feet unconsciously against the bosom of Charmion, who lay across the foot of the bed to serve her as a cushion.
When she awoke, a merry sunbeam was playing through the window curtain, whose woof it penetrated with a thousand tiny points of light, and thence came familiarly to the bed, flitting like a golden butterfly over her lovely shoulders, which it lightly touched in passing by with a luminous kiss. Happy sunbeam, which the gods might well have envied.
In a faint voice, like that of a sick child, Cleopatra asked to be lifted out of bed. Two of her women raised her in their arms and gently laid her on a tiger-skin stretched upon the floor, of which the eyes were formed of carbuncles and the claws of gold. Charmion wrapped her in calasiris of linen whiter than milk, confined her hair in a net of woven silver threads, tied to her little feet cork tatbebs upon the soles of which were painted, in token of contempt, two grotesque figures, representing two men of the races of Nahasi and Nahmou, bound hand and foot, so that Cleopatra literally deserved the epithet, "Conculcatrix of Nations,"[1] which the royal cartouche inscriptions bestow upon her.
It was the hour for the bath. Cleopatra went to bathe, accompanied by her women.
The baths of Cleopatra were built in the midst of immense gardens filled with mimosas, aloes, carob-trees, citron-trees, and Persian apple-trees, whose luxuriant freshness afforded a delicious contrast to the arid appearance of the neighboring vegetation. There, too, vast terraces uplifted masses of verdant foliage, and enabled flowers to climb almost to the very sky upon gigantic stairways of rose-colored granite; vases of Pentelic marble bloomed at the end of each step like huge lily-flowers, and the plants they contained seemed only their pistils; chimeras caressed into form by the chisels of the most skilful Greek sculptors, and less stern of aspect than the Egyptian sphinxes, with their grim mien and moody attitudes, softly extended their limbs upon the flower-strewn turf, like shapely white leverettes upon a drawing-room carpet. These were charming feminine figures, with finely chiselled nostrils, smooth brows, small mouths, delicately dimpled arms, breasts fair-rounded and daintily formed; wearing earrings, necklaces, and all the trinkets suggested by adorable caprice; whose bodies terminated in bifurcated fishes' tails, like the women described by Horace, or extended into birds' wings, or rounded into lions' haunches, or blended into volutes of foliage, according to the fancies of the artist or in conformity to the architectural position chosen. A double row of these delightful monsters lined the alley which led from the palace to the bathing halls.
At the end of this alley was a huge fountain-basin, approached by four porphyry stairways. Through the transparent depths of the diamond-clear water the steps could be seen descending to the bottom of the basin, which was strewn with gold-dust in lieu of sand. Here figures of women terminating in pedestals like Caryatides[2] spurted from their breasts slender jets of perfumed water, which fell into the basin in silvery dew, pitting the clear watery mirror with wrinkle-creating drops. In addition to this task these Caryatides had likewise that of supporting upon their heads an entablature decorated with Nereids and Tritons in bas-relief, and furnished with rings of bronze to which the silken cords of a velarium might be attached. From the portico was visible an extending expanse of freshly humid, bluish-green verdure and cool shade, a fragment of the Vale of Tempe transported to Egypt. The famous gardens of Semiramis would not have borne comparison with these.
We will not pause to describe the seven or eight other halls of various temperature, with their hot and cold vapors, perfume boxes, cosmetics, oils, pumice stone, gloves of woven horsehair, and all the refinements of the antique balneatory art brought to the highest pitch of voluptuous perfection.
