitutionnel” of April 25, 1843.
And now what can I add? I have not told the most horrible thing about the place. The house is odious, the room is abominable, the pallet is hideous; but all that is nothing.
When I entered a woman was sleeping on the bed—a woman old, short, thickset, red, bloated, oily, tumefied, fat, dreadful, enormous. Her frightful bonnet, which was awry, disclosed the side of her head, which was grizzled, pink and bald.
She was fully dressed. She wore a yellowish fichu, a brown skirt, a jacket, all this on her monstrous abdomen; and a vast soiled apron like the linen trousers of a convict.
At the noise I made in entering she moved, sat up, showed her fat legs, that were covered with unqualifiable blue stockings, and with a yawn stretched her brawny arms, which terminated with fists that resembled those of a butcher.
I perceived that the old woman was robust and formidable.
She turned towards me and opened her eyes. I could not see them.
“Monsieur,” she said, in a very gentle voice, “what do you want?”
When about to speak to this being I experienced the sensation one would feel in presence of a sow to which it behoved one to say: “Madam.”
I did not quite know what to reply, and thought for a moment. Just then my gaze, wandering towards the window, fell upon a sort of picture that hung outside like a sign. It was a sign, as a matter of fact, a picture of a young and pretty woman, decolletée, wearing an enormous beplumed hat and carrying an infant in her arms; the whole in the style of the chimney boards of the time of Louis XVIII. Above the picture stood out this inscription in big letters:
Mme. BECOEUR
Midwife
BLEEDS AND VACCINATES
“Madam,” said I, “I want to see Mme. Bécoeur.”
The sow metamorphosed into a woman replied with an amiable smile:
“I am Mme. Bécoeur, Monsieur.”
II. PILLAGE. THE REVOLT IN SANTO DOMINGO.
I thought that I must be dreaming. None who did not witness the sight could form any idea of it. I will, however, endeavour to depict something of it. I will simply recount what I saw with my own eyes. This small portion of a great scene minutely reproduced will enable you to form some notion as to the general aspect of the town during the three days of pillage. Multiply these details ad libitum and you will get the ensemble.
I had taken refuge by the gate of the town, a puny barrier made of long laths painted yellow, nailed to cross laths and sharpened at the top. Near by was a kind of shed in which some hapless colonists, who had been driven from their homes, had sought shelter. They were silent and seemed to be petrified in all the attitudes of despair. Just outside of the shed an old man, weeping, was seated on the trunk of a mahogany tree which was lying on the ground and looked like the shaft of a column. Another vainly sought to restrain a white woman who, wild with fright, was trying to flee, without knowing where she was going, through the crowd of furious, ragged, howling negroes.
The negroes, however, free, victorious, drunk, mad, paid not the slightest attention to this miserable, forlorn group of whites. A short distance from us two of them, with their knives between their teeth, were slaughtering an ox, upon which they were kneeling with their feet in its blood. A little further on two hideous negresses, dressed as marchionesses, covered with ribbons and pompons, their breasts bare, and their heads encumbered with feathers and laces, were quarrelling over a magnificent dress of Chinese satin, which one of them had grasped with her nails while the other hung on to it with her teeth. At their feet a number of little blacks were ransacking a broken trunk from which the dress had been taken.
The rest was incredible to see and impossible to describe. It was a crowd, a mob, a masquerade, a revel, a hell, a terrible buffoonery. Negroes, negresses and mulattoes, in every posture, in all manner of disguises, displayed all sorts of costumes, and what was worse, their nudity.
Here was a pot-bellied, ugly mulatto, of furious mien, attired like the planters, in a waistcoat and trousers of white material, but with a bishop’s mitre on his head and a crosier in his hand. Elsewhere three or four negroes with three-cornered hats stuck on their heads and wearing red or blue military coats with the shoulder belts crossed upon their black skin, were harassing an unfortunate militiaman they had captured, and who, with his hands tied behind his back, was being dragged through the town. With loud bursts of laughter they slapped his powdered hair and pulled his long pigtail. Now and then