Hither came Cleopatra, leaning with one hand upon the shoulder of Charmion. She had taken at least thirty steps all by herself. Mighty effort, enormous fatigue! A tender tint of rose commenced to suffuse the transparent skin of her cheeks, refreshing their passionate pallor; a blue network of veins relieved the amber blondness of her temples; her marble forehead, low like the antique foreheads, but full and perfect in form, united by one faultless line with a straight nose, finely chiselled as a cameo, with rosy nostrils which the least emotion made palpitate like the nostrils of an amorous tigress; the lips of her small, rounded mouth, slightly separated from the nose, wore a disdainful curve; but an unbridled voluptuousness, an indescribable vital warmth, glowed in the brilliant crimson and humid lustre of the under lip. Her eyes were shaded by level eyelids, and eyebrows slightly arched and delicately outlined. We cannot attempt by description to convey an idea of their brilliancy. It was a fire, a languor, a sparkling limpidity which might have made even the dog-headed Anubis giddy. Every glance of her eyes was in itself a poem richer than aught of Homer or Mimnermus. An imperial chin, replete with force and power to command, worthily completed this charming profile.
She stood erect upon the upper step of the basin, in an attitude full of proud grace; her figure slightly thrown back, and one foot in suspense, like a goddess about to leave her pedestal, whose eyes still linger on heaven. Her robe fell in two superb folds from the peaks of her bosom to her feet in unbroken lines. Had Cleomenes been her contemporary and enjoyed the happiness of beholding her thus, he would have broken his Venus in despair.
Before entering the water she bade Charmion, for a new caprice, to change her silver hair-net; she preferred to be crowned with reeds and lotos-flowers, like a water divinity. Charmion obeyed, and her liberated hair fell in black cascades over her shoulders, and shadowed her beautiful cheeks in rich bunches, like ripening grapes.
Then the linen tunic, which had been confined only by one golden clasp, glided down over her marble body, and fell in a white cloud at her feet, like the swan at the feet of Leda. …
And Meïamoun, where was he?
Oh cruel lot, that so many insensible objects should enjoy the favors which would ravish a lover with delight! The wind which toys with a wealth of perfumed hair, or kisses beautiful lips with kisses which it is unable to appreciate; the water which envelops an adorably beautiful body in one universal kiss, and is yet, notwithstanding, indifferent to that exquisite pleasure; the mirror which reflects so many charming images; the buskin or tatbeb which clasps a divine little foot—oh, what happiness lost!
Cleopatra dipped her pink heel in the water and descended a few steps. The quivering flood made a silver belt about her waist, and silver bracelets about her arms, and rolled in pearls like a broken necklace over her bosom and shoulders; her wealth of hair, lifted by the water, extended behind her like a royal mantle; even in the bath she was a queen. She swam to and fro, dived, and brought up handfuls of gold-dust with which she laughingly pelted some of her women. Again, she clung suspended to the balustrade of the basin, concealing or exposing her treasures of loveliness—now permitting only her lustrous and polished back to be seen, now showing her whole figure, like Venus Anadyomene, and incessantly varying the aspects of her beauty.
Suddenly she uttered a cry as shrill as that of Diana surprised by Actæon. She had seen gleaming through the neighboring foliage a burning eye, yellow and phosphoric as the eye of a crocodile or lion.
It was Meïamoun, who, crouching behind a tuft of leaves, and trembling like a fawn in a field of wheat, was intoxicating himself with the dangerous pleasure of beholding the queen in her bath. Though brave even to temerity, the cry of Cleopatra passed through his heart, coldly piercing as the blade of a sword. A death-like sweat covered his whole body; his arteries hissed through his temples with a sharp sound; the iron hand of anxious fear had seized him by the throat and was strangling him.
The eunuchs rushed forward, lance in hand. Cleopatra pointed out to them the group of trees, where they found Meïamoun crouching in concealment. Defence was out of the question. He attempted none, and suffered himself to be captured. They prepared to kill him with that cruel and stupid impassibility characteristic of eunuchs; but Cleopatra, who, in the interim, had covered herself with her calasiris, made signs to them to stop, and bring the prisoner before her.
Meïamoun could only fall upon his knees and stretch forth suppliant hands to her, as to the altars of the gods.
"Are you some assassin bribed by Rome, or for what purpose have you entered